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Dance in Handel's London Operas

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Author :
Release : 2013
Genre : Music
Kind : eBook
Book Rating : 203/5 ( reviews)

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Book Synopsis Dance in Handel's London Operas by : Sarah Yuill McCleave

Download or read book Dance in Handel's London Operas written by Sarah Yuill McCleave. This book was released on 2013. Available in PDF, EPUB and Kindle. Book excerpt: Examines the pivotal role of dance in the Italian operas of Handel, perhaps the greatest opera composer between Monteverdi and Mozart. George Frideric Handel set himself apart from his contemporaries by employing choreographed instrumental music to complement and reinforce the emotional impact of his operas. Of his fifty-three operas, no fewer than fourteen -- including ten written for the London stage -- feature dances. Dance in Handel's London Operas explores the relationship between music, drama, and dance in these London works, dispelling the notion that dance was a largely peripheral element in Italian-language operas prior to those of Gluck. Taking a chronological approach, Sarah McCleave examines operas written throughout various periods in Handel's life, beginning with his early London operas, including his time at the Royal Music Academy and the "Sallé" operas of the 1730s, and concluding with his unstaged dramatic opera Alceste (1750). In considering the various influences on Handel (particularly the London stage), McCleave blends analysis of information from eighteenth-century treatises with that found in more modern studies, offering an informed and imaginative understanding of the role dance played in the work of this major figure --one who remained responsive throughout his career to the vital and innovative theatrical environment in which he worked. Sarah McCleave is a lecturer at The School of Creative Arts at Queen's University Belfast.

Music in the London Theatre from Purcell to Handel

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Release : 2017-06-29
Genre : Music
Kind : eBook
Book Rating : 569/5 ( reviews)

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Book Synopsis Music in the London Theatre from Purcell to Handel by : Colin Timms

Download or read book Music in the London Theatre from Purcell to Handel written by Colin Timms. This book was released on 2017-06-29. Available in PDF, EPUB and Kindle. Book excerpt: This book is concerned with a hundred years of musical drama in England. It charts the development of the genre from the theatre works of Henry Purcell (and his contemporaries) to the dramatic oratorios of George Frideric Handel (and his). En route it investigates the objections to all-sung drama in English that were articulated in the decades around 1700, various proposed solutions, the importation of Italian opera, and the creation of the dramatic oratorio - English drama, all-sung but not staged. Most of the constituent essays take an in-depth look at a particular aspect of the process, while others draw attention to dramatic qualities in non-dramatic works that also were performed in the theatre. The journey from Purcell to Handel illustrates the vigour and vitality of English theatrical and musical traditions, and Handel's dramatic oratorios and other settings of English words answer questions posed before he was born.

A Poetics of Handel's Operas

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Release : 2023-03-10
Genre : Music
Kind : eBook
Book Rating : 364/5 ( reviews)

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Book Synopsis A Poetics of Handel's Operas by : Nathan Link

Download or read book A Poetics of Handel's Operas written by Nathan Link. This book was released on 2023-03-10. Available in PDF, EPUB and Kindle. Book excerpt: What should we consider when thinking about the relationship between an onstage performance and the story the performance tells? A Poetics of Handel's Operas explores this question by analyzing the narratives of Handel's operas in relation to the rich representational fabric of performance used to convey them. Nathan Link notes that in most storytelling genres, the audience can naturally discern between a story and the way that story is represented: with film, for example, the viewer would recognize that a character hears neither her own voiceover nor the ambient music that accompanies it, whereas in discussions of opera, some audiences may be distracted by the seemingly artificial nature of such conventions as characters singing their dialogue. Link proposes that when engaging with opera, distinguishing between the performance we see and hear on the stage and the story represented offers a meaningful approach to engaging with and interpreting the work. Handel's operas are today the most-performed works in the Baroque opera seria tradition. This genre, with its intricate dramaturgy and esoteric conventions, stands to gain much from an investigation into the relationships between the onstage performance and the story to which that performance directs us. In his analysis, Link offers theoretical studies on opera and narratological theories of literature, drama, and film, providing rich engagement with Handel's work and what it conveys about the relationship between text, story, and performance.

The Lives of George Frideric Handel

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Author :
Release : 2015
Genre : Biography & Autobiography
Kind : eBook
Book Rating : 616/5 ( reviews)

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Book Synopsis The Lives of George Frideric Handel by : David Hunter

Download or read book The Lives of George Frideric Handel written by David Hunter. This book was released on 2015. Available in PDF, EPUB and Kindle. Book excerpt: How have Handel's 'lives' in biographies and histories moulded our understanding of the musician, the man and the icon?

Dance and Drama in French Baroque Opera

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Release : 2016-10-27
Genre : Music
Kind : eBook
Book Rating : 719/5 ( reviews)

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Book Synopsis Dance and Drama in French Baroque Opera by : Rebecca Harris-Warrick

Download or read book Dance and Drama in French Baroque Opera written by Rebecca Harris-Warrick. This book was released on 2016-10-27. Available in PDF, EPUB and Kindle. Book excerpt: Since its inception, French opera has embraced dance, yet all too often operatic dancing is treated as mere decoration. Dance and Drama in French Baroque Opera exposes the multiple and meaningful roles that dance has played, starting from Jean-Baptiste Lully's first opera in 1672. It counters prevailing notions in operatic historiography that dance was parenthetical and presents compelling evidence that the divertissement - present in every act of every opera - is essential to understanding the work. The book considers the operas of Lully - his lighter works as well as his tragedies - and the 46-year period between the death of Lully and the arrival of Rameau, when influences from the commedia dell'arte and other theatres began to inflect French operatic practices. It explores the intersections of musical, textual, choreographic and staging practices at a complex institution - the Académie Royale de Musique - which upheld as a fundamental aesthetic principle the integration of dance into opera.

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