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Art for a Modern India, 1947-1980

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Release : 2009-03-17
Genre : Art
Kind : eBook
Book Rating : 267/5 ( reviews)

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Book Synopsis Art for a Modern India, 1947-1980 by : Rebecca M. Brown

Download or read book Art for a Modern India, 1947-1980 written by Rebecca M. Brown. This book was released on 2009-03-17. Available in PDF, EPUB and Kindle. Book excerpt: Following India’s independence in 1947, Indian artists creating modern works of art sought to maintain a local idiom, an “Indianness” representative of their newly independent nation, while connecting to modernism, an aesthetic then understood as both universal and presumptively Western. These artists depicted India’s precolonial past while embracing aspects of modernism’s pursuit of the new, and they challenged the West’s dismissal of non-Western places and cultures as sources of primitivist imagery but not of modernist artworks. In Art for a Modern India, Rebecca M. Brown explores the emergence of a self-conscious Indian modernism—in painting, drawing, sculpture, architecture, film, and photography—in the years between independence and 1980, by which time the Indian art scene had changed significantly and postcolonial discourse had begun to complicate mid-century ideas of nationalism. Through close analyses of specific objects of art and design, Brown describes how Indian artists engaged with questions of authenticity, iconicity, narrative, urbanization, and science and technology. She explains how the filmmaker Satyajit Ray presented the rural Indian village as a socially complex space rather than as the idealized site of “authentic India” in his acclaimed Apu Trilogy, how the painter Bhupen Khakhar reworked Indian folk idioms and borrowed iconic images from calendar prints in his paintings of urban dwellers, and how Indian architects developed a revivalist style of bold architectural gestures anchored in India’s past as they planned the Ashok Hotel and the Vigyan Bhavan Conference Center, both in New Delhi. Discussing these and other works of art and design, Brown chronicles the mid-twentieth-century trajectory of India’s modern visual culture.

The Cambridge Companion to Modern Indian Culture

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Release : 2012-04-05
Genre : Literary Criticism
Kind : eBook
Book Rating : 461/5 ( reviews)

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Book Synopsis The Cambridge Companion to Modern Indian Culture by : Vasudha Dalmia

Download or read book The Cambridge Companion to Modern Indian Culture written by Vasudha Dalmia. This book was released on 2012-04-05. Available in PDF, EPUB and Kindle. Book excerpt: India is changing at a rapid pace as it continues to move from its colonial past to its globalised future. This Companion offers a framework for understanding that change, and how modern cultural forms have emerged out of very different histories and traditions. The book provides accounts of literature, theatre, film, modern and popular art, music, television and food; it also explores in detail social divisions, customs, communications and daily life. In a series of engaging, erudite and occasionally moving essays the contributors, drawn from a variety of disciplines, examine not merely what constitutes modern Indian culture, but just how wide-ranging are the cultures that persist in the regions of India. This volume will help the reader understand the continuities and fissures within Indian culture and some of the conflicts arising from them. Throughout, what comes to the fore is the extraordinary richness and diversity of modern Indian culture.

The Art of Sukumar Bose

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Release : 2013-11-06
Genre : Art
Kind : eBook
Book Rating : 844/5 ( reviews)

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Book Synopsis The Art of Sukumar Bose by : Venka Purushothaman

Download or read book The Art of Sukumar Bose written by Venka Purushothaman. This book was released on 2013-11-06. Available in PDF, EPUB and Kindle. Book excerpt: To commemorate the centenary of artist Sukumar Bose (1912–1986), this book attempts to take an incisive look at the artist, his works and the context of his art production in South and Southeast Asia. Bose’s art varied from the traditional to the decorative and ornamental, with a hint of the Oriental flavour. His work demonstrated traces of the Bengal School styles of Abanindranath Tagore and AR Chugtai. Be it figurative, landscape or abstract, Bose’s art synthesized the decorative elements of Indo-Persian miniatures with Chinese and Japanese techniques. In this context, his vision and passion were inspired by traditional art forms, including Ajanta, Rajput and Mughal miniatures. His incisive observations of life, people and cultures, during colonial and postcolonial India and his later sojourn into Southeast Asia, emerge as both a contested yet seamless narrative of history and hope in his art. This book is the first of its kind to document and give a critical overview of Sukumar Bose.

No Touching, No Spitting, No Praying

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Release : 2017-07-05
Genre : Social Science
Kind : eBook
Book Rating : 24X/5 ( reviews)

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Book Synopsis No Touching, No Spitting, No Praying by : Saloni Mathur

Download or read book No Touching, No Spitting, No Praying written by Saloni Mathur. This book was released on 2017-07-05. Available in PDF, EPUB and Kindle. Book excerpt: This volume brings together a range of essays that offer a new perspective on the dynamic history of the museum as a cultural institution in South Asia. It traces the museum from its origin as a tool of colonialism and adoption as a vehicle of sovereignty in the nationalist period, till its role in the present, as it reflects the fissured identities of the post-colonial period.

Can Art History be Made Global?

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Release : 2023-03-20
Genre : Art
Kind : eBook
Book Rating : 06X/5 ( reviews)

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Book Synopsis Can Art History be Made Global? by : Monica Juneja

Download or read book Can Art History be Made Global? written by Monica Juneja. This book was released on 2023-03-20. Available in PDF, EPUB and Kindle. Book excerpt: The book responds to the challenge of the global turn in the humanities from the perspective of art history. A global art history, it argues, need not follow the logic of economic globalization nor seek to bring the entire world into its fold. Instead, it draws on a theory of transculturation to explore key moments of an art history that can no longer be approached through a facile globalism. How can art historical analysis theorize relationships of connectivity that have characterized cultures and regions across distances? How can it meaningfully handle issues of commensurability or its absence among cultures? By shifting the focus of enquiry to South Asia, the five meditations that make up this book seek to translate intellectual insights of experiences beyond Euro–America into globally intelligible analyses.

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