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Confronting Images

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Author :
Release : 2005
Genre : Philosophy
Kind : eBook
Book Rating : 714/5 ( reviews)

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Book Synopsis Confronting Images by : Georges Didi-Huberman

Download or read book Confronting Images written by Georges Didi-Huberman. This book was released on 2005. Available in PDF, EPUB and Kindle. Book excerpt: According to Didi-Huberman, visual representation has an "underside" in which intelligible forms lose clarity and defy rational understanding. Art historians, he contends, fail to engage this underside, and he suggests that art historians look to Freud's concept of the "dreamwork", a mobile process that often involves substitution and contradiction.

Silent No More

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Author :
Release : 2001
Genre : Religion
Kind : eBook
Book Rating : 009/5 ( reviews)

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Book Synopsis Silent No More by : Paul Findley

Download or read book Silent No More written by Paul Findley. This book was released on 2001. Available in PDF, EPUB and Kindle. Book excerpt: This book chronicles Paul Findley's far-flung trial of discovery, the false stereotypes of Islam that linger in the minds of the American people, the corrective actions that the leaders of American's seven million Muslims are undertaking, and the community's remarkable progress in mainstream politics.

Didi-Huberman and the image

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Author :
Release : 2020-09-29
Genre : Art
Kind : eBook
Book Rating : 257/5 ( reviews)

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Book Synopsis Didi-Huberman and the image by : Chari Larsson

Download or read book Didi-Huberman and the image written by Chari Larsson. This book was released on 2020-09-29. Available in PDF, EPUB and Kindle. Book excerpt: Philosopher and art historian Georges Didi-Huberman is one of the most innovative and influential critical thinkers writing today. This book is the first English-language study of his writing on images. An image is a form of representation, but what are the philosophical frameworks supporting it? The book considers how Didi-Huberman takes up this question repeatedly over the course of his career. Placing his project in relation to major historical and intellectual contexts, it shows not only how he modifies dominant disciplinary traditions, but also how the study of images is central to a new way of thinking about poststructuralist-inspired art history.

Facing Death

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Author :
Release : 1991
Genre : Death
Kind : eBook
Book Rating : 238/5 ( reviews)

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Book Synopsis Facing Death by : Sandra L. Bertman

Download or read book Facing Death written by Sandra L. Bertman. This book was released on 1991. Available in PDF, EPUB and Kindle. Book excerpt: This work draws upon material from the visual arts, poetry, fiction, drama, and pop-culture to help lead the reader to a heightened awareness of the universal nature of the issues that face the dying and those who care for them. The author argues.

Inadvertent Images

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Author :
Release : 2018-03-14
Genre : Art
Kind : eBook
Book Rating : 87X/5 ( reviews)

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Book Synopsis Inadvertent Images by : Peter Geimer

Download or read book Inadvertent Images written by Peter Geimer. This book was released on 2018-03-14. Available in PDF, EPUB and Kindle. Book excerpt: As an artistic medium, photography is uniquely subject to accidents, or disruptions, that can occur in the making of an artwork. Though rarely considered seriously, those accidents can offer fascinating insights about the nature of the medium and how it works. With Inadvertent Images, Peter Geimer explores all kinds of photographic irritation from throughout the history of the medium, as well as accidental images that occur through photo-like means, such as the image of Christ on the Shroud of Turin, brought into high resolution through photography. Geimer’s investigations complement the history of photographic images by cataloging a corresponding history of their symptoms, their precarious visibility, and the disruptions threatened by image noise. Interwoven with the familiar history of photography is a secret history of photographic artifacts, spots, and hazes that historians have typically dismissed as “spurious phenomena,” “parasites,” or “enemies of the photographer.” With such photographs, it is virtually impossible to tell where a “picture” has been disrupted—where the representation ends and the image noise begins. We must, Geimer argues, seek to keep both in sight: the technical making and the necessary unpredictability of what is made, the intentional and the accidental aspects, representation and its potential disruption.

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