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Exhibition of Paintings, Engravings, Drawings Aquarelles and Works of Household Art, in the Cincinnati Industrial Exposition. 1875

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Release : 1875
Genre : Art
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Book Synopsis Exhibition of Paintings, Engravings, Drawings Aquarelles and Works of Household Art, in the Cincinnati Industrial Exposition. 1875 by :

Download or read book Exhibition of Paintings, Engravings, Drawings Aquarelles and Works of Household Art, in the Cincinnati Industrial Exposition. 1875 written by . This book was released on 1875. Available in PDF, EPUB and Kindle. Book excerpt:

Exhibition of Paintings, Engravings, Drawings Aquarelles and Works of Household Art, in the Cincinnati Industrial Exposition. 1875

Download Exhibition of Paintings, Engravings, Drawings Aquarelles and Works of Household Art, in the Cincinnati Industrial Exposition. 1875 PDF Online Free

Author :
Release : 1875
Genre : Art
Kind : eBook
Book Rating : /5 ( reviews)

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Book Synopsis Exhibition of Paintings, Engravings, Drawings Aquarelles and Works of Household Art, in the Cincinnati Industrial Exposition. 1875 by :

Download or read book Exhibition of Paintings, Engravings, Drawings Aquarelles and Works of Household Art, in the Cincinnati Industrial Exposition. 1875 written by . This book was released on 1875. Available in PDF, EPUB and Kindle. Book excerpt:

The First Smithsonian Collection

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Release : 2015-04-28
Genre : Art
Kind : eBook
Book Rating : 63X/5 ( reviews)

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Book Synopsis The First Smithsonian Collection by : Helena E. Wright

Download or read book The First Smithsonian Collection written by Helena E. Wright. This book was released on 2015-04-28. Available in PDF, EPUB and Kindle. Book excerpt: Outstanding Academic Title, Choice, 2015 Winner, Ewell Newman Award of the American Historical Print Collectors Society, 2016 In 1849 the Smithsonian purchased the Marsh Collection of European engravings. Not only the first collection of any kind to be acquired by the new Institution, it was also the first public print collection in the nation, and it presented an important symbol of cultural authority. The prints formed part of the library of Vermont Congressman George Perkins Marsh (1801-1882), a member of the Smithsonian’s Board of Regents. The uncertainty of the Smithsonian's mission in the early years complicated its motivation for purchasing the collection, especially given Marsh’s position as a Regent in financial difficulty. After a serious fire in 1865, portions of the collection were deposited at the Library of Congress and the Corcoran Gallery of Art. Efforts to reclaim it began in the 1880s, as a new generation of Smithsonian staff expanded the National Museum, but they achieved only mixed success. Through the story of the Marsh Collection, the book explores the cultural values attributed to prints in the 19th century, including their prominent role in expositions and their influence on visual culture at a time when collecting styles were moving from an individual’s private contemplation of artworks to wider public venues of exposition in museums and reception by multiple audiences. The history of this first Smithsonian collection enlivens an important stage in the development of American cultural identity and in the formation of the Smithsonian as a national institution.

In Pursuit of Beauty

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Release : 1986
Genre : Aesthetic movement (Art)
Kind : eBook
Book Rating : 689/5 ( reviews)

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Book Synopsis In Pursuit of Beauty by : Metropolitan Museum of Art (New York, N.Y.)

Download or read book In Pursuit of Beauty written by Metropolitan Museum of Art (New York, N.Y.). This book was released on 1986. Available in PDF, EPUB and Kindle. Book excerpt: "This project is the first comprehensive study of a phenomenon that not only dominated the American arts of the 1870s and 1880s, but also helped set the course of such later developments in the United States as the Arts and Crafts movement, the indigenous interpretation of Art Nouveau, and even the rise of modernism. In fact, the early history of the Metropolitan--its founding, its sponsorship of a school of industrial design, and its display of decorative works--is inextricably tied to the Aesthetic movement and its educational goals. "In Pursuit of Beauty: Americans and the Aesthetic Movement" comprised some 175 objects including furniture, metalwork, stained glass, ceramics, textiles, wallpaper, painting, and sculpture. Some of these had rarely been displayed; others, although familiar, were being shown in new and even startling contexts. The exhibition and catalogue are arranged thematically to illustrate both the major styles of a visually rich movement and the ideas that generated its diversity"--From publisher's description.

Race and Racism in Nineteenth-Century Art

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Release : 2021-06-28
Genre : Social Science
Kind : eBook
Book Rating : 364/5 ( reviews)

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Book Synopsis Race and Racism in Nineteenth-Century Art by : Naurice Frank Woods Jr.

Download or read book Race and Racism in Nineteenth-Century Art written by Naurice Frank Woods Jr.. This book was released on 2021-06-28. Available in PDF, EPUB and Kindle. Book excerpt: Painters Robert Duncanson (ca. 1821–1872) and Edward Bannister (1828–1901) and sculptor Mary Edmonia Lewis (ca. 1844–1907) each became accomplished African American artists. But as emerging art makers of color during the antebellum period, they experienced numerous incidents of racism that severely hampered their pursuits of a profession that many in the mainstream considered the highest form of social cultivation. Despite barriers imposed upon them due to their racial inheritance, these artists shared a common cause in demanding acceptance alongside their white contemporaries as capable painters and sculptors on local, regional, and international levels. Author Naurice Frank Woods Jr. provides an in-depth examination of the strategies deployed by Duncanson, Bannister, and Lewis that enabled them not only to overcome prevailing race and gender inequality, but also to achieve a measure of success that eventually placed them in the top rank of nineteenth-century American art. Unfortunately, the racism that hampered these three artists throughout their careers ultimately denied them their rightful place as significant contributors to the development of American art. Dominant art historians and art critics excluded them in their accounts of the period. In this volume, Woods restores their artistic legacies and redeems their memories, introducing these significant artists to rightful, new audiences.

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