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Dutch and Flemish Artists in Britain, 1550-1800

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Author :
Release : 2003
Genre : Art, British
Kind : eBook
Book Rating : /5 ( reviews)

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Book Synopsis Dutch and Flemish Artists in Britain, 1550-1800 by : Juliette Roding

Download or read book Dutch and Flemish Artists in Britain, 1550-1800 written by Juliette Roding. This book was released on 2003. Available in PDF, EPUB and Kindle. Book excerpt: In January 2001 the Sir Thomas Browne Institute, the research centre for Anglo-Dutch cultural and intellectual relations at Leiden University (STBI), co-organized the international conference 'Dutch artists in Britain, 1550-1750', together with the Leiden centre for early Modern studies (LINT). Aim of the conference was to shed light on the largely uncharted area of the presence of Dutch artists in England and the works of art they produced. Many questions were raised and (party) answered, about the road to success for some, or the causes of failure for others, about the role of intermediairies and patrons and their attitude to Dutch art, about the way artists from the Low Countries adapted to the English market. Selection of the papers presented at the conference.

Dutch and Flemish Artists in Britain 1550-1750

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Author :
Release : 2003
Genre : Art, British
Kind : eBook
Book Rating : 833/5 ( reviews)

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Book Synopsis Dutch and Flemish Artists in Britain 1550-1750 by :

Download or read book Dutch and Flemish Artists in Britain 1550-1750 written by . This book was released on 2003. Available in PDF, EPUB and Kindle. Book excerpt:

Flemish and Dutch Artists in Early Modern England

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Author :
Release : 2017-07-05
Genre : Art
Kind : eBook
Book Rating : 989/5 ( reviews)

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Book Synopsis Flemish and Dutch Artists in Early Modern England by : MaryBryanH. Curd

Download or read book Flemish and Dutch Artists in Early Modern England written by MaryBryanH. Curd. This book was released on 2017-07-05. Available in PDF, EPUB and Kindle. Book excerpt: By examining their production practices in a variety of genres?including manuscript illustration, glass painting and staining, tapestry manufacture, portrait painting, and engraving?this book explores how Netherlandish artists migrating to England in the early modern period overcame difficulties raised by their outsider status. This study examines, for the first time in this context, the challenges of alien status to artistic production and the effectiveness of cooperation as a countermeasure. The author demonstrates that collaboration was chief among the strategies that these foreigners chose to secure a position in London's changing art market. Curd's exploration of these collaborations primarily follows Pierre Bourdieu's model of "establishment and challenger" in which dominance in a field of cultural production depends upon how much cultural, political, and economic capital can be accumulated and the effectiveness of the strategies used to confront competition. The analysis presented here challenges received opinion that a collaborative work is only a joint effort of artists working together on a single monument by demonstrating that the participation of patrons and middlemen can also shape the final appearance of a work of art. Furthermore, this book shows that the strategic use of collaboration served the goal of competition by helping to establish foreign artists in the London art market and suggests that their coping strategies have implications for the study of immigrant behaviors today.

The Dutch Language in Britain (1550-1702)

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Author :
Release : 2015-01-27
Genre : Language Arts & Disciplines
Kind : eBook
Book Rating : 210/5 ( reviews)

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Book Synopsis The Dutch Language in Britain (1550-1702) by : Christopher Joby

Download or read book The Dutch Language in Britain (1550-1702) written by Christopher Joby. This book was released on 2015-01-27. Available in PDF, EPUB and Kindle. Book excerpt: In The Dutch Language in Britain (1550-1702) Christopher Joby offers an account of the knowledge and use of Dutch in early modern Britain. Using extensive archive material from Britain and the Low Countries, Chris Joby demonstrates that Dutch was both written and spoken in a range of social domains including the church, work, learning, the home, diplomacy, the military and navy, and the court. Those who used the language included artisans and their families fleeing religious and economic turmoil on the continent; the Anglo-Dutch King, William III; and Englishmen such as the scientist Robert Hooke. Joby’s account adds both to our knowledge of the use of Dutch in the early modern period and multilingualism in Britain at this time.

Flemish and Dutch Artists in Early Modern England

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Author :
Release : 2017-07-05
Genre : Art
Kind : eBook
Book Rating : 970/5 ( reviews)

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Book Synopsis Flemish and Dutch Artists in Early Modern England by : MaryBryanH. Curd

Download or read book Flemish and Dutch Artists in Early Modern England written by MaryBryanH. Curd. This book was released on 2017-07-05. Available in PDF, EPUB and Kindle. Book excerpt: By examining their production practices in a variety of genres?including manuscript illustration, glass painting and staining, tapestry manufacture, portrait painting, and engraving?this book explores how Netherlandish artists migrating to England in the early modern period overcame difficulties raised by their outsider status. This study examines, for the first time in this context, the challenges of alien status to artistic production and the effectiveness of cooperation as a countermeasure. The author demonstrates that collaboration was chief among the strategies that these foreigners chose to secure a position in London's changing art market. Curd's exploration of these collaborations primarily follows Pierre Bourdieu's model of "establishment and challenger" in which dominance in a field of cultural production depends upon how much cultural, political, and economic capital can be accumulated and the effectiveness of the strategies used to confront competition. The analysis presented here challenges received opinion that a collaborative work is only a joint effort of artists working together on a single monument by demonstrating that the participation of patrons and middlemen can also shape the final appearance of a work of art. Furthermore, this book shows that the strategic use of collaboration served the goal of competition by helping to establish foreign artists in the London art market and suggests that their coping strategies have implications for the study of immigrant behaviors today.

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