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Author : Elisabeth Ann Fraser
Release : 2004
Genre : Art
Kind : eBook
Book Rating : 291/5 ( reviews)
Book Synopsis Delacroix, Art, and Patrimony in Post-Revolutionary France by : Elisabeth Ann Fraser
Download or read book Delacroix, Art, and Patrimony in Post-Revolutionary France written by Elisabeth Ann Fraser. This book was released on 2004. Available in PDF, EPUB and Kindle. Book excerpt: This book focuses on Delacroix's paintings produced during the Bourbon Restoration.
Author : Ian Coller
Release : 2010-11-16
Genre : Religion
Kind : eBook
Book Rating : 541/5 ( reviews)
Book Synopsis Arab France by : Ian Coller
Download or read book Arab France written by Ian Coller. This book was released on 2010-11-16. Available in PDF, EPUB and Kindle. Book excerpt: Many think of Muslims in Europe as a twentieth century phenomenon, but this book brings to life a lost community of Arabs who lived through war, revolution, and empire in early nineteenth century France. Ian Coller uncovers the surprising story of the several hundred men, women, and children—Egyptians, Syrians, Greeks, and others—who followed the French army back home after Napoleon’s occupation of Egypt. Based on research in neglected archives, on the rediscovery of forgotten Franco-Arab authors, and on a diverse collection of visual materials, the book builds a rich picture of the first Arab France—its birth, rise, and sudden decline in the age of colonial expansion. As he excavates a community that was nearly erased from the historical record, Coller offers a new account of France itself in this pivotal period, one that transcends the binary framework through which we too often view history by revealing the deep roots of exchange between Europe and the Muslim world, and showing how Arab France was in fact integral to the dawn of modernity.
Author : DanielR. Guernsey
Release : 2017-07-05
Genre : Art
Kind : eBook
Book Rating : 333/5 ( reviews)
Book Synopsis "The Artist and the State, 1777?855 " by : DanielR. Guernsey
Download or read book "The Artist and the State, 1777?855 " written by DanielR. Guernsey. This book was released on 2017-07-05. Available in PDF, EPUB and Kindle. Book excerpt: The Artist and the State, 1777-1855: The Politics of Universal History in British & French Painting is the first book-length study to examine political uses of 'universal history', or the philosophy of history, in European art from 1777 to 1855. Daniel R. Guernsey discusses a range of mural paintings and sculptural works produced in England and France between the American Revolution and the Universal Exposition of 1855, comparing the ways artists such as James Barry, Eug? Delacroix, Paul Chenavard, David d'Angers, and Gustave Courbet expressed linear or cyclical histories of progress and decline. By considering the work of these important European artists together, he reveals not only the rich artistic interaction that took place between England and France - as well as Germany - at this time, but also how the notion of 'universal history' was to become a major preoccupation in the work of these individual artists, each one participating in shaping a highly significant mode of eighteenth- and nineteenth-century political art.
Author : Shalon Parker
Release : 2018-11-19
Genre : Art
Kind : eBook
Book Rating : 713/5 ( reviews)
Book Synopsis Painting the Prehistoric Body in Late Nineteenth-Century France by : Shalon Parker
Download or read book Painting the Prehistoric Body in Late Nineteenth-Century France written by Shalon Parker. This book was released on 2018-11-19. Available in PDF, EPUB and Kindle. Book excerpt: In late nineteenth-century France, when Charles Darwin’s theories of evolution had finally begun to permeate French culture and society, several academic artists turned to a relatively new sub-genre of history painting, the prehistoric-themed subject. This artistic interest in Darwin’s theories was manifested as paintings and sculptures of prehistoric humanity engaged in physical conflict with each other or other animals, struggling for food, or hunting—all nineteenth-century popular understandings of “survival of the fittest.” This book examines how this sub-genre captured the imagination of French Salon painters from the 1880s to early 1900s, in particular that of Fernand Cormon (1845–1924), one of the foremost academic painters during the final quarter of the nineteenth century. A central argument of this book concerns the unique interpretation of prehistoric humanity that Cormon visualized in his paintings. While the vast majority of prehistoric-themed images made by his salon colleagues focused on violence, combat, and sexual conquest, Cormon’s paintings depict a conflict-free humanity, in which collaboration and cooperation dominate, rather than physical struggle. This study probes the French intellectual understanding and appropriation of Darwin’s theories and considers how the French (mis)translation of The Origin of Species by Clémence-Auguste Royer, the first French translator of the text—along with Neo-Lamarckism and republican ideology in Third Republic France—may have collectively shaped Cormon’s representation of early humanity. The art press overwhelmingly favored Cormon’s visualization of the prehistoric world over that of his Salon peers. Through extended analysis of the art criticism concerning Cormon’s work, Shalon Parker argues that critics’ very clear preference for Cormon’s paintings was rooted in their awareness that he utilized the sub-genre of the prehistoric as a forum in which to reimagine and revive academic figurative painting at a time when the critical reception of Salon art had reached its nadir. Additionally, this study provides a broad overview of the visual models, in particular the anthropological and ethnographic texts and imagery, most readily available to Cormon as sources for shaping his vision of the prehistoric world.
Author : Mary D. Sheriff
Release : 2010-06-21
Genre : Art
Kind : eBook
Book Rating : 198/5 ( reviews)
Book Synopsis Cultural Contact and the Making of European Art since the Age of Exploration by : Mary D. Sheriff
Download or read book Cultural Contact and the Making of European Art since the Age of Exploration written by Mary D. Sheriff. This book was released on 2010-06-21. Available in PDF, EPUB and Kindle. Book excerpt: Art historians have long been accustomed to thinking about art and artists in terms of national traditions. This volume takes a different approach, suggesting instead that a history of art based on national divisions often obscures the processes of cultural appropriation and global exchange that shaped the visual arts of Europe in fundamental ways between 1492 and the early twentieth century. Essays here analyze distinct zones of contact--between various European states, between Asia and Europe, or between Europe and so-called primitive cultures in Africa, the Americas, and the South Pacific--focusing mainly but not exclusively on painting, drawing, or the decorative arts. Each case foregrounds the centrality of international borrowings or colonial appropriations and counters conceptions of European art as a "pure" tradition uninfluenced by the artistic forms of other cultures. The contributors analyze the social, cultural, commercial, and political conditions of cultural contact--including tourism, colonialism, religious pilgrimage, trade missions, and scientific voyages--that enabled these exchanges well before the modern age of globalization. Contributors: Claire Farago, University of Colorado at Boulder Elisabeth A. Fraser, University of South Florida Julie Hochstrasser, University of Iowa Christopher Johns, Vanderbilt University Carol Mavor, University of North Carolina at Chapel Hill Mary D. Sheriff, University of North Carolina at Chapel Hill Lyneise E. Williams, University of North Carolina at Chapel Hill
