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Black Recording Artists, 1877-1926

2013-01-03 Music
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Release : 2013-01-03
Genre : Music
Kind : eBook
Book Rating : 383/5 ( reviews)

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Book Synopsis Black Recording Artists, 1877-1926 by :

Download or read book Black Recording Artists, 1877-1926 written by . This book was released on 2013-01-03. Available in PDF, EPUB and Kindle. Book excerpt: This annotated discography covers the first 50 years of audio recordings by black artists in chronological order, music made in the "acoustic era" of recording technology. The book has cross-referenced bibliographical information on recording sessions, including audio sources for extant material, and appendices on field recordings; Caribbean, Mexican and South American recordings; piano rolls performed by black artists; and a filmography detailing the visual record of black performing artists from the period. Indexes contain all featured artists, titles recorded and labels.

Field Recordings of Black Singers and Musicians

2018-07-10 Music
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Release : 2018-07-10
Genre : Music
Kind : eBook
Book Rating : 875/5 ( reviews)

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Book Synopsis Field Recordings of Black Singers and Musicians by :

Download or read book Field Recordings of Black Singers and Musicians written by . This book was released on 2018-07-10. Available in PDF, EPUB and Kindle. Book excerpt: Traditional African musical forms have long been accepted as fundamental to the emergence of blues and jazz. Yet there has been little effort at compiling recorded evidence to document their development. This discography brings together hundreds of recordings that trace in detail the evolution of the African American musical experience, from early wax cylinder recordings made in West Africa to voodoo rituals from the Carribean Basin to the songs of former slaves in the American South.

Poor Gal

2023-12-15 Music
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Release : 2023-12-15
Genre : Music
Kind : eBook
Book Rating : 361/5 ( reviews)

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Book Synopsis Poor Gal by : Dan Gutstein

Download or read book Poor Gal written by Dan Gutstein. This book was released on 2023-12-15. Available in PDF, EPUB and Kindle. Book excerpt: Poor Gal: The Cultural History of Little Liza Jane chronicles the origins and evolution of a folk tune beloved by millions worldwide. Dan Gutstein delves into the trajectory of the “Liza Jane” family of songs, including the most popular variant “Li’l Liza Jane.” Likely originating among enslaved people on southern plantations, the songs are still performed and recorded centuries later. Evidence for these tunes as part of the repertoire of enslaved people comes from the Works Progress Administration ex-slave narratives that detail a range of lyrics and performance rituals related to “Liza Jane.” Civil War soldiers and minstrel troupes eventually adopted certain variants, including “Goodbye Liza Jane.” This version of the song prospered in the racist environment of burnt cork minstrelsy. Other familiar variants, such as “Little Liza Jane,” likely remained fixed in folk tradition until early twentieth-century sheet music popularized the melody. New genres and a slate of stellar performers broadly adopted these folk songs, bringing the tunes to far-reaching listeners. In 1960, to an audience of more than thirty million viewers, Harry Belafonte performed “Little Liza Jane” on CBS. The song was featured on such popular radio shows as Fibber McGee & Molly; films such as Coquette; and a Mickey Mouse animation. Hundreds of recognizable performers—including Fats Domino, Bing Crosby, Nina Simone, Mississippi John Hurt, and Pete Seeger—embraced the “Liza Jane” family. David Bowie even released “Liza Jane” as his first single. Gutstein documents these famous renditions, as well as lesser-known characters integral to the song’s history. Drawing upon a host of cultural insights from experts—including Eileen Southern, Carl Sandburg, Thomas Talley, LeRoi Jones/Amiri Baraka, Charles Wolfe, Langston Hughes, and Alan Lomax—Gutstein charts the cross-cultural implications of a voyage unlike any other in the history of American folk music.

The Routledge Companion to Jazz and Gender

2022-08-19 Music
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Release : 2022-08-19
Genre : Music
Kind : eBook
Book Rating : 514/5 ( reviews)

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Book Synopsis The Routledge Companion to Jazz and Gender by : James Reddan

Download or read book The Routledge Companion to Jazz and Gender written by James Reddan. This book was released on 2022-08-19. Available in PDF, EPUB and Kindle. Book excerpt: The Routledge Companion to Jazz and Gender identifies, defines, and interrogates the construct of gender in all forms of jazz, jazz culture, and education, shaping and transforming the conversation in response to changing cultural and societal norms across the globe. Such interrogation requires consideration of gender from multiple viewpoints, from scholars and artists at various points in their careers. This edited collection of 38 essays gathers the diverse perspectives of contributors from four continents, exploring the nuanced (and at times controversial) construct of gender as it relates to jazz music, in the past and present, in four parts: Historical Perspectives Identity and Culture Society and Education Policy and Advocacy Acknowledging the art form’s troubled relationship with gender, contributors seek to define the construct to include all possible definitions—not only female and male—without binary limitations, contextualizing gender and jazz in both place and time. As gender identity becomes an increasingly important consideration in both education and scholarship, The Routledge Companion to Jazz and Gender provides a broad and inclusive resource of research for the academic community, addressing an urgent need to reconcile the construct of gender in jazz in all its forms.

Paul Robeson's Voices

2023-11-20 Music
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Release : 2023-11-20
Genre : Music
Kind : eBook
Book Rating : 477/5 ( reviews)

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Book Synopsis Paul Robeson's Voices by : Grant Olwage

Download or read book Paul Robeson's Voices written by Grant Olwage. This book was released on 2023-11-20. Available in PDF, EPUB and Kindle. Book excerpt: Paul Robeson's Voices is a meditation on Robeson's singing, a study of the artist's life in song. Music historian Grant Olwage examines Robeson's voice as it exists in two broad and intersecting domains: as sound object and sounding gesture, specifically how it was fashioned in the contexts of singing practices, in recital, concert, and recorded performance, and as subject of identification. Olwage asks: how does the voice encapsulate modes of subjectivity, of being? Combining deep archival research with musicological theory, this book is a study of voice as central to Robeson's sense of self and his politics. Paul Robeson's Voices charts the dialectal process of Robeson's vocal and self-discovery, documenting some of the ways Robeson's practice revised the traditions of concert singing in the first half of the twentieth century and how his voice manifested as resistance.

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