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Keyboard Instruments in Eighteenth-century Vienna

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Author :
Release : 1998
Genre : Music
Kind : eBook
Book Rating : 375/5 ( reviews)

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Book Synopsis Keyboard Instruments in Eighteenth-century Vienna by : C. R. F. Maunder

Download or read book Keyboard Instruments in Eighteenth-century Vienna written by C. R. F. Maunder. This book was released on 1998. Available in PDF, EPUB and Kindle. Book excerpt: Although eighteenth-century Viennese keyboard music, especially by such composers as Haydn, Mozart, and Beethoven, is among the most popular ever written, there has been surprisingly little serious research into the instruments for which it was composed. This book fills that gap. Based on evidence from primary source material, much of it previously undiscovered or neglected, Maunder traces the history and development of the various keyboard instruments available in Vienna throughout the eighteenth century--harpsichords, clavichords, and pianos--and their use by composers and performers.

Eighteenth-century Keyboard Music

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Author :
Release : 1994
Genre : Music
Kind : eBook
Book Rating : /5 ( reviews)

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Book Synopsis Eighteenth-century Keyboard Music by : Robert Lewis Marshall

Download or read book Eighteenth-century Keyboard Music written by Robert Lewis Marshall. This book was released on 1994. Available in PDF, EPUB and Kindle. Book excerpt: Covering music written for the harpsichord, piano, clavichord and other instruments, this volume presents the canon of 18th-century keyboard music from J.S. Bach through the early works of Beethoven. Beginning with a survey of the characteristics of Baroque and Classical keyboard music, its instruments and the primary issues of performance practice, this book presents an introduction and guide to the works of the Bach family, Scarlatti, Clementi, Haydn, Mozart and many others.

Eighteenth-Century Keyboard Music

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Release : 2004-03-01
Genre : Music
Kind : eBook
Book Rating : 764/5 ( reviews)

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Book Synopsis Eighteenth-Century Keyboard Music by : Robert Marshall

Download or read book Eighteenth-Century Keyboard Music written by Robert Marshall. This book was released on 2004-03-01. Available in PDF, EPUB and Kindle. Book excerpt: First published in 2004. Routledge is an imprint of Taylor & Francis, an informa company.

Convent Music and Politics in Eighteenth-Century Vienna

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Release : 2014-04-24
Genre : Music
Kind : eBook
Book Rating : 088/5 ( reviews)

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Book Synopsis Convent Music and Politics in Eighteenth-Century Vienna by : Janet K. Page

Download or read book Convent Music and Politics in Eighteenth-Century Vienna written by Janet K. Page. This book was released on 2014-04-24. Available in PDF, EPUB and Kindle. Book excerpt: Janet K. Page explores the interaction of music and piety, court and church, as seen through the relationship between the Habsburg court and Vienna's convents. In the first full-length study of its kind, she reveals a golden age of convent music in Vienna and the convents' surprising engagement with contemporary politics.

The Eighteenth-Century Fortepiano Grand and Its Patrons

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Release : 2017-11-20
Genre : Music
Kind : eBook
Book Rating : 649/5 ( reviews)

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Book Synopsis The Eighteenth-Century Fortepiano Grand and Its Patrons by : Eva Badura-Skoda

Download or read book The Eighteenth-Century Fortepiano Grand and Its Patrons written by Eva Badura-Skoda. This book was released on 2017-11-20. Available in PDF, EPUB and Kindle. Book excerpt: “Badura-Skoda addresses the place of the piano in the eighteenth century from the perspective of a scholar and performer” (Eighteenth-Century Music). In the late seventeenth century, Italian musician and inventor Bartolomeo Cristofori developed a new musical instrument—his cembalo che fa il piano e forte, which allowed keyboard players flexible dynamic gradation. This innovation, which came to be known as the hammer-harpsichord or fortepiano grand, was slow to catch on in musical circles. However, as renowned piano historian Eva Badura-Skoda demonstrates, the instrument inspired new keyboard techniques and performance practices and was eagerly adopted by virtuosos of the age, including Scarlatti, J. S. Bach, Clementi, Haydn, Mozart, and Beethoven. Presenting a rich array of archival evidence, Badura-Skoda traces the construction and use of the fortepiano grand across the musical cultures of eighteenth-century Europe, providing a valuable resource for music historians, organologists, and performers. “Badura-Skoda has written a remarkable volume, the result of a lifetime of scholarly research and investigation. . . . Essential.” —Choice

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