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Art and the Future : a History-prophecy of the Collaboration Between Science, Technology and Art

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Release : 1973
Genre :
Kind : eBook
Book Rating : /5 ( reviews)

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Book Synopsis Art and the Future : a History-prophecy of the Collaboration Between Science, Technology and Art by : D. Davis

Download or read book Art and the Future : a History-prophecy of the Collaboration Between Science, Technology and Art written by D. Davis. This book was released on 1973. Available in PDF, EPUB and Kindle. Book excerpt:

Art and the Future

Download Art and the Future PDF Online Free

Author :
Release : 1973
Genre : Art and science
Kind : eBook
Book Rating : /5 ( reviews)

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Book Synopsis Art and the Future by : Douglas M. Davis

Download or read book Art and the Future written by Douglas M. Davis. This book was released on 1973. Available in PDF, EPUB and Kindle. Book excerpt:

Art and the Future ; a History

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Author :
Release : 1973
Genre : Art and science
Kind : eBook
Book Rating : /5 ( reviews)

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Book Synopsis Art and the Future ; a History by : Douglas M. Davis

Download or read book Art and the Future ; a History written by Douglas M. Davis. This book was released on 1973. Available in PDF, EPUB and Kindle. Book excerpt:

Chronophobia

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Author :
Release : 2004
Genre : Art
Kind : eBook
Book Rating : 603/5 ( reviews)

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Book Synopsis Chronophobia by : Pamela M. Lee

Download or read book Chronophobia written by Pamela M. Lee. This book was released on 2004. Available in PDF, EPUB and Kindle. Book excerpt: An examination of the pervasive anxiety about and fixation with time seen in 1960s art.

When the Machine Made Art

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Release : 2014-04-10
Genre : Social Science
Kind : eBook
Book Rating : 846/5 ( reviews)

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Book Synopsis When the Machine Made Art by : Grant D. Taylor

Download or read book When the Machine Made Art written by Grant D. Taylor. This book was released on 2014-04-10. Available in PDF, EPUB and Kindle. Book excerpt: "When the Machine Made Art covers the reception and criticism of computer art from its emergence in 1963 to its crisis in 1989, when ideological differences fragment the art movement. The text begins by identifying the various divisions between the humanistic and scientific cultures that inform early criticism. The fact that the first computer art has military origins and is imbued with various techno-science mythologies, places the movement at odds with artworld orthodoxy. Yet, while mainstream art critics reproach computerized art, a comparison between similar art forms of the era, such as conceptual art, reveals that the criticism of computer art was motivated more by the fear of the machine than by aesthetics. Dr. Grant Taylor shows that social anxiety, often fueled by Cold War dystopianism, posited the computer as a powerful instrument in the overall subordination of the individual to the emerging technocracy. But even though anti-computer sentiment abated in the late 1970s, computer art did not find acceptance. The book illustrates how computer art's exponents, desiring artworld legitimacy, traced its lineage back to modernism. Conversely, in the 1980s, art theorists, employing the latest critical theory, began critiquing the assumptions of modernism, and thus viewed computer art's modernist history as hopelessly outdated. And yet other critics reconciled computer technology with the critical insights of postmodernism, viewing the computer as a pluralistic agent that could challenge modernist conventions. Nonetheless, while postmodernist criticism enabled the formation of new discourses for emerging digital arts, it left computer art, which was committed to modernist and techno-science philosophies, in a state of crisis"--

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