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Emotion and Meaning in Music

1956 Music
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Release : 1956
Genre : Music
Kind : eBook
Book Rating : /5 ( reviews)

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Book Synopsis Emotion and Meaning in Music by : Leonard B. Meyer

Download or read book Emotion and Meaning in Music written by Leonard B. Meyer. This book was released on 1956. Available in PDF, EPUB and Kindle. Book excerpt: "Altogether it is a book that should be required reading for any student of music, be he composer, performer, or theorist. It clears the air of many confused notions . . . and lays the groundwork for exhaustive study of the basic problem of music theory and aesthetics, the relationship between pattern and meaning."—David Kraehenbuehl, Journal of Music Theory "This is the best study of its kind to have come to the attention of this reviewer."—Jules Wolffers, The Christian Science Monitor "It is not too much to say that his approach provides a basis for the meaningful discussion of emotion and meaning in all art."—David P. McAllester, American Anthropologist "A book which should be read by all who want deeper insights into music listening, performing, and composing."—Marcus G. Raskin, Chicago Review

Emotion and Meaning in Music

1956 Music
Download Emotion and Meaning in Music PDF Online Free

Author :
Release : 1956
Genre : Music
Kind : eBook
Book Rating : 398/5 ( reviews)

GET EBOOK


Book Synopsis Emotion and Meaning in Music by : Leonard B. Meyer

Download or read book Emotion and Meaning in Music written by Leonard B. Meyer. This book was released on 1956. Available in PDF, EPUB and Kindle. Book excerpt: Lays the groundwork for exhaustive study of the basic problem of music theory and aesthetics, the relationship between pattern and meaning, and provides a basis for the meaningful discussion of emotion and meaning in all art.

Music and Meaning

2018-09-05 Music
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Release : 2018-09-05
Genre : Music
Kind : eBook
Book Rating : 73X/5 ( reviews)

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Book Synopsis Music and Meaning by : Jenefer Robinson

Download or read book Music and Meaning written by Jenefer Robinson. This book was released on 2018-09-05. Available in PDF, EPUB and Kindle. Book excerpt: In order to promote new ways of thinking about musical meaning, this volume brings together scholars in music theory, musicology, and the philosophy of music, disciplines generally treated as separate and distinct. This interdisciplinary collaboration, while respecting differences in perspective, identifies and elaborates shared concerns. This volume focuses on the many and various kinds of meaning in music. Do musical meanings exist exclusively in internal, formal musical relations or might they also be found in the relationship between music and other areas of experience, such as action, emotion, ideas, and values? Also discussed is the vexed question why people listen to and apparently enjoy music which expresses unpleasant emotions, such as melancholy or despair. Among the particular pieces the writers discuss are Mahler's Ninth Symphony, Shostakovich's Tenth Symphony, and Schubert's last sonata. More broadly, they consider the relation of musical meaning and interpretation to language, storytelling, drama, imagination, metaphor, and emotion.

Imagination, Music, and the Emotions

2017-08-07 Philosophy
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Release : 2017-08-07
Genre : Philosophy
Kind : eBook
Book Rating : 176/5 ( reviews)

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Book Synopsis Imagination, Music, and the Emotions by : Saam Trivedi

Download or read book Imagination, Music, and the Emotions written by Saam Trivedi. This book was released on 2017-08-07. Available in PDF, EPUB and Kindle. Book excerpt: Articulates an imaginationist solution to the question of how purely instrumental music can be perceived by a listener as having emotional content. Both musicians and laypersons can perceive purely instrumental music without words or an associated story or program as expressing emotions such as happiness and sadness. But how? In this book, Saam Trivedi discusses and critiques the leading philosophical approaches to this question, including formalism, metaphorism, expression theories, arousalism, resemblance theories, and persona theories. Finding these to be inadequate, he advocates an “imaginationist” solution, by which absolute music is not really or literally sad but is only imagined to be so in a variety of ways. In particular, he argues that we as listeners animate the music ourselves, imaginatively projecting life and mental states onto it. Bolstering his argument with empirical data from studies in neuroscience, psychology, and cognitive science, Trivedi also addresses and explores larger philosophical questions such as the nature of emotions, metaphors, and imagination.

The Musical Representation

2007 Emotions in music
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Author :
Release : 2007
Genre : Emotions in music
Kind : eBook
Book Rating : 969/5 ( reviews)

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Book Synopsis The Musical Representation by : Charles O. Nussbaum

Download or read book The Musical Representation written by Charles O. Nussbaum. This book was released on 2007. Available in PDF, EPUB and Kindle. Book excerpt: How human musical experience emerges from the audition of organized tones is a riddle of long standing. In The Musical Representation, Charles Nussbaum offers a philosophical naturalist's solution. Nussbaum founds his naturalistic theory of musical representation on the collusion between the physics of sound and the organization of the human mind-brain. He argues that important varieties of experience afforded by Western tonal art music since 1650 arise through the feeling of tone, the sense of movement in musical space, cognition, emotional arousal, and the engagement, by way of specific emotional responses, of deeply rooted human ideals. Construing the art music of the modern West as representational, as a symbolic system that carries extramusical content, Nussbaum attempts to make normative principles of musical representation explicit and bring them into reflective equilibrium with the intuitions of competent listeners. Nussbaum identifies three modes of musical representation, describes the basis of extramusical meaning, and analyzes musical works as created historical entities (performances of which are tokens or replicas). In addition, he explains how music gives rise to emotions and evokes states of mind that are religious in character. Nussbaum's argument proceeds from biology, psychology, and philosophy to music--and occasionally from music back to biology, psychology, and philosophy. The human mind-brain, writes Nussbaum, is a living record of its evolutionary history; relatively recent cognitive acquisitions derive from older representational functions of which we are hardly aware. Consideration of musical art can help bring to light the more ancient cognitive functions that underlie modern human cognition. The biology, psychology, and philosophy of musical representation, he argues, have something to tell us about what we are, based on what we have been.

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