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Musical Listening in the Age of Technological Reproduction

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Release : 2015
Genre :
Kind : eBook
Book Rating : /5 ( reviews)

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Book Synopsis Musical Listening in the Age of Technological Reproduction by : Gianmario Borio

Download or read book Musical Listening in the Age of Technological Reproduction written by Gianmario Borio. This book was released on 2015. Available in PDF, EPUB and Kindle. Book excerpt:

Musical Listening in the Age of Technological Reproduction

Download Musical Listening in the Age of Technological Reproduction PDF Online Free

Author :
Release : 2016-04-29
Genre : Music
Kind : eBook
Book Rating : 450/5 ( reviews)

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Book Synopsis Musical Listening in the Age of Technological Reproduction by : Gianmario Borio

Download or read book Musical Listening in the Age of Technological Reproduction written by Gianmario Borio. This book was released on 2016-04-29. Available in PDF, EPUB and Kindle. Book excerpt: It is undeniable that technology has made a tangible impact on the nature of musical listening. The new media have changed our relationship with music in a myriad of ways, not least because the experience of listening can now be prolonged at will and repeated at any time and in any space. Moreover, among the more striking social phenomena ushered in by the technological revolution, one cannot fail to mention music’s current status as a commodity and popular music’s unprecedented global reach. In response to these new social and perceptual conditions, the act of listening has diversified into a wide range of patterns of behaviour which seem to resist any attempt at unification. Concentrated listening, the form of musical reception fostered by Western art music, now appears to be but one of the many ways in which audiences respond to organized sound. Cinema, for example, has developed specific ways of combining images and sounds; and, more recently, digital technology has redefined the standard forms of mass communication. Information is aestheticized, and music in turn is incorporated into pre-existing symbolic fields. This volume - the first in the series Musical Cultures of the Twentieth Century - offers a wide-ranging exploration of the relations between sound, technology and listening practices, considered from the complementary perspectives of art music and popular music, music theatre and multimedia, composition and performance, ethnographic and anthropological research.

Musical Listening in the Age of Technological Reproduction

Download Musical Listening in the Age of Technological Reproduction PDF Online Free

Author :
Release : 2016-04-29
Genre : Music
Kind : eBook
Book Rating : 442/5 ( reviews)

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Book Synopsis Musical Listening in the Age of Technological Reproduction by : Gianmario Borio

Download or read book Musical Listening in the Age of Technological Reproduction written by Gianmario Borio. This book was released on 2016-04-29. Available in PDF, EPUB and Kindle. Book excerpt: It is undeniable that technology has made a tangible impact on the nature of musical listening. The new media have changed our relationship with music in a myriad of ways, not least because the experience of listening can now be prolonged at will and repeated at any time and in any space. Moreover, among the more striking social phenomena ushered in by the technological revolution, one cannot fail to mention music’s current status as a commodity and popular music’s unprecedented global reach. In response to these new social and perceptual conditions, the act of listening has diversified into a wide range of patterns of behaviour which seem to resist any attempt at unification. Concentrated listening, the form of musical reception fostered by Western art music, now appears to be but one of the many ways in which audiences respond to organized sound. Cinema, for example, has developed specific ways of combining images and sounds; and, more recently, digital technology has redefined the standard forms of mass communication. Information is aestheticized, and music in turn is incorporated into pre-existing symbolic fields. This volume - the first in the series Musical Cultures of the Twentieth Century - offers a wide-ranging exploration of the relations between sound, technology and listening practices, considered from the complementary perspectives of art music and popular music, music theatre and multimedia, composition and performance, ethnographic and anthropological research.

Philosophical Considerations on Contemporary Music

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Release : 2017-01-06
Genre : Music
Kind : eBook
Book Rating : 497/5 ( reviews)

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Book Synopsis Philosophical Considerations on Contemporary Music by : Giacomo Fronzi

Download or read book Philosophical Considerations on Contemporary Music written by Giacomo Fronzi. This book was released on 2017-01-06. Available in PDF, EPUB and Kindle. Book excerpt: The musical universe of the 20th and 21st centuries is a force-field in which styles, instruments, personalities and stories can be found that are ascribable to conceptual frameworks that may differ greatly one from another. Such complexity cannot be traced back to single theories or all-encompassing interpretations, but may be tackled, philosophically, starting from certain characteristics. This book identifies nine such characteristics: namely, Extremes, Noise, Silence, Technology, Audience, Listening, Freedom, Disintegration, and New Media. Each of these permits us to open up unforeseen philosophical-cultural paths and interpret, in its multifarious variety, the developments of contemporary music, profoundly interwoven with the history of thought, culture and society.

The Oxford Handbook of Music and the Body

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Release : 2019-08-01
Genre : Music
Kind : eBook
Book Rating : 628/5 ( reviews)

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Book Synopsis The Oxford Handbook of Music and the Body by : Dr. Youn Kim

Download or read book The Oxford Handbook of Music and the Body written by Dr. Youn Kim. This book was released on 2019-08-01. Available in PDF, EPUB and Kindle. Book excerpt: The presence of the phenomenological body is central to music in all of its varieties and contradictions. With the explosion of scholarly works on the body in virtually every field in the humanities, the social as well as the biomedical sciences, the question of how such a complex understanding of the body is related to music, with its own complexity, has been investigated within specific disciplinary perspectives. The Oxford Handbook of Music and the Body brings together scholars from across these fields, providing a platform for the discussion of the multidimensional interfaces of music and the body. The book is organized into six sections, each discussing a topic that defines the field: the moving and performing body; the musical brain and psyche; embodied mind, embodied rhythm; the disabled and sexual body; music as medicine; and the multimodal body. Connecting a wide array of diverse perspectives and presenting a survey of research and practice, the Handbook provides an introduction into the rich world of music and the body.

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