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Book Synopsis Documents concernant le film "Visions de guerre, grands dioramas des alliés", 1916 by :
Download or read book Documents concernant le film "Visions de guerre, grands dioramas des alliés", 1916 written by . This book was released on . Available in PDF, EPUB and Kindle. Book excerpt:
Author : F.V. (Capitaine.)
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Book Synopsis Visions de guerre by : F.V. (Capitaine.)
Download or read book Visions de guerre written by F.V. (Capitaine.). This book was released on . Available in PDF, EPUB and Kindle. Book excerpt:
Author : F.-V. (Capitaine)
Release : 1916
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Book Synopsis Visions de guerre. Grands dioramas des alliés. La vie dans les tranchées. Grand panorama naval. Notice... by : F.-V. (Capitaine)
Download or read book Visions de guerre. Grands dioramas des alliés. La vie dans les tranchées. Grand panorama naval. Notice... written by F.-V. (Capitaine). This book was released on 1916. Available in PDF, EPUB and Kindle. Book excerpt:
Author : F. V.
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Book Synopsis Visions de guerre. Grands dioramas des alliés. La Vie dans les tranchées. Grand panorama naval. Notice par le capitaine F. V. by : F. V.
Download or read book Visions de guerre. Grands dioramas des alliés. La Vie dans les tranchées. Grand panorama naval. Notice par le capitaine F. V. written by F. V.. This book was released on . Available in PDF, EPUB and Kindle. Book excerpt:
Author : Wolfgang Muchitsch
Release : 2014-04-30
Genre : Art
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Book Rating : 066/5 ( reviews)
Book Synopsis Does War Belong in Museums? by : Wolfgang Muchitsch
Download or read book Does War Belong in Museums? written by Wolfgang Muchitsch. This book was released on 2014-04-30. Available in PDF, EPUB and Kindle. Book excerpt: Presentations of war and violence in museums generally oscillate between the fascination of terror and its instruments and the didactic urge to explain violence and, by analysing it, make it easier to handle and prevent. The museums concerned also have to face up to these basic issues about the social and institutional handling of war and violence. Does war really belong in museums? And if it does, what objectives and means are involved? Can museums avoid trivializing and aestheticising war, transforming violence, injury, death and trauma into tourist sights? What images of shock or identification does one generate - and what images would be desirable?
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