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Critical Cartography of Art and Visuality in the Global Age

2014-10-17 Art
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Release : 2014-10-17
Genre : Art
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Book Rating : 961/5 ( reviews)

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Book Synopsis Critical Cartography of Art and Visuality in the Global Age by : Anna Maria Guasch Ferrer

Download or read book Critical Cartography of Art and Visuality in the Global Age written by Anna Maria Guasch Ferrer. This book was released on 2014-10-17. Available in PDF, EPUB and Kindle. Book excerpt: Critical Cartography of Art and Visuality in the Global Age poses fundamental questions and pinpoints topical discussions central to the field of contemporary art studies in the global age. Resulting from a series of conversations that took place at the international conference ""Critical Cartography of Art and Visuality in the Global Age"" (Barcelona 2013), the volume brings together current debates in cultural and identity-based art histories as a means of expanding the territory of contempor...

Critical Cartography of Art and Visuality in the Global Age II

2018 Art
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Release : 2018
Genre : Art
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Book Rating : 411/5 ( reviews)

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Book Synopsis Critical Cartography of Art and Visuality in the Global Age II by : Rafael Pinilla

Download or read book Critical Cartography of Art and Visuality in the Global Age II written by Rafael Pinilla. This book was released on 2018. Available in PDF, EPUB and Kindle. Book excerpt: This volume addresses questions that are crucial to approaching art, visuality, and cultural policies from the perspective of global transformations and the rise of new social, political and cultural paradigms. The concept of territory is the theoretical underpinning off three sections of the volume: "The Geoasthetic Hypothesis: Constructing and Deconstructing Territories"; "Creativity and Dissent: The Future as a Contested Territory"; and "Value, Labour and Gender: Spaces of (Un)Recognition". Obviously, in this case, territory is not viewed as a two-dimensional space that can be abstracted into a map; it rather emerges as a multidimensional place of proximity and difference, of consensus and conflict, of hegemonies and dissent. It expands from the private space of domestic labour to the public field of politics; rather than treating them as separate fields, they are viewed as a complex continuum, where the narratives of displacement, dissent and utopia are being interwoven. In order to understand its multiple dimensions and problematics (cultural, political, social), the volume adopts an approach that extends beyond art theory and aesthetics, into the realm of economics, geography and political theory.

The Oxford Handbook of Communist Visual Cultures

2020-04-01 Performing Arts
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Release : 2020-04-01
Genre : Performing Arts
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Book Rating : 548/5 ( reviews)

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Book Synopsis The Oxford Handbook of Communist Visual Cultures by : Aga Skrodzka

Download or read book The Oxford Handbook of Communist Visual Cultures written by Aga Skrodzka. This book was released on 2020-04-01. Available in PDF, EPUB and Kindle. Book excerpt: Stereotypes often cast communism as a defunct, bankrupt ideology and a relic of the distant past. However, recent political movements like Europe's anti-austerity protests, the Arab Spring, and Occupy Wall Street suggest that communism is still very much relevant and may even hold the key to a new, idealized future. In The Oxford Handbook of Communist Visual Cultures, contributors trace the legacies of communist ideology in visual culture, from buildings and monuments, murals and sculpture, to recycling campaigns and wall newspapers, all of which work to make communism's ideas and values material. Contributors work to resist the widespread demonization of communism, demystifying its ideals and suggesting that it has visually shaped the modern world in undeniable and complex ways. Together, contributors answer curcial questions like: What can be salvaged and reused from past communist experiments? How has communism impacted the cultures of late capitalism? And how have histories of communism left behind visual traces of potential utopias? An interdisciplinary look at the cultural currency of communism today, The Oxford Handbook of Communist Visual Cultures demonstrates the value of revisiting the practices of the past to form a better vision of the future.

Body between Materiality and Power

2016-09-23
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Release : 2016-09-23
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Book Rating : 803/5 ( reviews)

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Book Synopsis Body between Materiality and Power by : Nasheli Jiménez del Val

Download or read book Body between Materiality and Power written by Nasheli Jiménez del Val. This book was released on 2016-09-23. Available in PDF, EPUB and Kindle. Book excerpt: This volume situates and problematizes the points of tension implicated in diverse historical and theoretical conceptualizations of the body through a visual studies framework. By proposing materiality and power as two polarities through which the body is mobilized, it highlights the interstitial function of the body as a mediator between materiality and politics beyond the body/soul-mind dichotomy. Specifically, the book brings together complex analytical approaches to representations of the body in diverse media, such as the visual arts, television, film, literature, architecture, dance, and theatre, among others. As a result, and to highlight the interdisciplinary dimension of this collection of essays, Body between Power and Materiality includes texts by scholars in a wide range of fields, from art historians, media studies experts, and sociologists to literary theorists.

Turns of the Global, The

2019-11-26 Art
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Release : 2019-11-26
Genre : Art
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Book Rating : 402/5 ( reviews)

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Book Synopsis Turns of the Global, The by : Anna Maria Guasch

Download or read book Turns of the Global, The written by Anna Maria Guasch. This book was released on 2019-11-26. Available in PDF, EPUB and Kindle. Book excerpt: When we talk about the geographical, ecological, ethnographic, historical, documentary, and cosmopolitan “turns” in relation to the work of practitioners of contempory art, what exactly do we mean? Are we talking about a “reading strategy”? About an interpretive model, as would be derived from the linguistic turn of the 1970s, or rather about a stratigraphic structure that could be read across multiple cultural practices? Do we wish to read one system by means of another system, in a way that one nurtures the other so that it can open us up to other forms of being? Or is it rather about a generative movement in which a new horizon emerges in the process, leaving behind the practice that was its point of departure? The recurrence of “turn” in place of “style”, “-ism”, or “tendency” would ultimately respond to a clear urgency of the contemporary global world: a movement characterised by aesthetic pluralism, by the simultaneousness of various modi operandi, and by a great multiplicity of languages that constantly change their state while having many features in common. And “turn” would also allow within the space of the contemporary — of here and now —, a great diversity of stories from all around the world that should be confronted simultaneously in an intellectual outlook that is continuous and disjunctive, essential to understanding the present as a whole.

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