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Death and the Moving Image

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Release : 2015-02-13
Genre : Performing Arts
Kind : eBook
Book Rating : 763/5 ( reviews)

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Book Synopsis Death and the Moving Image by : Michele Aaron

Download or read book Death and the Moving Image written by Michele Aaron. This book was released on 2015-02-13. Available in PDF, EPUB and Kindle. Book excerpt: Exploring gender, race, nation and narration, this groundbreaking study isolates how mainstream cinema works to bestow value upon certain lives and specific socio-cultural identities in a hierarchical and partisan way. Dedicated to the popular, to the pol

Love, Mortality and the Moving Image

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Release : 2012-02-21
Genre : Art
Kind : eBook
Book Rating : 704/5 ( reviews)

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Book Synopsis Love, Mortality and the Moving Image by : E. Wilson

Download or read book Love, Mortality and the Moving Image written by E. Wilson. This book was released on 2012-02-21. Available in PDF, EPUB and Kindle. Book excerpt: In their use of home movies, collages of photographs and live footage, moving image artists explore the wish to see dead loved ones living. This study closely explores emotions and sensations surrounding mortality and longing, with new readings of works by Agnès Varda, Pedro Almodóvar, Ingmar Bergman, Sophie Calle, and many others.

Death and the Moving Image

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Author :
Release : 2014
Genre : Death in motion pictures
Kind : eBook
Book Rating : 014/5 ( reviews)

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Book Synopsis Death and the Moving Image by : Michele Aaron

Download or read book Death and the Moving Image written by Michele Aaron. This book was released on 2014. Available in PDF, EPUB and Kindle. Book excerpt: Winner of the 2015 Kraszna-Krausz Best Moving Image Book Award. Examines the representation of death and dying in mainstream cinema. Death and the Moving Image reveals the ambivalent place of death in twentieth and twenty-first century culture: the ongoing split between its over- and under-statement, between its cold, bodily, realities and its fantastical, transcendental and, most importantly, strategic depictions. Our screens are steeped in death's dramatics: in spectacles of glorious sacrifice or bloody retribution, in the ecstasy of agony, but always in the promise of redemption. This book is about the staging of these dramatics in mainstream Western film and the discrepancies that fuel them and are, by return, fuelled by them. Exploring the impact of gender, race, nation or narration upon them, this groundbreaking study isolates how mainstream cinema works to bestow value upon certain lives, and specific socio-cultural identities, in a hierarchical and partisan way. Key Features. Examines the formal, psychological and political exchange between cinema and death Accessible 'before, during, after' structure: of death's presence as narrative promise, physical event and spectatorial reaction. Considers how filmmaking practice or visual medium affect the representation of death and its cultural significance

Death 24x a Second

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Author :
Release : 2006-03
Genre : Performing Arts
Kind : eBook
Book Rating : 638/5 ( reviews)

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Book Synopsis Death 24x a Second by : Laura Mulvey

Download or read book Death 24x a Second written by Laura Mulvey. This book was released on 2006-03. Available in PDF, EPUB and Kindle. Book excerpt: A fascinating exploration of the role new media technologies play in our experience of film.

Death 24x a Second

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Author :
Release : 2006-03-01
Genre : Performing Arts
Kind : eBook
Book Rating : 763/5 ( reviews)

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Book Synopsis Death 24x a Second by : Laura Mulvey

Download or read book Death 24x a Second written by Laura Mulvey. This book was released on 2006-03-01. Available in PDF, EPUB and Kindle. Book excerpt: Death 24x a Second is a fascinating exploration of the role new media technologies play in our experience of film. Addressing some of the key questions of film theory, spectatorship, and narrative, Laura Mulvey here argues that such technologies, including home DVD players, have fundamentally altered our relationship to the movies. According to Mulvey, new media technologies give viewers the ability to control both image and story, so that movies meant to be seen collectively and followed in a linear fashion may be manipulated to contain unexpected and even unintended pleasures. The individual frame, the projected film’s best-kept secret, can now be revealed by anyone who hits pause. Easy access to repetition, slow motion, and the freeze-frame, Mulvey argues, may shift the spectator’s pleasure to a fetishistic rather than a voyeuristic investment in film. By exploring how technology can give new life to old cinema, Death 24x a Second offers an original reevaluation of film’s history and its historical usefulness.

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