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Author : Herbert Blau
Release : 1964
Genre : Drama
Kind : eBook
Book Rating : /5 ( reviews)
Book Synopsis The Impossible Theater by : Herbert Blau
Download or read book The Impossible Theater written by Herbert Blau. This book was released on 1964. Available in PDF, EPUB and Kindle. Book excerpt: The author critiques contemporary American theater.
Author : Impossible Theatre (Theater Group)
Release :
Genre :
Kind : eBook
Book Rating : /5 ( reviews)
Book Synopsis Impossible Theatre by : Impossible Theatre (Theater Group)
Download or read book Impossible Theatre written by Impossible Theatre (Theater Group). This book was released on . Available in PDF, EPUB and Kindle. Book excerpt:
Author :
Release : 1927
Genre :
Kind : eBook
Book Rating : /5 ( reviews)
Book Synopsis Theatre and School by :
Download or read book Theatre and School written by . This book was released on 1927. Available in PDF, EPUB and Kindle. Book excerpt:
Author : Dale Wasserman
Release : 2003
Genre : Music
Kind : eBook
Book Rating : /5 ( reviews)
Book Synopsis The Impossible Musical by : Dale Wasserman
Download or read book The Impossible Musical written by Dale Wasserman. This book was released on 2003. Available in PDF, EPUB and Kindle. Book excerpt: Dale Wasserman had more trouble getting it on to a Broadway stage than Don Quixote ever had with those windmills.
Author : David Roesner
Release : 2016-04-29
Genre : Performing Arts
Kind : eBook
Book Rating : 337/5 ( reviews)
Book Synopsis Musicality in Theatre by : David Roesner
Download or read book Musicality in Theatre written by David Roesner. This book was released on 2016-04-29. Available in PDF, EPUB and Kindle. Book excerpt: As the complicated relationship between music and theatre has evolved and changed in the modern and postmodern periods, music has continued to be immensely influential in key developments of theatrical practices. In this study of musicality in the theatre, David Roesner offers a revised view of the nature of the relationship. The new perspective results from two shifts in focus: on the one hand, Roesner concentrates in particular on theatre-making - that is the creation processes of theatre - and on the other, he traces a notion of ‘musicality’ in the historical and contemporary discourses as driver of theatrical innovation and aesthetic dispositif, focusing on musical qualities, metaphors and principles derived from a wide range of genres. Roesner looks in particular at the ways in which those who attempted to experiment with, advance or even revolutionize theatre often sought to use and integrate a sense of musicality in training and directing processes and in performances. His study reveals both the continuous changes in the understanding of music as model, method and metaphor for the theatre and how different notions of music had a vital impact on theatrical innovation in the past 150 years. Musicality thus becomes a complementary concept to theatricality, helping to highlight what is germane to an art form as well as to explain its traction in other art forms and areas of life. The theoretical scope of the book is developed from a wide range of case studies, some of which are re-readings of the classics of theatre history (Appia, Meyerhold, Artaud, Beckett), while others introduce or rediscover less-discussed practitioners such as Joe Chaikin, Thomas Bernhard, Elfriede Jelinek, Michael Thalheimer and Karin Beier.
