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Nell Walden, Der Sturm, and the Collaborative Cultures of Modern Art

2022 Art and society
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Release : 2022
Genre : Art and society
Kind : eBook
Book Rating : 876/5 ( reviews)

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Book Synopsis Nell Walden, Der Sturm, and the Collaborative Cultures of Modern Art by : Jessica Sjöholm

Download or read book Nell Walden, Der Sturm, and the Collaborative Cultures of Modern Art written by Jessica Sjöholm. This book was released on 2022. Available in PDF, EPUB and Kindle. Book excerpt: "Based on hitherto overlooked archival material, this book reveals Nell Walden's significant impact on the Sturm organisation through a feminist reading of supportive labour that highlights the centrality of collaborative work within the modern art world. This book introduces Walden as an ardent collector of modernist and indigenous art and critically contextualises her own art production in relation to expressionist concepts of art and to gendered ideas on abstraction and decoration. Visual analyses highlight how she collaborated with professional and experimental women photographers during the Weimar era and how the circulation of these photographs served as a means to intervene in the public sphere of culture in interwar Germany. Finally, the book provides an analysis of Walden's continuing work for Der Sturm after her voluntary exile from Germany to Switzerland in 1933 and highlights the importance of women's supportive labour for the canonisation and institutionalisation of modern art in museums and archives. The book will be of interest to scholars working in art history, visual studies, and gender studies"--

Nell Walden, Der Sturm, and the Collaborative Cultures of Modern Art

2021-12-30 Art
Download Nell Walden, Der Sturm, and the Collaborative Cultures of Modern Art PDF Online Free

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Release : 2021-12-30
Genre : Art
Kind : eBook
Book Rating : 131/5 ( reviews)

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Book Synopsis Nell Walden, Der Sturm, and the Collaborative Cultures of Modern Art by : Jessica Sjöholm Skrubbe

Download or read book Nell Walden, Der Sturm, and the Collaborative Cultures of Modern Art written by Jessica Sjöholm Skrubbe. This book was released on 2021-12-30. Available in PDF, EPUB and Kindle. Book excerpt: Based on hitherto overlooked archival material, this book reveals Nell Walden’s significant impact on the Sturm organisation through a feminist reading of supportive labour that highlights the centrality of collaborative work within the modern art world. This book introduces Walden as an ardent collector of modern and indigenous art and critically contextualises her own art production in relation to expressionist concepts of art and to gendered ideas on abstraction and decoration. Visual analyses highlight how she collaborated with professional and experimental women photographers during the Weimar era and how the circulation of these photographs served as a means to intervene in the public sphere of culture in interwar Germany. Finally, the book provides an analysis of Walden’s continuing work for Der Sturm after her voluntary exile from Germany to Switzerland in 1933 and highlights the importance of women’s supportive labour for the canonisation and institutionalisation of modern art in museums and archives. The book will be of interest to scholars working in art history, visual studies, and gender studies.

Historic Avant-Garde Work on Paper

2024-03-13 Art
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Release : 2024-03-13
Genre : Art
Kind : eBook
Book Rating : 667/5 ( reviews)

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Book Synopsis Historic Avant-Garde Work on Paper by : Sascha Bru

Download or read book Historic Avant-Garde Work on Paper written by Sascha Bru. This book was released on 2024-03-13. Available in PDF, EPUB and Kindle. Book excerpt: This book examines the many functions of paper in the fine art and aesthetics of the early twentieth-century modernist or historic avant-garde (Expressionism, Cubism, Futurism, Dadaism, Surrealism, Constructivism and many more). With its many collages and photomontages, the historic avant-garde is generally considered to have transformed paper from a mere support into an artistic medium and to have assisted in art on paper gaining a firm autonomy. Bringing together an international team of scholars, this book shows that the story of paper in the avant-garde has thereby hardly been told. The first section looks at a selection of canonized individual avant-gardists’ work on paper to demonstrate that the material and formal analysis of paper in the avant-garde’s artistic production still holds much in store. In the second section, chapters zoom in on forms and formats of collective artistic production that deployed paper to move around reproductions of fine art works, to facilitate the dialogue between avant-gardists, to better promote their work among patrons, and to make their work available to a wider audience. Chapters in the third section lay bare how certain groups within the avant-garde began to massively create monochrome works, because these could be easily reproduced when transferred to, or reproduced as, linocuts. In the last section of the book, chapters explore how the avant-garde’s attentiveness to paper almost always also implied a critique of the ways in which paper, and all that it stood for, was treated and labored in European culture and society more broadly. The book will be of interest to scholars working in art history, modernism, and design.

Performing Religion on the Secular Stage

2023-06-02 Performing Arts
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Release : 2023-06-02
Genre : Performing Arts
Kind : eBook
Book Rating : 940/5 ( reviews)

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Book Synopsis Performing Religion on the Secular Stage by : Sharon Aronson-Lehavi

Download or read book Performing Religion on the Secular Stage written by Sharon Aronson-Lehavi. This book was released on 2023-06-02. Available in PDF, EPUB and Kindle. Book excerpt: This book examines the relations between Western religion, secularism, and modern theater and performance. Sharon Aronson-Lehavi posits that the ongoing cultural power of religious texts, icons, and ideas on the one hand and the artistic freedom enabled by secularism and avant-garde experimentalism on the other, has led theatre artists throughout the twentieth century to create a uniquely modern theatrical hybrid–theater performances that simultaneously re-inscribe and grapple with religion and religious performativity. The book compares this phenomenon with medieval forms of religious theater and offers deep and original analyses of significant contemporary works ranging from plays and performances by August Strindberg, Hugo Ball (Dada), Jerzy Grotowski, and Hanoch Levin, to those created by Adrienne Kennedy, Rina Yerushalmi, Deb Margolin, Milo Rau, and Sarah Ruhl. The book analyzes a new and original historiography of a uniquely modern theatrical phenomenon, a study that is of high importance considering the reemergence of religion in contemporary culture and politics.

100 Years On: Revisiting the First Russian Art Exhibition of 1922

2022-12-12 Art
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Release : 2022-12-12
Genre : Art
Kind : eBook
Book Rating : 650/5 ( reviews)

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Book Synopsis 100 Years On: Revisiting the First Russian Art Exhibition of 1922 by : Isabel Wünsche

Download or read book 100 Years On: Revisiting the First Russian Art Exhibition of 1922 written by Isabel Wünsche. This book was released on 2022-12-12. Available in PDF, EPUB and Kindle. Book excerpt: The First Russian Art Exhibition (Erste Russische Kunstausstellung), which opened at the Galerie van Diemen in Berlin on October 15, 1922, and later travelled to Amsterdam, introduced a broad Western audience to the most recent artistic developments in Russia. The extensive show – more than a thousand works, including paintings, graphic works, sculptures, stage designs, architectural models, and works of porcelain – was remarkably inclusive in its scope, which ranged from traditional figurative painting to the latest constructions of the Russian avant-garde. Coming on the heels of the Treaty of Rapallo, the exhibition was a first cultural step towards bilateral relations between two young and yet internationally isolated new states – the Weimar Republic and the Russian Soviet Republic. Moving away from the narrow focus on the avant-garde, the volume presents new research that examines the exhibition's broader historical scope and cultural implications. The reception of the exhibition within artistic circles in Germany, Europe, the United States, and Japan in the 1920s is addressed, as well as the disposition of many of the works exhibited. The combination of longer, thematic essays and short features, along with reproductions of newly identified works and a selection of unpublished archival materials make this book valuable to both a scholarly and a general readership.

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