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Music, Postcolonialism, and Gender

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Release : 2005
Genre : Culture populaire
Kind : eBook
Book Rating : 689/5 ( reviews)

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Book Synopsis Music, Postcolonialism, and Gender by : Leith Davis

Download or read book Music, Postcolonialism, and Gender written by Leith Davis. This book was released on 2005. Available in PDF, EPUB and Kindle. Book excerpt: A study of the construction of Irish national identity focusing on Irish music and the colonial relationship between Ireland and England.

Music, Postcolonialism, and Gender

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Author :
Release : 2006
Genre : History
Kind : eBook
Book Rating : /5 ( reviews)

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Book Synopsis Music, Postcolonialism, and Gender by : Leith Davis

Download or read book Music, Postcolonialism, and Gender written by Leith Davis. This book was released on 2006. Available in PDF, EPUB and Kindle. Book excerpt: In Music, Postcolonialism, and Gender, Leith Davis studies the construction of Irish national identity from the early eighteenth until the midnineteenth centuries, focusing in particular on how texts concerning Irish music, as well as the social settings within which those texts emerged, contributed to the imagining of Ireland as the Land of Song. Through her considerations of collections of Irish music by the Neals, Edward Bunting, and George Petrie, antiquarian tracts by Joseph Cooper Walker and Charlotte Brooke, lyrics and The Wild Irish Girl by Sidney Owenson, and songs by Thomas Moore and Samuel Lover, Davis suggests that music served as an ideal means through which to address the terms of the colonial relationship between Ireland and England. Davis also explores the gender issues so closely related to the discourses on both music and national identity during the time, and the influence of print culture and consumer capitalism on the representation of Irish music at home and abroad.

Music, Gender & Difference

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Release : 2013
Genre :
Kind : eBook
Book Rating : /5 ( reviews)

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Book Synopsis Music, Gender & Difference by : University of Music and Performing Art (Vienna). Institute for Music Sociology. Conference

Download or read book Music, Gender & Difference written by University of Music and Performing Art (Vienna). Institute for Music Sociology. Conference. This book was released on 2013. Available in PDF, EPUB and Kindle. Book excerpt:

Performing Arts and Gender in Postcolonial Western Uganda

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Release : 2023
Genre : Music
Kind : eBook
Book Rating : 327/5 ( reviews)

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Book Synopsis Performing Arts and Gender in Postcolonial Western Uganda by : Linda Cimardi

Download or read book Performing Arts and Gender in Postcolonial Western Uganda written by Linda Cimardi. This book was released on 2023. Available in PDF, EPUB and Kindle. Book excerpt: Focusing on runyege, the main traditional performance genre of the Banyoro and Batooro people, this book explores the entanglement of traditional music, dance, and theater with gender and postcolonialism in Western Uganda. Drawing on archival research and extensive fieldwork in the regions of Bunyoro and Tooro, Linda Cimardi examines the connection between traditional performing arts and gender in western Uganda. The book focuses on runyege, the main genre of the Banyoro and Batooro people, exploring its different components of singing, instrument playing, dancing, and acting and identifying their complex relationships to gender models and expressions. Today mainly performed at Ugandan school festivals and by semiprofessional ensembles, repertoires like runyege adhere to stage conventions that have developed over several decades. Some of these conventions are powerful devices allowing the actors involved (performers, teachers, students, adjudicators, and audiences) to collectively shape an image of local culture grounded in a gender binary that is perceived as traditional. At the same time, stage conventions are exploited by some performers to negotiate their gender identities and expressions in unconventional ways, thus challenging hegemonic gender models. Moving between analysis of historical recordings, oral accounts, and present-day fieldwork data and experiences, the book engages in a comprehensive analysis of the postcolonial entanglement of arts and gender. Audio and video recordings presented in the book can be accessed on the book's companion website, http: //hdl.handle.net/1802/37373.

Rethinking Difference in Gender, Sexuality, and Popular Music

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Release : 2018-01-29
Genre : Music
Kind : eBook
Book Rating : 123/5 ( reviews)

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Book Synopsis Rethinking Difference in Gender, Sexuality, and Popular Music by : Gavin Lee

Download or read book Rethinking Difference in Gender, Sexuality, and Popular Music written by Gavin Lee. This book was released on 2018-01-29. Available in PDF, EPUB and Kindle. Book excerpt: In studies of gender and sexuality in popular music, the concept of difference is often a crucial analytic used to detect social agency; however, the alternative analytic of ambiguity has never been systematically examined. While difference from heterosexual norms is taken to be the multivalent sign of resistance, oppression, and self-invention, it can lead to inflated claims of the degree and power of difference. This book offers critically-oriented case studies that examine the theory and politics of ambiguity. Ambiguity means that there are both positive and negative implications in any gender and sexuality practices, both sameness and difference from heteronormativity, and unfixed possibility in the diverse nature of discourse and practice (rather than just "difference" among fixed multiplicities). Contributors present a diverse array of approaches through music, sound, psyche, body, dance, performance, race, ethnicity, power, discourse, and history. A wide variety of popular music genres are broached, including gay circuit remixes, punk rock, Goth music, cross-dress performance, billboard 100 songs, global pop, and nineteenth-century minstrelsy. The authors examine the ambiguities of performance and reception, and address the vexed question of whether it is possible for genuinely new forms of gender and sexuality to emerge musically. This book makes a distinctive contribution to studies of gender and sexuality in popular music, and will be of interest to fields including Popular Music Studies, Musicology/Ethnomusicology, Cultural Studies, Queer Studies, and Media Studies.

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