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Dvořák in America, 1892-1895

1993 Biography & Autobiography
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Release : 1993
Genre : Biography & Autobiography
Kind : eBook
Book Rating : /5 ( reviews)

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Book Synopsis Dvořák in America, 1892-1895 by : John C. Tibbetts

Download or read book Dvořák in America, 1892-1895 written by John C. Tibbetts. This book was released on 1993. Available in PDF, EPUB and Kindle. Book excerpt: Burleigh (both African Americans), Horatio Parker, and Maurice Arnold - to forge a uniquely American tradition; they, in turn, became mentors and teachers to a new generation of composers, including Charles Ives, George Gershwin, Aaron Copland, and Duke Ellington. Dvorak heard for himself the "dialects and idioms ... commingled in this great country" and expressed them in his own way in a dozen masterpieces written during his visit. His "New World" Symphony, for example - still the most famous ever written on American soil - was composed in New York amid what he called the "American push" of the streets. And two of his most celebrated chamber works, the F Major Quartet and the E-flat Major Quintet, were written during his travels through the prairies of northeast Iowa, which he described as the "American Sahara." The contributors to this anthology are among the world's most distinguished authorities on Dvorak.

Dvořák in America, 1892-1895

1993 Biography & Autobiography
Download Dvořák in America, 1892-1895 PDF Online Free

Author :
Release : 1993
Genre : Biography & Autobiography
Kind : eBook
Book Rating : /5 ( reviews)

GET EBOOK


Book Synopsis Dvořák in America, 1892-1895 by : John C. Tibbetts

Download or read book Dvořák in America, 1892-1895 written by John C. Tibbetts. This book was released on 1993. Available in PDF, EPUB and Kindle. Book excerpt: Burleigh (both African Americans), Horatio Parker, and Maurice Arnold - to forge a uniquely American tradition; they, in turn, became mentors and teachers to a new generation of composers, including Charles Ives, George Gershwin, Aaron Copland, and Duke Ellington. Dvorak heard for himself the "dialects and idioms ... commingled in this great country" and expressed them in his own way in a dozen masterpieces written during his visit. His "New World" Symphony, for example - still the most famous ever written on American soil - was composed in New York amid what he called the "American push" of the streets. And two of his most celebrated chamber works, the F Major Quartet and the E-flat Major Quintet, were written during his travels through the prairies of northeast Iowa, which he described as the "American Sahara." The contributors to this anthology are among the world's most distinguished authorities on Dvorak.

Dvorák: Cello Concerto

1999-09-28 Music
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Release : 1999-09-28
Genre : Music
Kind : eBook
Book Rating : 030/5 ( reviews)

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Book Synopsis Dvorák: Cello Concerto by : Jan Smaczny

Download or read book Dvorák: Cello Concerto written by Jan Smaczny. This book was released on 1999-09-28. Available in PDF, EPUB and Kindle. Book excerpt: Dvorák's Cello Concerto, composed during his second stay in America, is one of the most popular works in the orchestral repertoire. This guide explores Dvorák's reasons for composing a concerto for an instrument which he at one time considered unsuitable for solo work, its relationship to his American period compositions and how it forms something of a bridge with his operatic interests. A particular focus is the concerto's unique qualities: why it stands apart in terms of form, melodic character and texture from the rest of Dvorák's orchestral music. The role of the dedicatee of the work, Hanus Wihan, in its creation is also considered, as are performing traditions as they have developed in the twentieth century. In addition the guide explores the extraordinary emotional background to the work which links it intimately to the woman who was probably Dvorák's first love.

Dvorák to Duke Ellington

2004-03-25 Music
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Release : 2004-03-25
Genre : Music
Kind : eBook
Book Rating : 950/5 ( reviews)

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Book Synopsis Dvorák to Duke Ellington by : Maurice Peress

Download or read book Dvorák to Duke Ellington written by Maurice Peress. This book was released on 2004-03-25. Available in PDF, EPUB and Kindle. Book excerpt: Drawing upon a remarkable mix of intensive research and the personal experience of a career devoted to the music about which Dvorák so presciently spoke, Maurice Peress's lively and convincing narrative treats readers to a rare and delightful glimpse behind the scenes of the burgeoning American school of music and beyond. In Dvorák to Duke Ellington, Peress begins by recounting the music's formative years: Dvorák's three year residency as Director of the National Conservatory of Music in New York (1892-1895), and his students, in particular Will Marion Cook and Rubin Goldmark, who would in turn become the teachers of Ellington, Gershwin, and Copland. We follow Dvorák to the famed Chicago World's Fair of 1893, where he directed a concert of his music for Bohemian Honor Day. Peress brings to light the little known African American presence at the Fair: the piano professors, about-to-be-ragtimers; and the gifted young artists Paul Dunbar, Harry T. Burleigh, and Cook, who gathered at the Haitian Pavilion with its director, Frederick Douglass, to organize their own gala concert for Colored Persons Day. Peress, a distinguished conductor, is himself a part of this story; working with Duke Ellington on the Suite from Black, Brown and Beige and his "opera comique," Queenie Pie; conducting the world premiere of Leonard Bernstein's Mass; and reconstructing landmark American concerts at which George Antheil's Ballet Mecanique, George Gershwin's Rhapsody in Blue, James Reese Europe's Clef Club (the first all-black concert at Carnegie Hall), and Ellington's Black, Brown and Beige, were first presented. Concluding with an astounding look at Ellington and his music, Dvorák to Duke Ellington offers an engrossing, elegant portrait of the Dvorák legacy, America's music, and the inestimable African-American influence upon it.

Puccini’s La fanciulla del West and American Musical Identity

2019-08-30 Music
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Release : 2019-08-30
Genre : Music
Kind : eBook
Book Rating : 877/5 ( reviews)

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Book Synopsis Puccini’s La fanciulla del West and American Musical Identity by : Kathryn M. Fenton

Download or read book Puccini’s La fanciulla del West and American Musical Identity written by Kathryn M. Fenton. This book was released on 2019-08-30. Available in PDF, EPUB and Kindle. Book excerpt: On 10 December 1910, Giacomo Puccini’s seventh opera, La fanciulla del West, had its premiere before a sold-out audience at New York City’s Metropolitan Opera House. The performance was the Metropolitan Opera Company’s first world premiere by any composer. By all accounts, the premiere was an unambiguous success and the event itself recognized as a major moment in New York cultural history. The initial public opinion matched Puccini’s own evaluation of his opera. He called it "the best he had ever written" and expected it to become as popular as La Bohème. Yet the music reviews tell a different story. Marked by ambivalence, the reviews expose the New York City critics’ struggle to reconcile the opera they expected to see with the one they actually saw, and the opera itself became embroiled in controversy over the essence of musical Americanness and the nativist perception that a uniquely American national opera tradition continued to elude both American- and foreign-born opera composers. This book seeks to account for the differences between Puccini’s own assessments of the opera and those of its first audience. Offering transcriptions of the central reviews and of letters unavailable elsewhere, the book provides a historically informed understanding of La fanciulla del West and the reception of this European work as it intersected with both opera production and consumption in the United States and with the process of American musical identity formation during the very period that Americans actively sought to eradicate European cultural influences. As such, it offers a window into the development of nativism and "cosmopolitan nationalism" in New York City’s musical life during the first decade of the twentieth century.

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