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Music and the Cultures of Print

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Release : 2018-12-07
Genre : Music
Kind : eBook
Book Rating : 055/5 ( reviews)

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Book Synopsis Music and the Cultures of Print by : Kate van Orden

Download or read book Music and the Cultures of Print written by Kate van Orden. This book was released on 2018-12-07. Available in PDF, EPUB and Kindle. Book excerpt: This collection of essays explores the cultures that coalesced around printed music in previous centuries. It focuses on the unique modes through which print organized the presentation of musical texts, the conception of written compositions, and the ways in which music was disseminated and performed. In highlighting the tensions that exist between musical print and performance this volume raises not only the question of how older scores can be read today, but also how music expressed its meanings to listeners in the past.

Music Printing in Renaissance Venice

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Release : 1998-10-29
Genre : Music
Kind : eBook
Book Rating : 60X/5 ( reviews)

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Book Synopsis Music Printing in Renaissance Venice by : Jane A. Bernstein

Download or read book Music Printing in Renaissance Venice written by Jane A. Bernstein. This book was released on 1998-10-29. Available in PDF, EPUB and Kindle. Book excerpt: Venetian music print culture of the mid-sixteenth century is presented here through a study of the Scotto press, one of the foremost dynastic music publishers of the Renaissance. For over a century, the house of Scotto played a pivotal role in the international book trade, publishing in a variety of fields including philosophy, medicine, religion, and music. This book examines the mercantile activities of the firm through both a historical study, which illuminates the wide world of the Venetian music printing industry, and a catalog, which details the music editions brought out by the firm during its most productive period. A valuable reference work, this book not only enhances our understanding of the socioeconomic and cultural history of Renaissance Venice, it also helps to preserve our knowledge of a vast musical repertory.

Music, Authorship, and the Book in the First Century of Print

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Release : 2013-10-19
Genre : Music
Kind : eBook
Book Rating : 507/5 ( reviews)

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Book Synopsis Music, Authorship, and the Book in the First Century of Print by : Kate van Orden

Download or read book Music, Authorship, and the Book in the First Century of Print written by Kate van Orden. This book was released on 2013-10-19. Available in PDF, EPUB and Kindle. Book excerpt: What does it mean to author a piece of music? What transforms the performance scripts written down by musicians into authored books? In this fascinating cultural history of Western musicÕs adaptation to print, Kate van Orden looks at how musical authorship first developed through the medium of printing. When music printing began in the sixteenth century, publication did not always involve the composer: printers used the names of famous composers to market books that might include little or none of their music. Publishing sacred music could be career-building for a composer, while some types of popular song proved too light to support a reputation in print, no matter how quickly they sold. Van Orden addresses the complexities that arose for music and musicians in the burgeoning cultures of print, concluding that authoring books of polyphony gained only uneven cultural traction across a century in which composers were still first and foremost performers.

Cheap Print and Popular Song in the Nineteenth Century

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Release : 2017-03-23
Genre : Music
Kind : eBook
Book Rating : 74X/5 ( reviews)

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Book Synopsis Cheap Print and Popular Song in the Nineteenth Century by : Paul Watt

Download or read book Cheap Print and Popular Song in the Nineteenth Century written by Paul Watt. This book was released on 2017-03-23. Available in PDF, EPUB and Kindle. Book excerpt: This book is a cultural history of the nineteenth-century songster: pocket-sized anthologies of song texts, usually without musical notation. It examines the musical, social, commercial and aesthetic functions songsters served and the processes by which they were produced and disseminated, the repertory they included, and the singers, printers and entrepreneurs that both inspired their manufacture and facilitated their consumption. Taking an international perspective, chapters focus on songsters from Ireland, North America, Australia and Britain and the varied public and private contexts in which they were used and exploited in oral and print cultures.

Late Eighteenth-century Music and Visual Culture

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Release : 2017
Genre : Art and music
Kind : eBook
Book Rating : 292/5 ( reviews)

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Book Synopsis Late Eighteenth-century Music and Visual Culture by : Cliff Eisen

Download or read book Late Eighteenth-century Music and Visual Culture written by Cliff Eisen. This book was released on 2017. Available in PDF, EPUB and Kindle. Book excerpt: The late eighteenth century witnessed a flourishing exchange between music and visual art which was expressed in the creative as well as commercial cultures of the time. Nevertheless, there has been relatively little research to actively consider and thoroughly examine the symbiotic relationship between looking and listening during the period. In this volume, nine prominent scholars employ a set of interdisciplinary methodological tools in order to come to a comprehensive understanding of the rich tapestry of eighteenth-century musical taste, performance, consumption and aesthetics. While the link between visual material and musicological study lies at the heart of the research presented in this collection of essays, the importance of the textual element, as it denoted the process of thinking about music and the various ways in which that was symbolically and often literally visualized in writing and print culture, is also closely examined. Through a critical analysis of a number of important contemporary sources as well as current scholarship and research, the authors draw conclusions that extend well beyond the scope of their immediate material and closely-formulated questions. The conversation opened up in the chapters of this volume will hopefully break new ground on which the interrelationship between art and music, and more broadly between visual art and other forms of creative practice, may be studied and debated.

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