Desire and Pleasure in Seventeenth-Century Music

2012-03-06 Music

Author : Susan McClary
Release : 2012-03-06
Genre : Music
Kind : eBook
Book Rating : 065/5 ( reviews)

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Book Synopsis Desire and Pleasure in Seventeenth-Century Music by : Susan McClary

Download or read book Desire and Pleasure in Seventeenth-Century Music written by Susan McClary. This book was released on 2012-03-06. Available in PDF, EPUB and Kindle. Book excerpt: In this book, Susan McClary examines the mechanisms through which seventeenth-century musicians simulated extreme affective states—desire, divine rapture, and ecstatic pleasure. She demonstrates how every major genre of the period, from opera to religious music to instrumental pieces based on dances, was part of this striving for heightened passions by performers and listeners. While she analyzes the social and historical reasons for the high value placed on expressive intensity in both secular and sacred music, and she also links desire and pleasure to the many technical innovations of the period. McClary shows how musicians—whether working within the contexts of the Reformation or Counter-Reformation, Absolutists courts or commercial enterprises in Venice—were able to manipulate known procedures to produce radically new ways of experiencing time and the Self.

Modal Subjectivities

2019-10-22 Music

Author : Susan McClary
Release : 2019-10-22
Genre : Music
Kind : eBook
Book Rating : 255/5 ( reviews)

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Book Synopsis Modal Subjectivities by : Susan McClary

Download or read book Modal Subjectivities written by Susan McClary. This book was released on 2019-10-22. Available in PDF, EPUB and Kindle. Book excerpt: In this boldly innovative book, renowned musicologist Susan McClary presents an illuminating cultural interpretation of the Italian madrigal, one of the most influential repertories of the Renaissance. A genre that sought to produce simulations in sound of complex interiorities, the madrigal introduced into music a vast range of new signifying practices: musical representations of emotions, desire, gender stereotypes, reason, madness, tensions between mind and body, and much more. In doing so, it not only greatly expanded the expressive agendas of European music but also recorded certain assumptions of the time concerning selfhood, making it an invaluable resource for understanding the history of Western subjectivity. Modal Subjectivities covers the span of the sixteenth-century polyphonic madrigal, from its early manifestations in Philippe Verdelot's settings of Machiavelli in the 1520s through the tortured chromatic experiments of Carlo Gesualdo. Although McClary takes the lyrics into account in shaping her readings, she focuses particularly on the details of the music itself—the principal site of the genre's self-fashionings. In order to work effectively with musical meanings in this pretonal repertory, she also develops an analytical method that allows her to unravel the sophisticated allegorical structures characteristic of the madrigal. This pathbreaking book demonstrates how we might glean insights into a culture on the basis of its nonverbal artistic enterprises.

Structures of Feeling in Seventeenth-Century Cultural Expression

2013-03-04 History

Author : Susan McClary
Release : 2013-03-04
Genre : History
Kind : eBook
Book Rating : 519/5 ( reviews)

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Book Synopsis Structures of Feeling in Seventeenth-Century Cultural Expression by : Susan McClary

Download or read book Structures of Feeling in Seventeenth-Century Cultural Expression written by Susan McClary. This book was released on 2013-03-04. Available in PDF, EPUB and Kindle. Book excerpt: Between the waning of the Renaissance and the beginning of the Enlightenment, many fundamental aspects of human behaviour - from expressions of gender to the experience of time - underwent radical changes. While some of these transformations were recorded in words, others have survived in non-verbal cultural media, notably the visual arts, poetry, theatre, music, and dance. Structures of Feeling in Seventeenth-Century Cultural Expression explores how artists made use of these various cultural forms to grapple with human values in the increasingly heterodox world of the 1600s. Essays from prominent historians, musicologists, and art critics examine methods of non-verbal cultural expression through the broad themes of time, motion, the body, and global relations. Together, they show that seventeenth-century cultural expression was more than just an embryonic stage within Western artistic development. Instead, the contributors argue that this period marks some of the most profound changes in European subjectivities.

