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Author : Ina Rae Hark
Release : 2007
Genre : Performing Arts
Kind : eBook
Book Rating : 828/5 ( reviews)
Book Synopsis American Cinema of the 1930s by : Ina Rae Hark
Download or read book American Cinema of the 1930s written by Ina Rae Hark. This book was released on 2007. Available in PDF, EPUB and Kindle. Book excerpt: Abstract:
Author : Lucy Fischer
Release : 2009-04-15
Genre : Performing Arts
Kind : eBook
Book Rating : 156/5 ( reviews)
Book Synopsis American Cinema of the 1920s by : Lucy Fischer
Download or read book American Cinema of the 1920s written by Lucy Fischer. This book was released on 2009-04-15. Available in PDF, EPUB and Kindle. Book excerpt: During the 1920s, sound revolutionized the motion picture industry and cinema continued as one of the most significant and popular forms of mass entertainment in the world. Film studios were transformed into major corporations, hiring a host of craftsmen and technicians including cinematographers, editors, screenwriters, and set designers. The birth of the star system supported the meteoric rise and celebrity status of actors including Charlie Chaplin, Mary Pickford, Joan Crawford, Greta Garbo, and Rudolph Valentino while black performers (relegated to "race films") appeared infrequently in mainstream movies. The classic Hollywood film style was perfected and significant film genres were established: the melodrama, western, historical epic, and romantic comedy, along with slapstick, science fiction, and fantasy. In ten original essays, American Cinema of the 1920s examines the film industry's continued growth and prosperity while focusing on important themes of the era.
Author : Iwan Morgan
Release : 2016-10-31
Genre : Performing Arts
Kind : eBook
Book Rating : 028/5 ( reviews)
Book Synopsis Hollywood and the Great Depression by : Iwan Morgan
Download or read book Hollywood and the Great Depression written by Iwan Morgan. This book was released on 2016-10-31. Available in PDF, EPUB and Kindle. Book excerpt: Examines how Hollywood responded to and reflected the political and social changes that America experienced during the 1930sIn the popular imagination, 1930s Hollywood was a dream factory producing escapist movies to distract the American people from the greatest economic crisis in their nations history. But while many films of the period conform to this stereotype, there were a significant number that promoted a message, either explicitly or implicitly, in support of the political, social and economic change broadly associated with President Franklin D. Roosevelts New Deal programme. At the same time, Hollywood was in the forefront of challenging traditional gender roles, both in terms of movie representations of women and the role of women within the studio system. With case studies of actors like Shirley Temple, Cary Grant and Fred Astaire, as well as a selection of films that reflect politics and society in the Depression decade, this fascinating book examines how the challenges of the Great Depression impacted on Hollywood and how it responded to them.Topics covered include:How Hollywood offered positive representations of working womenCongressional investigations of big-studio monopolization over movie distributionHow three different types of musical genres related in different ways to the Great Depression the Warner Bros Great Depression Musicals of 1933, the Astaire/Rogers movies, and the MGM akids musicals of the late 1930sThe problems of independent production exemplified in King Vidors Our Daily BreadCary Grants success in developing a debonair screen persona amid Depression conditionsContributors Harvey G. Cohen, King's College LondonPhilip John Davies, British LibraryDavid Eldridge, University of HullPeter William Evans, Queen Mary, University of LondonMark Glancy, Queen Mary University of LondonIna Rae Hark, University of South CarolinaIwan Morgan, University College LondonBrian Neve, University of BathIan Scott, University of ManchesterAnna Siomopoulos, Bentley UniversityJ. E. Smyth, University of WarwickMelvyn Stokes, University College LondonMark Wheeler, London Metropolitan University
Author : Adrienne L. McLean
Release : 2011
Genre : Biography & Autobiography
Kind : eBook
Book Rating : 043/5 ( reviews)
Book Synopsis Glamour in a Golden Age by : Adrienne L. McLean
Download or read book Glamour in a Golden Age written by Adrienne L. McLean. This book was released on 2011. Available in PDF, EPUB and Kindle. Book excerpt: Shirley Temple, Clark Gable, Errol Flynn and Olivia de Havilland, Fred Astaire and Ginger Rogers, Bette Davis, Joan Crawford and Norma Shearer, Marlene Dietrich and Greta Garbo, William Powell and Myrna Loy, Jean Harlow, and Gary Cooper-Glamour in a Golden Age presents original essays from eminent film scholars that analyze movie stars of the 1930s against the background of contemporary American cultural history. Stardom is approached as an effect of, and influence on, the particular historical and industrial contexts that enabled these actors and actresses to be discovered, featured in films, publicized, and to become recognized and admired-sometimes even notorious-parts of the cultural landscape. Using archival and popular material, including fan and mass market magazines, other promotional and publicity material, and of course films themselves, contributors also discuss other artists who were incredibly popular at the time, among them Ann Harding, Ruth Chatterton, Nancy Carroll, Kay Francis, and Constance Bennett.
Author : Robert B. Ray
Release : 2020-07-21
Genre : Performing Arts
Kind : eBook
Book Rating : 169/5 ( reviews)
Book Synopsis A Certain Tendency of the Hollywood Cinema, 1930-1980 by : Robert B. Ray
Download or read book A Certain Tendency of the Hollywood Cinema, 1930-1980 written by Robert B. Ray. This book was released on 2020-07-21. Available in PDF, EPUB and Kindle. Book excerpt: Robert B. Ray examines the ideology of the most enduringly popular cinema in the world--the Hollywood movie. Aided by 364 frame enlargements, he describes the development of that historically overdetermined form, giving close readings of five typical instances: Casablanca, It's a Wonderful Life, The Man Who Shot Liberty Valance, The Godfather, and Taxi Driver. Like the heroes of these movies, American filmmaking has avoided commitment, in both plot and technique. Instead of choosing left or right, avant-garde or tradition, American cinema tries to have it both ways. Although Hollywood's commercial success has led the world audience to equate the American cinema with film itself, Hollywood filmmaking is a particular strategy designed to respond to specific historical situations. As an art restricted in theoretical scope but rich in individual variations, the American cinema poses the most interesting question of popular culture: Do dissident forms have any chance of remaining free of a mass medium seeking to co-opt them?
