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British Music Publishers, Printers and Engravers: London, Provincial, Scottish, and Irish

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Release : 1900
Genre : Music
Kind : eBook
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Book Synopsis British Music Publishers, Printers and Engravers: London, Provincial, Scottish, and Irish by : Frank Kidson

Download or read book British Music Publishers, Printers and Engravers: London, Provincial, Scottish, and Irish written by Frank Kidson. This book was released on 1900. Available in PDF, EPUB and Kindle. Book excerpt:

British music publishers, printers and engravers

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Author :
Release : 1967
Genre :
Kind : eBook
Book Rating : /5 ( reviews)

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Book Synopsis British music publishers, printers and engravers by : Frank Kidson

Download or read book British music publishers, printers and engravers written by Frank Kidson. This book was released on 1967. Available in PDF, EPUB and Kindle. Book excerpt:

British Music Publishers, Printers and Engravers: London, Provincial, Scottish, and Irish. From Queen Elizabeth's Reign to George the Fourth's, with Select Bibliographical Lists of Musical Works Printed and Published Within that Period

Download British Music Publishers, Printers and Engravers: London, Provincial, Scottish, and Irish. From Queen Elizabeth's Reign to George the Fourth's, with Select Bibliographical Lists of Musical Works Printed and Published Within that Period PDF Online Free

Author :
Release : 1900
Genre :
Kind : eBook
Book Rating : /5 ( reviews)

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Book Synopsis British Music Publishers, Printers and Engravers: London, Provincial, Scottish, and Irish. From Queen Elizabeth's Reign to George the Fourth's, with Select Bibliographical Lists of Musical Works Printed and Published Within that Period by : Frank KIDSON

Download or read book British Music Publishers, Printers and Engravers: London, Provincial, Scottish, and Irish. From Queen Elizabeth's Reign to George the Fourth's, with Select Bibliographical Lists of Musical Works Printed and Published Within that Period written by Frank KIDSON. This book was released on 1900. Available in PDF, EPUB and Kindle. Book excerpt:

British Music Publishers, Printers and Engravers

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Author :
Release : 2015-08-05
Genre : Music
Kind : eBook
Book Rating : 023/5 ( reviews)

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Book Synopsis British Music Publishers, Printers and Engravers by : Frank Kidson

Download or read book British Music Publishers, Printers and Engravers written by Frank Kidson. This book was released on 2015-08-05. Available in PDF, EPUB and Kindle. Book excerpt: Excerpt from British Music Publishers, Printers and Engravers: London, Provincial, Scottish, and Irish, From Queen Elizabeth's Reign to George the Fourth's, With Select Bibliographical Lists of Musical Works Printed and Published Within That Period As a pioneer work, the present volume must claim a little indulgence. Excepting a few scattered notices here and there, nothing dealing with the subject of the following pages has yet appeared, and facts bearing on it are scanty and scattered in many places. The lists of publications are not put forth as containing all that my material would furnish, but are merely selections culled to show types of a publishers issue; to fix a date, or give a variation of imprint. The names attached here and there are those of the owners of the particular copies I have consulted and do not imply that such works may not be in the British Museum or elsewhere. Much of the bibliographical matter comes from my own library, while my friend, Mr. T. W. Taphouse, of Oxford, has freely (as he has ever done) thrown open to me his large and valuable store of rare and unique volumes. The British Museum has, of course, also furnished much, and I have to thank Mr. W. Barclay Squire there, for much helpful courtesy and for the trouble he has taken in many ways. I must also thank Mr. Arthur F. Hill, Mr. Alfred Moffat, and Mr. J. E. Matthew, of London, Mr. John Glen, of Edinburgh, Dr. Culwick, and Mr. E. R. Mc Dix, of Dublin, and others who have furnished titles and imprints from their collections. Their contributions are all indicated in the text where they occur, and it but remains to thank all heartily for their aid. The references from the Edinburgh directories for 1804, 1806, and 1807 are from copies in Mr. Glen's possession. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

A Social History of Amateur Music-Making and Scottish National Identity: Scotland’s Printed Music, 1880–1951

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Release : 2024-10-30
Genre : History
Kind : eBook
Book Rating : 501/5 ( reviews)

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Book Synopsis A Social History of Amateur Music-Making and Scottish National Identity: Scotland’s Printed Music, 1880–1951 by : Karen E. McAulay

Download or read book A Social History of Amateur Music-Making and Scottish National Identity: Scotland’s Printed Music, 1880–1951 written by Karen E. McAulay. This book was released on 2024-10-30. Available in PDF, EPUB and Kindle. Book excerpt: Late Victorian Scotland had a flourishing music publishing trade, evidenced by the survival of a plethora of vocal scores and dance tune books; and whether informing us what people actually sang and played at home, danced to, or enjoyed in choirs, or reminding us of the impact of emigration from Britain for both emigrants and their families left behind, examining this neglected repertoire provides an insight into Scottish musical culture and is a valuable addition to the broader social history of Scotland. The decline of the music trade by the mid-twentieth century is attributable to various factors, some external, but others due to the conservative and perhaps somewhat parochial nature of the publishers’ output. What survives bears witness to the importance of domestic and amateur music-making in ordinary lives between 1880 and 1950. Much of the music is now little more than a historical artefact. Nonetheless, Karen E. McAulay shows that the nature of the music, the song and fiddle tune books’ contents, the paratext around the collections, its packaging, marketing and dissemination all document the social history of an era whose everyday music has often been dismissed as not significant or, indeed, properly ‘old’ enough to merit consideration. The book will be valuable for academics as well as folk musicians and those interested in the social and musical history of Scotland and the British Isles.

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