Analytical Essays on Music by Women Composers: Secular & Sacred Music to 1900

2018-09-04 Music

Author : Laurel Parsons
Release : 2018-09-04
Genre : Music
Kind : eBook
Book Rating : 031/5 ( reviews)

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Book Synopsis Analytical Essays on Music by Women Composers: Secular & Sacred Music to 1900 by : Laurel Parsons

Download or read book Analytical Essays on Music by Women Composers: Secular & Sacred Music to 1900 written by Laurel Parsons. This book was released on 2018-09-04. Available in PDF, EPUB and Kindle. Book excerpt: Through musical analysis of compositions written between the mid-twelfth to late nineteenth centuries, this volume celebrates the achievements of eight composers, all women: Hildegard of Bingen, Maddalena Casulana, Barbara Strozzi, Élisabeth Jacquet de la Guerre, Marianne Martines, Josephine Lang, Fanny Hensel, Clara Schumann, and Amy Beach. Written by outstanding music theorists and musicologists, the essays provide fascinating in-depth critical-analytic explorations of representative compositions, often linking analytical observations with questions of meaning and sociohistorical context. Each essay is introduced by a brief biographical sketch of the composer by the editors. The collection--Volume 1 in an unprecedented four-volume series of analytical studies on music by women composers--is designed to challenge and stimulate a wide range of readers. For academics, these thoughtful analytical essays can open new paths into unexplored research areas in the fields of music theory and musicology. Post-secondary instructors may be inspired by the insights offered in these essays to include new works in music theory and history courses at both graduate and upper-level undergraduate levels, or in courses on women and music. Finally, for soloists, ensembles, conductors, and music broadcasters, these detailed analyses can offer enriched understandings of this repertoire and suggest fresh, new programming possibilities to share with listeners.

Voice, Slavery, and Race in Seventeenth-Century Florence

2023 Music

Author : Emily Wilbourne
Release : 2023
Genre : Music
Kind : eBook
Book Rating : 913/5 ( reviews)

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Book Synopsis Voice, Slavery, and Race in Seventeenth-Century Florence by : Emily Wilbourne

Download or read book Voice, Slavery, and Race in Seventeenth-Century Florence written by Emily Wilbourne. This book was released on 2023. Available in PDF, EPUB and Kindle. Book excerpt: "Grounded in new archival research documenting a significant presence of foreign and racially-marked individuals in Medici Florence, this book argues for the relevance of such individuals to the history of Western music and for the importance of sound-particularly musical and vocal sounds-to systems of racial and ethnic difference. Many of the individuals discussed in these pages were subject to enslavement or conditions of unfree labor; some labored at tasks that were explicitly musical or theatrical, while all intersected with sound and with practices of listening that afforded full personhood only to particular categories of people. Integrating historical detail alongside contemporary performances and musical conventions, this book makes the forceful claim that operatic musical techniques were-from their very inception-imbricated with racialized differences. Race, Voice, and Slavery in Seventeenth-Century Florence offers both a macro and micro approach to its content. The first half of the volume draws upon a wide range of archival, theatrical and historical sources to articulate the theoretical interdependence of razza (lit. "race"), voice, and music in early modern Italy; the second half focuses on the life and work of a specific, racially-marked individual: the enslaved, Black, male soprano singer, Giovannino Buonaccorsi (fl. 1651-1674). Race, Voice, and Slavery in Seventeenth-Century Florence reframes the place of racial difference in Western art music and provides a compelling pre-history to later racial formulations of the sonic"--

Popular eBooks

Desire and Pleasure in Seventeenth-Century Music

Modal Subjectivities

Structures of Feeling in Seventeenth-Century Cultural Expression

Analytical Essays on Music by Women Composers: Secular & Sacred Music to 1900

Voice, Slavery, and Race in Seventeenth-Century Florence

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