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A Song Recital of Baroque, Romantic, and Twentieth Century Music

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Author :
Release : 1968
Genre : Songs
Kind : eBook
Book Rating : /5 ( reviews)

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Book Synopsis A Song Recital of Baroque, Romantic, and Twentieth Century Music by : Larry J. Day

Download or read book A Song Recital of Baroque, Romantic, and Twentieth Century Music written by Larry J. Day. This book was released on 1968. Available in PDF, EPUB and Kindle. Book excerpt:

The Art of the Song Recital

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Author :
Release : 2001-11-15
Genre : Music
Kind : eBook
Book Rating : 633/5 ( reviews)

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Book Synopsis The Art of the Song Recital by : Shirlee Emmons

Download or read book The Art of the Song Recital written by Shirlee Emmons. This book was released on 2001-11-15. Available in PDF, EPUB and Kindle. Book excerpt: Since its original publication, the Emmons-Sonntag text has continually stood out as the definitive work on the song recital. The book presents imaginative advice and practical techniques for producing successful recitals and kindling audience excitement. Every aspect of the recital is covered, from building programs and the use of acting skills to the relationship between the singer and the accompanist. Singers of all levels and backgrounds will benefit from the authors vast experience in the performance of song recitals as a singer/accompanist team. The comprehensive repertoire lists, now organized by voice and instrumentation as well as by composer, appeal to both students and professional musicians. Readers will agree that the authors have met their goal of providing "extensive, throughgoing, and definitive insights into the attributes that can render the song recital at once a great art and a magnificent entertainment."

Stories Told Through Music

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Author :
Release : 2019
Genre : Solo cantatas (High voice)
Kind : eBook
Book Rating : /5 ( reviews)

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Book Synopsis Stories Told Through Music by : Everett Scott Godwin

Download or read book Stories Told Through Music written by Everett Scott Godwin. This book was released on 2019. Available in PDF, EPUB and Kindle. Book excerpt: From the beginning of creation, people have told stories and passed them down from generation to generation. Stories come to life through all forms of communication: watching a play, listening to a podcast, or looking at a picture are just a few examples. The best stories have been written down in manuscripts, books, novels, and then sometimes eventually written into a script for a movie. But something about music makes it one of the most compelling and exciting ways to portray a story. It is one of the earliest and long-lasting forms of storytelling. Every musical work tells a story even if the composer did not intend for a piece to have a specific theme, narrative, or plot like “program” music. All musical works still share the ideas and thoughts of the composer, who is trying to connect the audience with his or her music. Music either tells a story on its own accord, causing the listener to react emotionally and interpret it in any way he or she desires, or music portrays a story in the way the composer intended. It creates an experience and emotional response that is far more frequent than the written word alone can achieve. Just like a novel has certain elements that make it great, music contains parallels that also make it a great story. The purpose of this lecture-recital is to reveal how the essentials of a story translate into musical devices, demonstrate those musical devices to the audience and show how to listen with intentionality during the performance, and assist the conductor in becoming a better music director. The focus of this document is to give clarity to the lecture portion of the recital and also to give special rehearsal considerations for the conductor while preparing the two works performed in the recital. The musical works used in this recital to help express the purpose of storytelling in music include: (1) G. F. Handel: “I Know that My Redeemer Liveth” from Messiah (soprano aria) and (2) Sergei Prokofiev: “Peter and the Wolf.” Since these works were written nearly two-hundred years apart, these pieces vary greatly in style and purpose, but they both tell a compelling story. The first chapter of this paper will describe the necessary elements for writing or telling a wonderful narrative and how composers use musical devices to convey those elements in song. It will also discuss the rise of musical division between “program music” and “absolute music” since they both started to become specifically categorized in nineteenth-century music. The next chapter will look at the transitions of musical eras and styles from Baroque to Classical to Romantic, the continued development into twentieth-century music, and how musical expression cemented new ways to tell a story. The final two chapters will examine a brief biographical history of the composers, their compositions, and a musical analysis with how the composers implemented parallels of writing a story into the score for each piece. The final chapters will also address specific rehearsal and performance considerations a conductor needs to make prior to performing these pieces.

All Music Guide to Classical Music

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Author :
Release : 2005
Genre : Music
Kind : eBook
Book Rating : 650/5 ( reviews)

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Book Synopsis All Music Guide to Classical Music by : Chris Woodstra

Download or read book All Music Guide to Classical Music written by Chris Woodstra. This book was released on 2005. Available in PDF, EPUB and Kindle. Book excerpt: Offering comprehensive coverage of classical music, this guide surveys more than eleven thousand albums and presents biographies of five hundred composers and eight hundred performers, as well as twenty-three essays on forms, eras, and genres of classical music. Original.

Rhapsody in Blue

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Author :
Release : 1994-11-02
Genre : Music
Kind : eBook
Book Rating : 438/5 ( reviews)

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Book Synopsis Rhapsody in Blue by : George Gershwin

Download or read book Rhapsody in Blue written by George Gershwin. This book was released on 1994-11-02. Available in PDF, EPUB and Kindle. Book excerpt: To provide greater availability for a work of such importance, the original publishers secured from Gershwin a solo piano version wherein the orchestral parts are fused together with the solo piano part (PS0047). Due to concerns that the composer's arrangement presented too many technical demands to pianists not possessing the requisite technique, a modified arrangement was delicately solicited from pianists of the time. (Gershwin's untimely death precluded any modification from the composer himself.) Many attempts at technical modifications were rejected on ethical grounds until Herman Wasserman--who taught Gershwin to play the piano--submitted a manuscript which became this edition. Several prominent pianists who reviewed the score all attested to the amazing reduction in technical demands while retaining the clarity, sonority, and brilliance of the original. This edition is designed for Early Advanced pianists, although some sections, including the well-known Moderato middle section, are accessible to those performing at less-advanced levels.

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