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Music and the Benefit Performance in Eighteenth-Century Britain

2019-10-31 Music
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Release : 2019-10-31
Genre : Music
Kind : eBook
Book Rating : 932/5 ( reviews)

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Book Synopsis Music and the Benefit Performance in Eighteenth-Century Britain by : Matthew Gardner

Download or read book Music and the Benefit Performance in Eighteenth-Century Britain written by Matthew Gardner. This book was released on 2019-10-31. Available in PDF, EPUB and Kindle. Book excerpt: Reveals how the musical benefit allowed musicians, composers, and audiences to engage in new professional, financial, and artistic contexts.

Concert Life in Eighteenth-Century Britain

2017-07-05 Music
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Release : 2017-07-05
Genre : Music
Kind : eBook
Book Rating : 214/5 ( reviews)

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Book Synopsis Concert Life in Eighteenth-Century Britain by : Susan Wollenberg

Download or read book Concert Life in Eighteenth-Century Britain written by Susan Wollenberg. This book was released on 2017-07-05. Available in PDF, EPUB and Kindle. Book excerpt: In recent years there has been a considerable revival of interest in music in eighteenth-century Britain. This interest has now expanded beyond the consideration of composers and their music to include the performing institutions of the period and their relationship to the wider social scene. The collection of essays presented here offers a portrayal of concert life in Britain that contributes greatly to the wider understanding of social and cultural life in the eighteenth century. Music was not merely a pastime but was irrevocably linked with its social, political and literary contexts. The perspectives of performers, organisers, patrons, audiences, publishers, copyists and consumers are considered here in relation to the concert experience. All of the essays taken together construct an understanding of musical communities and the origins of the modern concert system. This is achieved by focusing on the development of music societies; the promotion of musical events; the mobility and advancement of musicians; systems of patronage; the social status of musicians; the repertoire performed and published; the role of women pianists and the 'topography' of concerts. In this way, the book will not only appeal to music specialists, but also to social and cultural historians.

The Power of Pastiche

2021-04-01 Music
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Release : 2021-04-01
Genre : Music
Kind : eBook
Book Rating : 786/5 ( reviews)

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Book Synopsis The Power of Pastiche by : Alison DeSimone

Download or read book The Power of Pastiche written by Alison DeSimone. This book was released on 2021-04-01. Available in PDF, EPUB and Kindle. Book excerpt: In eighteenth-century England, “variety” became a prized aesthetic in musical culture. Not only was variety—of counterpoint, harmony, melody, and orchestration—expected for good composition, but it also manifested in cultural mediums such as songbook anthologies, which compiled miscellaneous songs and styles in single volumes; pasticcio operas, which were cobbled together from excerpts from other operas; and public concerts, which offered a hodgepodge assortment of different types and styles of performance. I call this trend of producing music through the collection, assemblage, and juxtaposition of various smaller pieces as musical miscellany; like a jigsaw puzzle (also invented in the eighteenth century), the urge to construct a whole out of smaller, different parts reflected a growing desire to appeal to a quickly diversifying England. This book explores the phenomenon of musical miscellany in early eighteenth-century England both in performance culture and as an aesthetic. Chapters offer analyses of concert programming, early music criticism, the compilation of pasticcio operas and songbook miscellanies, and even the ways in which composers and performers shaped their freelancing careers. Musical miscellany, in its many forms, juxtaposed foreign and homegrown musical practices and styles in order to stimulate discourse surrounding English musical culture during a time of cosmopolitan transformation as the eighteenth century unfolded.

Music in Eighteenth-Century Britain

2017-07-05 Music
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Release : 2017-07-05
Genre : Music
Kind : eBook
Book Rating : 416/5 ( reviews)

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Book Synopsis Music in Eighteenth-Century Britain by : David Wyn Jones

Download or read book Music in Eighteenth-Century Britain written by David Wyn Jones. This book was released on 2017-07-05. Available in PDF, EPUB and Kindle. Book excerpt: This collection of essays by some of the leading scholars in the field looks at various aspects of musical life in eighteenth-century Britain. The significant roles played by institutions such as the Freemasons and foreign embassy chapels in promoting music making and introducing foreign styles to English music are examined, as well as the influence exerted by individuals, both foreign and British. The book covers the spectrum of British music, both sacred and secular, and both cosmopolitan and provincial. In doing so it helps to redress the picture of eighteenth-century British music which has previously portrayed Handel and London as its primary constituents.

Women Writing Music in Late Eighteenth-Century England

2017-07-05 Literary Criticism
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Release : 2017-07-05
Genre : Literary Criticism
Kind : eBook
Book Rating : 621/5 ( reviews)

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Book Synopsis Women Writing Music in Late Eighteenth-Century England by : Leslie Ritchie

Download or read book Women Writing Music in Late Eighteenth-Century England written by Leslie Ritchie. This book was released on 2017-07-05. Available in PDF, EPUB and Kindle. Book excerpt: Combining new musicology trends, formal musical analysis, and literary feminist recovery work, Leslie Ritchie examines rare poetic, didactic, fictional, and musical texts written by women in late eighteenth-century Britain. She finds instances of and resistance to contemporary perceptions of music as a form of social control in works by Maria Barth mon, Harriett Abrams, Mary Worgan, Susanna Rowson, Hannah Cowley, and Amelia Opie, among others. Relating women's musical compositions and writings about music to theories of music's function in the formation of female subjectivities during the latter half of the eighteenth century, Ritchie draws on the work of cultural theorists and cultural historians, as well as feminist scholars who have explored the connection between femininity and performance. Whether crafting works consonant with societal ideals of charitable, natural, and national order, or re-imagining their participation in these musical aids to social harmony, women contributed significantly to the formation of British cultural identity. Ritchie's interdisciplinary book will interest scholars working in a range of fields, including gender studies, musicology, eighteenth-century British literature, and cultural studies.

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