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Modernism in European Drama

1998-01-01 Literary Criticism
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Release : 1998-01-01
Genre : Literary Criticism
Kind : eBook
Book Rating : 060/5 ( reviews)

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Book Synopsis Modernism in European Drama by : Frederick J. Marker

Download or read book Modernism in European Drama written by Frederick J. Marker. This book was released on 1998-01-01. Available in PDF, EPUB and Kindle. Book excerpt: This collection of essays, originally published over the last forty years in the journal Modern Drama, explores the drama of four of the most influential European proponents of modernism in the European Drama: Ibsen, Strandberg, Pirandello and Beckett.

Henrik Ibsen and the Birth of Modernism

2008-02-14 Literary Criticism
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Release : 2008-02-14
Genre : Literary Criticism
Kind : eBook
Book Rating : 642/5 ( reviews)

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Book Synopsis Henrik Ibsen and the Birth of Modernism by : Toril Moi

Download or read book Henrik Ibsen and the Birth of Modernism written by Toril Moi. This book was released on 2008-02-14. Available in PDF, EPUB and Kindle. Book excerpt: Henrik Ibsen (1828-1906) is the founder of modern theater, and his plays are performed all over the world. Yet in spite of his unquestioned status as a classic of the stage, Ibsen is often dismissed as a fuddy-duddy old realist, whose plays are of interest only because they remain the gateway to modern theater. In Henrik Ibsen and the Birth of Modernism , Toril Moi makes a powerful case not just for Ibsen's modernity, but for his modernism. Situating Ibsen in his cultural context, she shows how unexpected his rise to world fame was, and the extent of his influence on writers such Shaw, Wilde, and Joyce who were seeking to escape the shackles of Victorianism. Henrik Ibsen and the Birth of Modernism also rewrites nineteenth-century literary history; positioning Ibsen between visual art and philosophy, the book offers a critique of traditional theories of the opposition between realism and modernism. Modernism, Moi argues, arose from the ruins of idealism, the dominant aesthetic paradigm of the nineteenth century. She also shows why Ibsen still matters to us today, by focusing on two major themes-his explorations of women, men, and marriage and his clear-eyed chronicling of the tension between skepticism and the everyday. This radical new account places Ibsen in his rightful place alongside Baudelaire, Flaubert, and Manet as a founder of European modernism.

Modernism and Performance

2007-11-06 Art
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Release : 2007-11-06
Genre : Art
Kind : eBook
Book Rating : /5 ( reviews)

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Book Synopsis Modernism and Performance by : Olga Taxidou

Download or read book Modernism and Performance written by Olga Taxidou. This book was released on 2007-11-06. Available in PDF, EPUB and Kindle. Book excerpt: The idea of performance as distinct artistic practice emerges in the context of modernity. This guide to modernism and performance introduces key developments and debates of the period (the rise of the director, new theories of acting, new modes of production, complex relationships to classical and oriental drama); debates that helped to create new languages of performance. It suggests that our understanding of the workings of performance in the period might help to reconfigure our general understanding of modernism.

Ibsen and Early Modernist Theatre, 1890-1900

1997-09-30 Literary Criticism
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Release : 1997-09-30
Genre : Literary Criticism
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Book Synopsis Ibsen and Early Modernist Theatre, 1890-1900 by : Kirsten Shepherd-Barr

Download or read book Ibsen and Early Modernist Theatre, 1890-1900 written by Kirsten Shepherd-Barr. This book was released on 1997-09-30. Available in PDF, EPUB and Kindle. Book excerpt: Best known as the author of such plays as A Doll's House and Hedda Gabler, Henrik Ibsen is one of the most influential figures of modern drama. This book takes Ibsen as a case study for an exploration of early modernist theatre in theory and practice, in text and performance. Modern drama has its roots in the theatrical activity across Europe during the 1880s and 1890s—the period when Ibsen's plays were first being produced in England and France, often by avant-garde or experimental theatrical groups. This study focuses on four of Ibsen's plays and their reception in England and France in the 1890s, specifically in the context of cross-cultural understanding, translation, and the diffusion of ideas. It encompasses performance history, textual and translation analysis in several languages, and theatrical criticism. The main contribution of this study lies in the provision of a better understanding of Ibsen's central role in the radical artistic movements of the period, and particularly in locating the basis for an early modernist theatre in the new wave Ibsen created internationally. His immediate impact on the French Symbolist theatre movement, for example, meant that its avant-garde leaders embraced Ibsen's works as an important exposition of their own radical ideas. Through close cross-cultural exchange, plays like Rosmersholm and The Master Builder, which were heralded as explicitly symbolist in France, helped condition the critical reaction to Ibsen as a symbolist playwright in England as well, and directly influenced the development of the theatre in that direction, however briefly.

The Theatre of Eugene O’Neill

2017-11-16 Literary Criticism
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Release : 2017-11-16
Genre : Literary Criticism
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Book Rating : 424/5 ( reviews)

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Book Synopsis The Theatre of Eugene O’Neill by : Kurt Eisen

Download or read book The Theatre of Eugene O’Neill written by Kurt Eisen. This book was released on 2017-11-16. Available in PDF, EPUB and Kindle. Book excerpt: Named a Choice Outstanding Academic Title of the Year 2018 The Theatre of Eugene O'Neill offers a new comprehensive overview of O'Neill's career and plays in the context of the American theatre. Organised thematically, it considers his modernist intervention in the theatre, offers readers detailed analysis of the plays, and assesses the recent resurgence in his reputation and new approaches to staging his work. It includes a study of all his major plays-The Emperor Jones, The Hairy Ape, The Iceman Cometh, Long Day's Journey Into Night, A Moon for the Misbegotten and Desire Under the Elms-besides numerous other full length and one act dramas. Eugene O'Neill is generally credited with inventing modern American drama, in a time of cultural ferment and lively artistic and intellectual change. Yet O'Neill's theatrical instincts were always shaped by American stage traditions that were inextricable from his sense of himself and his own national culture. This study shows that his theatrical modernism represents not so much a break from these traditions as a reinvention of their scope and significance in the context of international stage modernism, offering an image of national culture and character that opens new possibilities for the stage while remaining rooted in its past. Kurt Eisen traces O'Neill's modernism throughout the dramatists's work: his attempts to break from the themes, plots, and moral conventions of the traditional melodramatic theatre; his experiments in stagecraft and theme, and their connection to traditional theatre and his European modernist contemporaries; the turn toward direct and indirect self-representation; and his critique of the family and of American 'pipe dreams' and the allure of success. The volume additionally features four contributed essays providing further critical perspectives on O'Neill's work, alongside a chronology of the writer's life and times.

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