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Deceptions and Illusions

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Release : 2002
Genre : Architecture
Kind : eBook
Book Rating : /5 ( reviews)

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Book Synopsis Deceptions and Illusions by : S. Ebert-Schifferer

Download or read book Deceptions and Illusions written by S. Ebert-Schifferer. This book was released on 2002. Available in PDF, EPUB and Kindle. Book excerpt: Catalogue of an exhibition held at the National Gallery of Art, Washington, D.C., Oct. 13, 2002-Mar. 2, 2003.

Deceptions and Illusions: Five Centuries of Trompe L'oeil Painting

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Release : 2002
Genre : Still-life painting
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Book Synopsis Deceptions and Illusions: Five Centuries of Trompe L'oeil Painting by : Sybille Ebert-Schifferer

Download or read book Deceptions and Illusions: Five Centuries of Trompe L'oeil Painting written by Sybille Ebert-Schifferer. This book was released on 2002. Available in PDF, EPUB and Kindle. Book excerpt:

Trompe L'oeil Painting

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Author :
Release : 1983
Genre : Art
Kind : eBook
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Book Synopsis Trompe L'oeil Painting by : Miriam Milman

Download or read book Trompe L'oeil Painting written by Miriam Milman. This book was released on 1983. Available in PDF, EPUB and Kindle. Book excerpt:

Arcimboldo

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Release : 2010-05-15
Genre : Art
Kind : eBook
Book Rating : 882/5 ( reviews)

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Book Synopsis Arcimboldo by : Thomas DaCosta Kaufmann

Download or read book Arcimboldo written by Thomas DaCosta Kaufmann. This book was released on 2010-05-15. Available in PDF, EPUB and Kindle. Book excerpt: In Giuseppe Arcimboldo’s most famous paintings, grapes, fish, and even the beaks of birds form human hair. A pear stands in for a man’s chin. Citrus fruits sprout from a tree trunk that doubles as a neck. All sorts of natural phenomena come together on canvas and panel to assemble the strange heads and faces that constitute one of Renaissance art’s most striking oeuvres. The first major study in a generation of the artist behind these remarkable paintings, Arcimboldo tells the singular story of their creation. Drawing on his thirty-five-year engagement with the artist, Thomas DaCosta Kaufmann begins with an overview of Arcimboldo’s life and work, exploring the artist’s early years in sixteenth-century Lombardy, his grounding in Leonardesque traditions, and his tenure as a Habsburg court portraitist in Vienna and Prague. Arcimboldo then trains its focus on the celebrated composite heads, approaching them as visual jokes with serious underpinnings—images that poetically display pictorial wit while conveying an allegorical message. In addition to probing the humanistic, literary, and philosophical dimensions of these pieces, Kaufmann explains that they embody their creator’s continuous engagement with nature painting and natural history. He reveals, in fact, that Arcimboldo painted many more nature studies than scholars have realized—a finding that significantly deepens current interpretations of the composite heads. Demonstrating the previously overlooked importance of these works to natural history and still-life painting, Arcimboldo finally restores the artist’s fantastic visual jokes to their rightful place in the history of both science and art.

Seventeenth-Century Flemish Garland Paintings

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Release : 2017-07-05
Genre : Art
Kind : eBook
Book Rating : 065/5 ( reviews)

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Book Synopsis Seventeenth-Century Flemish Garland Paintings by : Susan Merriam

Download or read book Seventeenth-Century Flemish Garland Paintings written by Susan Merriam. This book was released on 2017-07-05. Available in PDF, EPUB and Kindle. Book excerpt: Focusing on three celebrated northern European still life painters?Jan Brueghel, Daniel Seghers, and Jan Davidsz. de Heem?this book examines the emergence of the first garland painting in 1607-1608, and its subsequent transformation into a widely collected type of devotional image, curiosity, and decorative form. The first sustained study of the garland paintings, the book uses contextual and formal analysis to achieve two goals. One, it demonstrates how and why the paintings flourished in a number of contexts, ranging from an ecclesiastical center in Milan, to a Jesuit chapter house and private collections in Antwerp, to the Habsburg court in Vienna. Two, the book shows that when viewed over the course of the century, the images produced by Brueghel, Seghers and de Heem share important similarities, including an interest in self-referentiality and the exploration of pictorial form and materials. Using a range of evidence (inventories, period response, the paintings themselves), Susan Merriam shows how the pictures reconfigured the terms in which the devotional image was understood, and asked the viewer to consider in new ways how pictures are made and experienced.

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