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Early Musical Borrowing

2004-03-01 Music
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Release : 2004-03-01
Genre : Music
Kind : eBook
Book Rating : 935/5 ( reviews)

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Book Synopsis Early Musical Borrowing by : Honey Meconi

Download or read book Early Musical Borrowing written by Honey Meconi. This book was released on 2004-03-01. Available in PDF, EPUB and Kindle. Book excerpt: A timely addition to Routledge's Criticism and Analysis of Early Music series, this collection of essays examines the common compositional practice of borrowing or imitation in fifteenth-and sixteenth-century music, addressing how and why borrowing was used, the significance of borrowing, the techniques of borrowing, and its recognizable features. The book provides a broad overview of this common practice and sheds light on previously unexplored aspects of early musical borrowing. It functions as both an introduction to the subject as well as a guide for further research. The contributors, all highly regarded in their field, offer new insights that will change the way we view borrowing.

Early Musical Borrowing

2003 Electronic book
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Release : 2003
Genre : Electronic book
Kind : eBook
Book Rating : 941/5 ( reviews)

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Book Synopsis Early Musical Borrowing by : Honey Meconi

Download or read book Early Musical Borrowing written by Honey Meconi. This book was released on 2003. Available in PDF, EPUB and Kindle. Book excerpt:

Early Musical Borrowing

2004-03 Art
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Release : 2004-03
Genre : Art
Kind : eBook
Book Rating : 943/5 ( reviews)

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Book Synopsis Early Musical Borrowing by : Honey Meconi

Download or read book Early Musical Borrowing written by Honey Meconi. This book was released on 2004-03. Available in PDF, EPUB and Kindle. Book excerpt: First Published in 2004. Routledge is an imprint of Taylor & Francis, an informa company.

Music Borrowing and Copyright Law

2023-10-19 Law
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Release : 2023-10-19
Genre : Law
Kind : eBook
Book Rating : 399/5 ( reviews)

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Book Synopsis Music Borrowing and Copyright Law by : Enrico Bonadio

Download or read book Music Borrowing and Copyright Law written by Enrico Bonadio. This book was released on 2023-10-19. Available in PDF, EPUB and Kindle. Book excerpt: This ground-breaking book examines the multifaceted dynamics between copyright law and music borrowing within a rich diversity of music genres from across the world. It evaluates how copyright laws under different generic conventions may influence, or are influenced by, time-honoured creative borrowing practices. Leading experts from around the world scrutinise a carefully selected range of musical genres, including pop, hip-hop, jazz, blues, electronic and dance music, as well as a diversity of region-specific genres, such as Jamaican music, River Plate Tango, Irish folk music, Hungarian folk music, Flamenco, Indian traditional music, Australian indigenous music, Maori music and many others. This genre-conscious analysis builds on a theoretical section in which musicologists and lawyers offer their insights into fundamental issues concerning music genre categorisation, the typology of music borrowing and copyright law's ontological struggle with musical borrowing in theory and practice. The chapters are threaded together by a central theme, ie, that the cumulative nature of music creativity is the result of collective bargaining processes among many 'musicking' parties that have socially constructed creative music authorship under a rich mix of generic conventions.

All Made of Tunes

1995-01-01 Music
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Release : 1995-01-01
Genre : Music
Kind : eBook
Book Rating : 123/5 ( reviews)

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Book Synopsis All Made of Tunes by : James Peter Burkholder

Download or read book All Made of Tunes written by James Peter Burkholder. This book was released on 1995-01-01. Available in PDF, EPUB and Kindle. Book excerpt: Charles Ives is famous for using borrowed material in his music. Almost two hundred individual works or movements, spanning his entire career and representing more than a third of his output, incorporate music by other composers or from his own previous work. In this book, the eminent Ives scholar J. Peter Burkholder identifies the different kinds of "quotations" in Ives's music, explores the complex musical, aesthetic, and psychological motivations behind the borrowings, and shows the purpose, techniques, and effects that characterize each one. Burkholder catalogues fourteen distinct ways that Ives borrowed, ranging from direct quotation to paraphrase, variation, collage, modeling, and stylistic allusion. Arguing that these borrowing procedures were compositional strategies, he provides a new perspective on Ives's process of composition. In addition, by tracing the development of Ives's borrowing practices through his career, he contributes to an understanding of the composer's stylistic evolution. And by showing how much of Ives's music uses borrowing procedures that are common to many composers, he reveals that Ives is not as far removed from the classic-romantic tradition as has been thought. Finally, Burkholder's comprehensive treatment of Ives's borrowing techniques offers a new perspective on the entire field of musical borrowing.

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