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Defining Waka Musically

2023-10-01 Music
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Release : 2023-10-01
Genre : Music
Kind : eBook
Book Rating : 162/5 ( reviews)

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Book Synopsis Defining Waka Musically by : Christopher Hepburn

Download or read book Defining Waka Musically written by Christopher Hepburn. This book was released on 2023-10-01. Available in PDF, EPUB and Kindle. Book excerpt: This book considers how music, musicality, and ideologies of musicality are working within the specific construction of waka on the theme of male love in Kitamura Kigin’s Iwatsutsuji (1676) and Ihara Saikaku’s Nanshoku ōkagami (1687) by using a modified generative theory of music. This modified theory seeks to get at the interdependent meanings that may exist among the music, image, and the text of the waka in question. In all, this study guides the reader through five waka on the theme of male love and demonstrates not only how each waka is inherently musical but how the image and text may interdependently relate to the ways in which premodern Japanese song poets may not only have thought in and with sound but may have also utilized a diverse array of musical gestures to construct new objects of knowledge. In the case of this study, these new objects of knowledge seem to have aided in situating a changing musicopoetics that aligned with changing constructions of male desire.

Encyclopaedic Dictionary of Music

2005 Music
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Release : 2005
Genre : Music
Kind : eBook
Book Rating : 925/5 ( reviews)

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Book Synopsis Encyclopaedic Dictionary of Music by :

Download or read book Encyclopaedic Dictionary of Music written by . This book was released on 2005. Available in PDF, EPUB and Kindle. Book excerpt:

Indigenous African Popular Music, Volume 1

2022-05-31 Music
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Release : 2022-05-31
Genre : Music
Kind : eBook
Book Rating : 842/5 ( reviews)

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Book Synopsis Indigenous African Popular Music, Volume 1 by : Abiodun Salawu

Download or read book Indigenous African Popular Music, Volume 1 written by Abiodun Salawu. This book was released on 2022-05-31. Available in PDF, EPUB and Kindle. Book excerpt: This volume explores the nature, philosophies and genres of indigenous African popular music, focusing on how indigenous African popular music artistes are seen as prophets and philosophers, and how indigenous African popular music depicts the world. Indigenous African popular music has long been under-appreciated in communication scholarship. However, understanding the nature and philosophies of indigenous African popular music reveals an untapped diversity which only be unraveled by knowledge of the myriad cultural backgrounds from which its genres originate. Indigenous African popular musicians have become repositories of indigenous cultural traditions and cosmologies.With a particular focus on scholarship from Nigeria, Zimbabwe and South Africa, this volume explores the work of these pioneering artists and their protégés who are resiliently sustaining, recreating and popularising indigenous popular music in their respective African communities, and at the same time propagating the communal views about African philosophies and the temporal and spiritual worlds in which they exist. ​

The Musical Artistry of Rap

2018-01-26 Music
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Release : 2018-01-26
Genre : Music
Kind : eBook
Book Rating : 986/5 ( reviews)

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Book Synopsis The Musical Artistry of Rap by : Martin E. Connor

Download or read book The Musical Artistry of Rap written by Martin E. Connor. This book was released on 2018-01-26. Available in PDF, EPUB and Kindle. Book excerpt: For years Rap artists have met with mixed reception--acclaimed by fans yet largely overlooked by scholars. Focusing on 135 tracks from 56 artists, this survey appraises the artistry of the genre with updates to the traditional methods and measures of musicology. Rap synthesizes rhythmic vocals with complex beats, intonational systems, song structures, orchestration and instrumentalism. The author advances a rethinking of musical notation and challenges the conventional understanding of Rap through analysis of such artists as Eminem, Kanye West and Jean Grae.

Music, Modernity and Locality in Prewar Japan: Osaka and Beyond

2016-12-05 Music
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Release : 2016-12-05
Genre : Music
Kind : eBook
Book Rating : 639/5 ( reviews)

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Book Synopsis Music, Modernity and Locality in Prewar Japan: Osaka and Beyond by : Alison Tokita

Download or read book Music, Modernity and Locality in Prewar Japan: Osaka and Beyond written by Alison Tokita. This book was released on 2016-12-05. Available in PDF, EPUB and Kindle. Book excerpt: This anthology addresses the modern musical culture of interwar Osaka and its surrounding Hanshin region. Modernity as experienced in this locale, with its particular historical, geographic and demographic character, and its established traditions of music and performance, gave rise to configurations of the new, the traditional and the hybrid that were distinct from their Tokyo counterparts. The Taisho and early Showa periods, from 1912 to the early 1940s, saw profound changes in Japanese musical life. Consumption of both traditional Japanese and Western music was transformed as public concert performances, music journalism, and music marketing permeated daily life. The new bourgeoisie saw Western music, particularly the piano and its repertoire, as the symbol of a desirable and increasingly affordable modernity. Orchestras and opera troupes were established, which in turn created a need for professional conductors, and both jazz and a range of hybrid popular music styles became viable bases for musical livelihood. Recording technology proliferated; by the early 1930s, record players and SP discs were no longer luxury commodities, radio broadcasts reached all levels of society, and ’talkies’ with music soundtracks were avidly consumed. With the perceived need for music that suited 'modern life', the seeds for the pre-eminent position of Euro-American music in post-Second-World war Japan were sown. At the same time many indigenous musical genres continued to thrive, but were hardly immune to the effects of modernization; in exploring new musical media and techniques drawn from Western music, performer-composers initiated profound changes in composition and performance practice within traditional genres. This volume is the first to draw together research on the interwar musical culture of the Osaka region and addresses comprehensively both Western and non-Western musical practices and genres, questions the common perception of their being wholly separate domains

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