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Culture and Identity in African and Caribbean Theatre

2009 Drama
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Release : 2009
Genre : Drama
Kind : eBook
Book Rating : 609/5 ( reviews)

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Book Synopsis Culture and Identity in African and Caribbean Theatre by : Osita Okagbue

Download or read book Culture and Identity in African and Caribbean Theatre written by Osita Okagbue. This book was released on 2009. Available in PDF, EPUB and Kindle. Book excerpt: Because of a shared experience of European colonialism and trans-Atlantic slavery, issues of culture and identity are major concerns for African and Caribbean playwrights. Slavery and colonialism had involved systematic acts of cultural denigration, de-humanization and loss of freedom, which left imprints on the collective psyches of the colonized Africans and enslaved peoples of African descent in the Caribbean. Both experiences brought intense cultural and psychic dislocations which still impact in various ways on the lives of Africans and peoples of African descent around the world. African and Caribbean playwrights try to help their peoples regain their dignities by affirming their cultures, histories and identities. The book focuses on the similarities and differences between Caribbean theatre and the theatre of sub-Saharan Africa, showing how identities and cultures are negotiated and affirmed in each case.

Culture and Identity in African and Caribbean Theatre

2009-09-30 Drama
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Release : 2009-09-30
Genre : Drama
Kind : eBook
Book Rating : 262/5 ( reviews)

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Book Synopsis Culture and Identity in African and Caribbean Theatre by : Osita Okagbue

Download or read book Culture and Identity in African and Caribbean Theatre written by Osita Okagbue. This book was released on 2009-09-30. Available in PDF, EPUB and Kindle. Book excerpt: What connects Africa and the Caribbean is trans-Atlantic slavery which transported numerous sons and daughters of Africa to the plantations of the New World in the service of Western European capitalism. Because of this shared experience of trans-Atlantic slavery and European colonialism, issues of culture and identity are major concerns for African and Caribbean playwrights. Slavery and colonialism had involved systematic acts of cultural denigration, de-humanisation and loss of freedom, which left imprints on the collective psyches of the colonised Africans and enslaved peoples of African descent in the Caribbean. Both experiences brought intense cultural and psychic dislocations which still impact in various ways on the lives of Africans and peoples of African descent around the world. African and Caribbean playwrights try to help their peoples regain their dignities by affirming their cultures, histories and identities. The book focuses on the similarities and differences between Caribbean theatre and the theatre of sub-Saharan Africa, showing how identities and cultures are negotiated and affirmed in each case.

Scars of Conquest/Masks of Resistance

1995-06-22 Literary Criticism
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Release : 1995-06-22
Genre : Literary Criticism
Kind : eBook
Book Rating : 507/5 ( reviews)

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Book Synopsis Scars of Conquest/Masks of Resistance by : Tejumola Olaniyan

Download or read book Scars of Conquest/Masks of Resistance written by Tejumola Olaniyan. This book was released on 1995-06-22. Available in PDF, EPUB and Kindle. Book excerpt: This original work redefines and broadens our understanding of the drama of the English-speaking African diaspora. Looking closely at the work of Amiri Baraka, Nobel prize-winners Wole Soyinka and Derek Walcott, and Ntozake Shange, the author contends that the refashioning of the collective cultural self in black drama originates from the complex intersection of three discourses: Eurocentric, Afrocentric, and Post-Afrocentric. From blackface minstrelsy to the Trinidad Carnival, from the Black Aesthetic to the South African Black Consciousness theatres and the scholarly debate on the (non)existence of African drama, Olaniyan cogently maps the terrains of a cultural struggle and underscores a peculiar situation in which the inferiorization of black performance forms is most often a shorthand for subordinating black culture and corporeality. Drawing on insights from contemporary theory and cultural studies, and offering detailed readings of the above writers, Olaniyan shows how they occupy the interface between the Afrocentric and a liberating Post-Afrocentric space where black theatrical-cultural difference could be envisioned as a site of multiple articulations: race, class, gender, genre, and language.

The Cambridge Guide to African and Caribbean Theatre

1994-08-04 Drama
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Release : 1994-08-04
Genre : Drama
Kind : eBook
Book Rating : 394/5 ( reviews)

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Book Synopsis The Cambridge Guide to African and Caribbean Theatre by : Martin Banham

Download or read book The Cambridge Guide to African and Caribbean Theatre written by Martin Banham. This book was released on 1994-08-04. Available in PDF, EPUB and Kindle. Book excerpt: Comprehensive alphabetical guide to theatre in Africa and the Caribbean: national essays and entries on countries and performers.

The Changing Face of Afro-Caribbean Cultural Identity

2010 Literary Criticism
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Release : 2010
Genre : Literary Criticism
Kind : eBook
Book Rating : 532/5 ( reviews)

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Book Synopsis The Changing Face of Afro-Caribbean Cultural Identity by : Mamadou Badiane

Download or read book The Changing Face of Afro-Caribbean Cultural Identity written by Mamadou Badiane. This book was released on 2010. Available in PDF, EPUB and Kindle. Book excerpt: The Changing Face of Afro-Caribbean Cultural Identity: Negrismo and N gritude looks primarily at Negrismo and N gritude, two literary movements that appeared in the Francophone and Hispanic Caribbean as well as in Africa at the beginning of the twentieth century. It draws on speeches and manifestos, and use cultural studies to contextualize ideas. It poses the bases of both movements in the Caribbean and in Africa, and lays out the literary antecedents that influenced or shaped both movements. This book examines the search for cultural identity through the poetry of Nicolas Guill n, Manuel del Cabral, and Pal s Matos. This search is extended to the N gritude movement through the poems of L opold Senghor, L on-Gontran Damas, and Aim C saire. Mamadou Badiane further discusses the under-represented N gritude women writers who were silenced by their male counterparts during the first half of the twentieth century. Ultimately, this is a book on Caribbean cultural identity that shows it in a slippery and fluctuating zone. By demonstrating that while the founders of the N gritude movement both identified themselves as descendants of Africans and were proud to proclaim their African heritage, the members of the Antillanit and Cr olit movements see themselves as a product of miscegenation between different cultures.

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