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Class, Control, and Classical Music

2019 Music
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Release : 2019
Genre : Music
Kind : eBook
Book Rating : 353/5 ( reviews)

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Book Synopsis Class, Control, and Classical Music by : Anna Bull

Download or read book Class, Control, and Classical Music written by Anna Bull. This book was released on 2019. Available in PDF, EPUB and Kindle. Book excerpt: Through an ethnographic study of young people playing and singing in classical music ensembles in the south of England, this text analyses why classical music in England is predominantly practiced by white middle-class people. It describes four 'articulations' or associations between the middle classes and classical music.

Classical Music and Postmodern Knowledge

2023-04-28 Music
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Release : 2023-04-28
Genre : Music
Kind : eBook
Book Rating : 428/5 ( reviews)

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Book Synopsis Classical Music and Postmodern Knowledge by : Lawrence Kramer

Download or read book Classical Music and Postmodern Knowledge written by Lawrence Kramer. This book was released on 2023-04-28. Available in PDF, EPUB and Kindle. Book excerpt: A leading cultural theorist and musicologist opens up new possibilities for understanding mainstream Western art music—the "classical" music composed between the eighteenth and early twentieth centuries that is, for many, losing both its prestige and its appeal. When this music is regarded esoterically, removed from real-world interests, it increasingly sounds more evasive than transcendent. Now Lawrence Kramer shows how classical music can take on new meaning and new life when approached from postmodernist standpoints. Kramer draws out the musical implications of contemporary efforts to understand reason, language, and subjectivity in relation to concrete human activities rather than to universal principles. Extending the rethinking of musical expression begun in his earlier Music as Cultural Practice, he regards music not only as an object that invites aesthetic reception but also as an activity that vitally shapes the personal, social, and cultural identities of its listeners. In language accessible to nonspecialists but informative to specialists, Kramer provides an original account of the postmodernist ethos, explains its relationship to music, and explores that relationship in a series of case studies ranging from Haydn and Mendelssohn to Ives and Ravel. This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1996. A leading cultural theorist and musicologist opens up new possibilities for understanding mainstream Western art music—the "classical" music composed between the eighteenth and early twentieth centuries that is, for many, losing both its prestige and its

Pleasure and Meaning in the Classical Symphony

2007-02-07 Music
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Release : 2007-02-07
Genre : Music
Kind : eBook
Book Rating : 068/5 ( reviews)

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Book Synopsis Pleasure and Meaning in the Classical Symphony by : Melanie Lowe

Download or read book Pleasure and Meaning in the Classical Symphony written by Melanie Lowe. This book was released on 2007-02-07. Available in PDF, EPUB and Kindle. Book excerpt: Classical music permeates contemporary life. Encountered in waiting rooms, movies, and hotel lobbies as much as in the concert hall, perennial orchestral favorites mingle with commercial jingles, video-game soundtracks, and the booming bass from a passing car to form the musical soundscape of our daily lives. In this provocative and ground-breaking study, Melanie Lowe explores why the public instrumental music of late-eighteenth-century Europe has remained accessible, entertaining, and distinctly pleasurable to a wide variety of listeners for over 200 years. By placing listeners at the center of interpretive activity, Pleasure and Meaning in the Classical Symphony offers an alternative to more traditional composer- and score-oriented approaches to meaning in the symphonies of Haydn and Mozart. Drawing from the aesthetics of the Enlightenment, the politics of entertainment, and postmodern notions of pleasure, Lowe posits that the listener's pleasure stems from control over musical meaning. She then explores the widely varying meanings eighteenth-century listeners of different social classes may have constructed during their first and likely only hearing of a work. The methodologies she employs are as varied as her sources -- from musical analysis to the imaginings of three hypothetical listeners. Lowe also explores similarities between the position of the classical symphony in its own time and its position in contemporary American consumer culture. By considering the meanings the mainstream and largely middle-class American public may construct alongside those heard by today's more elite listeners, she reveals the great polysemic potential of this music within our current cultural marketplace. She suggests that we embrace "crosstalk" between performances of this music and its myriad uses in film, television, and other mediated contexts to recover the pleasure of listening to this repertory. In so doing, we surprisingly regain something of the classical symphony's historical ways of meaning.

Composing Capital

2019-08-05 Music
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Release : 2019-08-05
Genre : Music
Kind : eBook
Book Rating : 23X/5 ( reviews)

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Book Synopsis Composing Capital by : Marianna Ritchey

Download or read book Composing Capital written by Marianna Ritchey. This book was released on 2019-08-05. Available in PDF, EPUB and Kindle. Book excerpt: The familiar old world of classical music, with its wealthy donors and ornate concert halls, is changing. The patronage of a wealthy few is being replaced by that of corporations, leading to new unions of classical music and contemporary capitalism. In Composing Capital, Marianna Ritchey lays bare the appropriation of classical music by the current neoliberal regime, arguing that artists, critics, and institutions have aligned themselves—and, by extension, classical music itself—with free-market ideology. More specifically, she demonstrates how classical music has lent its cachet to marketing schemes, tech firm-sponsored performances, and global corporate partnerships. As Ritchey shows, the neoliberalization of classical music has put music at the service of contemporary capitalism, blurring the line between creativity and entrepreneurship, and challenging us to imagine how a noncommodified musical practice might be possible in today’s world.

The Classical Music Lover's Companion to Orchestral Music

2018-12-04 Music
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Release : 2018-12-04
Genre : Music
Kind : eBook
Book Rating : 727/5 ( reviews)

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Book Synopsis The Classical Music Lover's Companion to Orchestral Music by : Robert Philip

Download or read book The Classical Music Lover's Companion to Orchestral Music written by Robert Philip. This book was released on 2018-12-04. Available in PDF, EPUB and Kindle. Book excerpt: An invaluable guide for lovers of classical music designed to enhance their enjoyment of the core orchestral repertoire from 1700 to 1950 Robert Philip, scholar, broadcaster, and musician, has compiled an essential handbook for lovers of classical music, designed to enhance their listening experience to the full. Covering four hundred works by sixty-eight composers from Corelli to Shostakovich, this engaging companion explores and unpacks the most frequently performed works, including symphonies, concertos, overtures, suites, and ballet scores. It offers intriguing details about each piece while avoiding technical terminology that might frustrate the non-specialist reader. Philip identifies key features in each work, as well as subtleties and surprises that await the attentive listener, and he includes enough background and biographical information to illuminate the composer’s intentions. Organized alphabetically from Bach to Webern, this compendium will be indispensable for classical music enthusiasts, whether in the concert hall or enjoying recordings at home.

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