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Film Music in Concert

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Release : 2021-12-16
Genre : Music
Kind : eBook
Book Rating : 157/5 ( reviews)

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Book Synopsis Film Music in Concert by : Emilio Audissino

Download or read book Film Music in Concert written by Emilio Audissino. This book was released on 2021-12-16. Available in PDF, EPUB and Kindle. Book excerpt: The Boston Pops Orchestra was the first orchestra of its kind in the USA: founded in 1885 from the ranks of the Boston Symphony Orchestra, its remit was to offer concerts of light symphonic music. Over the years, and in particular during the fifty-year tenure of its most famous conductor, Arthur Fiedler, the Pops established itself as the premier US orchestra specialising in bridging the fields of 'art music' and 'popular music'. When the Hollywood composer John Williams was assigned the conductorship of the orchestra in 1980, he energetically advocated for the inclusion of film-music repertoire, changing Fiedler's approach significantly. This Element offers a historical survey of the pioneering agency that the Boston Pops had under Williams's tenure in the legitimisation of film music as a viable repertoire for concert programmes. The case study is complemented with more general discussions on the aesthetic of film music in concert.

Film in Concert

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Author :
Release : 2014
Genre : Motion picture music
Kind : eBook
Book Rating : 605/5 ( reviews)

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Book Synopsis Film in Concert by : Sebastian Stoppe

Download or read book Film in Concert written by Sebastian Stoppe. This book was released on 2014. Available in PDF, EPUB and Kindle. Book excerpt:

John Williams

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Author :
Release : 2018
Genre : Composers
Kind : eBook
Book Rating : 340/5 ( reviews)

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Book Synopsis John Williams by : Emilio Audissino

Download or read book John Williams written by Emilio Audissino. This book was released on 2018. Available in PDF, EPUB and Kindle. Book excerpt: An interdisciplinary exploration of the many facets of the composer John Williams's output, aimed at showing the range of his production (not merely focussing on film music) and at analyzing the depth of his dramaturgic and compositional skills with selected case studies.

In Concert

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Author :
Release : 2021-01-04
Genre : Music
Kind : eBook
Book Rating : 716/5 ( reviews)

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Book Synopsis In Concert by : Philip Auslander

Download or read book In Concert written by Philip Auslander. This book was released on 2021-01-04. Available in PDF, EPUB and Kindle. Book excerpt: The conventional way of understanding what musicians do as performers is to treat them as producers of sound; some even argue that it is unnecessary to see musicians in performance as long as one can hear them. But musical performance, counters Philip Auslander, is also a social interaction between musicians and their audiences, appealing as much to the eye as to the ear. In Concert: Performing Musical Persona he addresses not only the visual means by which musicians engage their audiences through costume and physical gesture, but also spectacular aspects of performance such as light shows. Although musicians do not usually enact fictional characters on stage, they nevertheless present themselves to audiences in ways specific to the performance situation. Auslander’s term to denote the musician’s presence before the audience is musical persona. While presence of a musical persona may be most obvious within rock and pop music, the book’s analysis extends to classical music, jazz, blues, country, electronic music, laptop performance, and music made with experimental digital interfaces. The eclectic group of performers discussed include the Beatles, Miles Davis, Keith Urban, Lady Gaga, Nicki Minaj, Frank Zappa, B. B. King, Jefferson Airplane, Virgil Fox, Keith Jarrett, Glenn Gould, and Laurie Anderson.

Music, Performance, and the Realities of Film

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Author :
Release : 2014-02-05
Genre : Art
Kind : eBook
Book Rating : 569/5 ( reviews)

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Book Synopsis Music, Performance, and the Realities of Film by : Ben Winters

Download or read book Music, Performance, and the Realities of Film written by Ben Winters. This book was released on 2014-02-05. Available in PDF, EPUB and Kindle. Book excerpt: This book examines the relationship between narrative film and reality, as seen through the lens of on-screen classical concert performance. By investigating these scenes, wherein the performance of music is foregrounded in the narrative, Winters uncovers how concert performance reflexively articulates music's importance to the ontology of film. The book asserts that narrative film of a variety of aesthetic approaches and traditions is no mere copy of everyday reality, but constitutes its own filmic reality, and that the music heard in a film's underscore plays an important role in distinguishing film reality from the everyday. As a result, concert scenes are examined as sites for provocative interactions between these two realities, in which real-world musicians appear in fictional narratives, and an audience’s suspension of disbelief is problematised. In blurring the musical experiences of onscreen observers and participants, these concert scenes also allegorize music’s role in creating a shared subjectivity between film audience and character, and prompt Winters to propose a radically new vision of music’s role in narrative cinema wherein musical underscore becomes part of a shared audio-visual space that may be just as accessible to the characters as the music they encounter in scenes of concert performance.

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