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Happy Endings in Shakespeare’s Comedies from a Feminist Point of View

2012-10-25 Literary Criticism
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Release : 2012-10-25
Genre : Literary Criticism
Kind : eBook
Book Rating : 464/5 ( reviews)

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Book Synopsis Happy Endings in Shakespeare’s Comedies from a Feminist Point of View by : Leanne Harper

Download or read book Happy Endings in Shakespeare’s Comedies from a Feminist Point of View written by Leanne Harper. This book was released on 2012-10-25. Available in PDF, EPUB and Kindle. Book excerpt: Essay from the year 2011 in the subject English Language and Literature Studies - Literature, grade: B, King`s College London, language: English, abstract: This essay explores the controversial endings of the following plays: The Taming of the Shrew A midsummer Night’s Dream The Merchant of Venice. Paying particular attention to the language in the last scenes and Shakespeare's enigmatic representation of the female characters with regards to gender roles.

Happy Endings in Shakespeare's Comedies from a Feminist Point of View

2012-12-21
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Release : 2012-12-21
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Kind : eBook
Book Rating : 079/5 ( reviews)

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Book Synopsis Happy Endings in Shakespeare's Comedies from a Feminist Point of View by : Leanne Harper

Download or read book Happy Endings in Shakespeare's Comedies from a Feminist Point of View written by Leanne Harper. This book was released on 2012-12-21. Available in PDF, EPUB and Kindle. Book excerpt: Essay from the year 2011 in the subject English Language and Literature Studies - Literature, grade: B, Kings College London, language: English, abstract: This essay explores the controversial endings of the following plays: The Taming of the Shrew A midsummer Night's Dream The Merchant of Venice. Paying particular attention to the language in the last scenes and Shakespeare's enigmatic representation of the female characters with regards to gender roles.

Screening Gender in Shakespeare's Comedies

2019-04-19 Literary Criticism
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Release : 2019-04-19
Genre : Literary Criticism
Kind : eBook
Book Rating : 759/5 ( reviews)

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Book Synopsis Screening Gender in Shakespeare's Comedies by : Magdalena Cieslak

Download or read book Screening Gender in Shakespeare's Comedies written by Magdalena Cieslak. This book was released on 2019-04-19. Available in PDF, EPUB and Kindle. Book excerpt: When adapting Shakespeare's comedies, cinema and television have to address the differences and incompatibilities between early modern gender constructs and contemporary cultural, social, and political contexts. Screening Gender in Shakespeare’s Comedies: Film and Television Adaptations in the Twenty-First Century analyzes methods employed by cinema and television in approaching those aspects of Shakespeare's comedies, indicating a range of ways in which adaptations made in the twenty-first century approach the problems of cultural and social normativity, gender politics, stereotypes of femininity and masculinity, the dynamic of power relations between men and women, and social roles of men and women. This book discusses both mainstream cinematic productions, such as Michael Radford's The Merchant of Venice or Julie Taymor's The Tempest, and more low-key adaptations, such as Kenneth Branagh's As You Like It and Joss Whedon's Much Ado About Nothing, as well as the three comedies of BBC ShakespeaRe-Told miniseries: Much Ado About Nothing, The Taming of the Shrew, and A Midsummer Night's Dream. This book examines how the analyzed films deal with elements of Shakespeare's comedies that appear subversive, challenging, or offensive to today's culture, and how they interpret or update gender issues to reconcile Shakespeare with contemporary cultural norms. By exploring tensions and negotiations between early modern and present-day gender politics, the book defines the prevailing attitudes of recent adaptations in relation to those issues, and identifies the most popular strategies of accommodating early modern constructs for contemporary audiences.

The Routledge Guide to William Shakespeare

2013-05-13 Literary Criticism
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Release : 2013-05-13
Genre : Literary Criticism
Kind : eBook
Book Rating : 041/5 ( reviews)

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Book Synopsis The Routledge Guide to William Shakespeare by : Robert Shaughnessy

Download or read book The Routledge Guide to William Shakespeare written by Robert Shaughnessy. This book was released on 2013-05-13. Available in PDF, EPUB and Kindle. Book excerpt: Demystifying and contextualising Shakespeare for the twenty-first century, this book offers both an introduction to the subject for beginners as well as an invaluable resource for more experienced Shakespeareans. In this friendly, structured guide, Robert Shaughnessy: introduces Shakespeare’s life and works in context, providing crucial historical background looks at each of Shakespeare’s plays in turn, considering issues of historical context, contemporary criticism and performance history provides detailed discussion of twentieth-century Shakespearean criticism, exploring the theories, debates and discoveries that shape our understanding of Shakespeare today looks at contemporary performances of Shakespeare on stage and screen provides further critical reading by play outlines detailed chronologies of Shakespeare’s life and works and also of twentieth-century criticism The companion website at www.routledge.com/textbooks/shaughnessy contains student-focused materials and resources, including an interactive timeline and annotated weblinks.

Oral Traditions and Gender in Early Modern Literary Texts

2017-11-28 Literary Criticism
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Release : 2017-11-28
Genre : Literary Criticism
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Book Rating : 068/5 ( reviews)

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Book Synopsis Oral Traditions and Gender in Early Modern Literary Texts by : Mary Ellen Lamb

Download or read book Oral Traditions and Gender in Early Modern Literary Texts written by Mary Ellen Lamb. This book was released on 2017-11-28. Available in PDF, EPUB and Kindle. Book excerpt: Proposing a fresh approach to scholarship on the topic, this volume explores the cultural meanings, especially the gendered meanings, of material associated with oral traditions. The collection is divided into three sections. Part One investigates the evocations of the 'old nurse' as storyteller so prominent in early modern fictions. The essays in Part Two investigate women's fashioning of oral traditions to serve their own purposes. The third section disturbs the exclusive associations between the feminine and oral traditions to discover implications for masculinity, as well. Contributors explore the plays of Shakespeare and writings of Spenser, Sidney, Wroth and the Cavendishes, as well as works by less well known or even unknown authors. Framed by an introduction by Mary Ellen Lamb and an afterword by Pamela Allen Brown, these essays make several important interventions in scholarship in the field. They demonstrate the continuing cultural importance of an oral tradition of tales and ballads, even if sometimes circulated in manuscript and printed forms. Rather than in its mode of transmission, contributors posit that the continuing significance of this oral tradition lies instead in the mode of consumption (the immediacy of the interaction of the participants). Oral Traditions and Gender in Early Modern Literary Texts confirms the power of oral traditions to shape and also to unsettle concepts of the masculine as well as of the feminine. This collection usefully complicates any easy assumptions about associations of oral traditions with gender.

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