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Hitchcock and Philosophy

2011-09-30 Philosophy
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Release : 2011-09-30
Genre : Philosophy
Kind : eBook
Book Rating : 839/5 ( reviews)

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Book Synopsis Hitchcock and Philosophy by : David Baggett

Download or read book Hitchcock and Philosophy written by David Baggett. This book was released on 2011-09-30. Available in PDF, EPUB and Kindle. Book excerpt: The shower scene in Psycho; Cary Grant running for his life through a cornfield; “innocent” birds lined up on a fence waiting, watching — these seminal cinematic moments are as real to moviegoers as their own lives. But what makes them so? What deeper forces are at work in Hitchcock’s films that so captivate his fans? This collection of articles in the series that’s explored such pop-culture phenomena as Seinfeld and The Simpsons examines those forces with fresh eyes. These essays demonstrate a fascinating range of topics: Sabotage’s lessons about the morality of terrorism and counter-terrorism; Rope’s debatable Nietzschean underpinnings; Strangers on a Train’s definition of morality. Some of the essays look at more overarching questions, such as why Hitchcock relies so heavily on the Freudian unconscious. In all, the book features 18 philosophers paying a special homage to the legendary auteur in a way that’s accessible even to casual fans.

The Philosophical Hitchcock

2019-08-10 Performing Arts
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Release : 2019-08-10
Genre : Performing Arts
Kind : eBook
Book Rating : 24X/5 ( reviews)

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Book Synopsis The Philosophical Hitchcock by : Robert B. Pippin

Download or read book The Philosophical Hitchcock written by Robert B. Pippin. This book was released on 2019-08-10. Available in PDF, EPUB and Kindle. Book excerpt: On the surface, The Philosophical Hitchcock: Vertigo and the Anxieties of Unknowingness, is a close reading of Alfred Hitchcock’s 1958 masterpiece Vertigo. This, however, is a book by Robert B. Pippin, one of our most penetrating and creative philosophers, and so it is also much more. Even as he provides detailed readings of each scene in the film, and its story of obsession and fantasy, Pippin reflects more broadly on the modern world depicted in Hitchcock’s films. Hitchcock’s characters, Pippin shows us, repeatedly face problems and dangers rooted in our general failure to understand others—or even ourselves—very well, or to make effective use of what little we do understand. Vertigo, with its impersonations, deceptions, and fantasies, embodies a general, common struggle for mutual understanding in the late modern social world of ever more complex dependencies. By treating this problem through a filmed fictional narrative, rather than discursively, Pippin argues, Hitchcock is able to help us see the systematic and deep mutual misunderstanding and self-deceit that we are subject to when we try to establish the knowledge necessary for love, trust, and commitment, and what it might be to live in such a state of unknowingness. A bold, brilliant exploration of one of the most admired works of cinema, The Philosophical Hitchcock will lead philosophers and cinephiles alike to a new appreciation of Vertigo and its meanings.

Hitchcock as Philosopher

2010-06-28 Performing Arts
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Release : 2010-06-28
Genre : Performing Arts
Kind : eBook
Book Rating : 303/5 ( reviews)

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Book Synopsis Hitchcock as Philosopher by : Robert J. Yanal

Download or read book Hitchcock as Philosopher written by Robert J. Yanal. This book was released on 2010-06-28. Available in PDF, EPUB and Kindle. Book excerpt: The films of Alfred Hitchcock deal heavily with psychological and philosophical themes, and one needn't look very far into the canon to find them. In Psycho, for example, the personality metamorphosis in Marion Crane that leads her into grand larceny is a pale double of the murderous oedipal divide in Norman Bates. In The Birds, overbearing natural mutations turn what might have been a "creature feature" into a film about fear of the unknowable. This book looks at 12 Hitchcock films and the positions they put forth on three problem areas of epistemology: deception, knowledge of mind, and problematic knowledge of the external world. These philosophical concepts are explained and woven into the author's thorough and thought-provoking discussion of each film. Descartes and Wittengenstein star; Plato, Locke, Hume, Kant and Kierkegaard also make appearances in this new "philosopher's cut" of the master's works.

Hitchcock and the Cinema of Sensations

2011-08-30 Performing Arts
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Release : 2011-08-30
Genre : Performing Arts
Kind : eBook
Book Rating : 940/5 ( reviews)

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Book Synopsis Hitchcock and the Cinema of Sensations by : Paul Elliott

Download or read book Hitchcock and the Cinema of Sensations written by Paul Elliott. This book was released on 2011-08-30. Available in PDF, EPUB and Kindle. Book excerpt: When we talk of 'seeing' a film, we do not refer to a purely visual experience. Rather, to understand what we see on screen, we rely as much on non-visual senses as we do on sight. This new book rethinks the body in the cinema seat, charting the emergence of embodied film theory and drawing on developments in philosophy, neuroscience, body politics and film theory. Through the prism of Alfred Hitchcock's films, we explore how our bodies and sensual memory enable us to quite literally 'flesh out' what we see on screen: the trope of nausea in "Frenzy", pollution and smell in "Shadow of a Doubt", physical sound reception in the "Psycho" shower scene and the importance of corporeality and closeness in "Rear Window". We see how the body's sensations have a vital place in cinematic reception and the study of film.

Vertigo

2013-08-21 Art
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Release : 2013-08-21
Genre : Art
Kind : eBook
Book Rating : 315/5 ( reviews)

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Book Synopsis Vertigo by : Katalin Makkai

Download or read book Vertigo written by Katalin Makkai. This book was released on 2013-08-21. Available in PDF, EPUB and Kindle. Book excerpt: Released in 1958, Vertigo is widely regarded as Alfred Hitchcock’s masterpiece and one of the greatest films of all time. This is the first book devoted to exploring the philosophical aspects of Vertigo. Following an introduction by the editor that places the film in context, each chapter reflects upon Hitchcock’s film from a philosophical perspective. Topics discussed include: memory, loss, memorialisation, and creativity mimetic or representational art and art as magic the nature of romantic love gender, sexual objectification, and identity looking, "the gaze", and voyeurism film and psychoanalysis fantasy, illusion, and reality the phenomenology of colour. Including annotated further reading at the end of each chapter, this collection is essential reading for anyone interested in Vertigo, and an ideal resource for students of film and philosophy.

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