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Art in an Age of Revolution, 1750-1800

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Release : 1987
Genre : Art and revolutions
Kind : eBook
Book Rating : /5 ( reviews)

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Book Synopsis Art in an Age of Revolution, 1750-1800 by : Albert Boime

Download or read book Art in an Age of Revolution, 1750-1800 written by Albert Boime. This book was released on 1987. Available in PDF, EPUB and Kindle. Book excerpt:

ART IN AN AGE OF REVOLUTION ˜1750-1800œ (SEVENTEEN HUNDRED AND FIFTY TO EIGHTEEN HUNDRED).

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Author :
Release : 1987
Genre :
Kind : eBook
Book Rating : /5 ( reviews)

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Book Synopsis ART IN AN AGE OF REVOLUTION ˜1750-1800œ (SEVENTEEN HUNDRED AND FIFTY TO EIGHTEEN HUNDRED). by : Albert Boime

Download or read book ART IN AN AGE OF REVOLUTION ˜1750-1800œ (SEVENTEEN HUNDRED AND FIFTY TO EIGHTEEN HUNDRED). written by Albert Boime. This book was released on 1987. Available in PDF, EPUB and Kindle. Book excerpt:

Art in an Age of Counterrevolution, 1815-1848

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Release : 2004-08-18
Genre : Art
Kind : eBook
Book Rating : 372/5 ( reviews)

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Book Synopsis Art in an Age of Counterrevolution, 1815-1848 by : Albert Boime

Download or read book Art in an Age of Counterrevolution, 1815-1848 written by Albert Boime. This book was released on 2004-08-18. Available in PDF, EPUB and Kindle. Book excerpt: Art for art's sake. Art created in pursuit of personal expression. In Art in an Age of Counterrevolution, Albert Boime rejects these popular modern notions and suggests that history—not internal drive or expressive urge—as the dynamic force that shapes art. This volume focuses on the astonishing range of art forms currently understood to fall within the broad category of Romanticism. Drawing on visual media and popular imagery of the time, this generously illustrated work examines the art of Romanticism as a reaction to the social and political events surrounding it. Boime reinterprets canonical works by such politicized artists as Goya, Delacroix, Géricault, Friedrich, and Turner, framing their work not by personality but by its sociohistorical context. Boime's capacious approach and scope allows him to incorporate a wide range of perspectives into his analysis of Romantic art, including Marxism, social history, gender identity, ecology, structuralism, and psychoanalytic theory, a reach that parallels the work of contemporary cultural historians and theorists such as Edward Said, Pierre Bourdieu, Eric Hobsbawm, Frederic Jameson, and T. J. Clark. Boime ultimately establishes that art serves the interests and aspirations of the cultural bourgeoisie. In grounding his arguments on their work and its scope and influence, he elucidates how all artists are inextricably linked to history. This book will be used widely in art history courses and exert enormous influence on cultural studies as well.

A Social History of Art, Volume I

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Author :
Release : 2004
Genre : Art and society
Kind : eBook
Book Rating : 348/5 ( reviews)

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Book Synopsis A Social History of Art, Volume I by : Albert Boime

Download or read book A Social History of Art, Volume I written by Albert Boime. This book was released on 2004. Available in PDF, EPUB and Kindle. Book excerpt:

A Social History of Modern Art, Volume 2

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Release : 1993-05-15
Genre : Art
Kind : eBook
Book Rating : 362/5 ( reviews)

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Book Synopsis A Social History of Modern Art, Volume 2 by : Albert Boime

Download or read book A Social History of Modern Art, Volume 2 written by Albert Boime. This book was released on 1993-05-15. Available in PDF, EPUB and Kindle. Book excerpt: In this second volume, Albert Boime continues his work on the social history of Western art in the Modern epoch. This volume offers a major critique and revisionist interpretation of Western European culture, history, and society from Napoleon's seizure of power to 1815. Boime argues that Napoleon manipulated the production of images, as well as information generally, in order to maintain his political hegemony. He examines the works of French painters such as Jacques-Louis David and Jean Auguste Dominique Ingres, to illustrate how the art of the time helped to further the emperor's propagandistic goals. He also explores the work of contemporaneous English genre painters, Spain's Francisco de Goya, the German Romantics Philipp Otto Runge and Caspar David Friedrich, and the emergence of a national Italian art. Heavily illustrated, this volume is an invaluable social history of modern art during the Napoleonic era. Stimulating and informative, this volume will become a valuable resource for faculty and undergraduates.—R. W. Liscombe, Choice

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