A History of Emotion in Western Music

2020 Music

Author : Michael Spitzer
Release : 2020
Genre : Music
Kind : eBook
Book Rating : 758/5 ( reviews)

Book Synopsis A History of Emotion in Western Music by : Michael Spitzer

Download or read book A History of Emotion in Western Music written by Michael Spitzer. This book was released on 2020. Available in PDF, EPUB and Kindle. Book excerpt: "This book is the first history of musical emotion in any language. Combining intellectual history, music studies, philosophy and cognitive psychology, it unfolds a history of musical emotion across a thousand years of Western art music, from chant to pop. It affords a new way of analysing music, revealing the relationship between emotion and musical structure. The book also provides an introduction to the latest approaches to emotion research, as well as an original theory of how musical emotion works. The book is disposed in two parts. Part 1 (chapters 1-4) comprises the theoretical foundation of the book. Part 2 (chapters 5-9) provides an historical narrative from medieval to contemporary music. Chapter 1 summarizes contemporary theories of emotion in general, and of musical emotion in particular, bringing together seminal philosophers and psychologists. Chapter 2 contains the core of the book's original thesis: that five basic emotions (happiness, sadness, anger, tenderness, and fear) constitute five categories of musical emotion throughout the common-practice period. Chapter 3 outlines a variety of complex musical emotions, such as wonder, nostalgia, envy, and disgust. Chapter 4 explores the historiography of emotion, including the seminal writings of Elias, Rosenwein, and Reddy. Part 2 of the book (chapters 5-9) explores a millennium of Western music in terms of shifting categories of emotion: from affections and passions through sentiments, emotions proper, to modern affect"--

A History of Emotion in Western Music

2020-09-15 Music

Author : Michael Spitzer
Release : 2020-09-15
Genre : Music
Kind : eBook
Book Rating : 774/5 ( reviews)

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Book Synopsis A History of Emotion in Western Music by : Michael Spitzer

Download or read book A History of Emotion in Western Music written by Michael Spitzer. This book was released on 2020-09-15. Available in PDF, EPUB and Kindle. Book excerpt: When asked to describe what music means to them, most people talk about its power to express or elicit emotions. As a melody can produce a tear, tingle the spine, or energize athletes, music has a deep impact on how we experience and encounter the world. Because of the elusiveness of these musical emotions, however, little has been written about how music creates emotions and how musical emotion has changed its meaning for listeners across the last millennium. In this sweeping landmark study, author Michael Spitzer provides the first history of musical emotion in the Western world, from Gregorian chant to Beyoncé. Combining intellectual history, music studies, philosophy, and cognitive psychology, A History of Emotion in Western Music introduces current approaches to the study of emotion and formulates an original theory of how musical emotion works. Diverging from psychological approaches that center listeners' self-reports or artificial experiments, Spitzer argues that musical emotions can be uncovered in the techniques and materials of composers and performers. Together with its extensive chronicle of the historical evolution of musical style and emotion, this book offers a rich union of theory and history.

Representing Emotions

2017-05-15 History

Author : Helen Hills
Release : 2017-05-15
Genre : History
Kind : eBook
Book Rating : 159/5 ( reviews)

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Book Synopsis Representing Emotions by : Helen Hills

Download or read book Representing Emotions written by Helen Hills. This book was released on 2017-05-15. Available in PDF, EPUB and Kindle. Book excerpt: Juxtaposing artistic and musical representations of the emotions with medical, philosophical and scientific texts in Western culture between the Renaissance and the twentieth century, the essays collected in this volume explore the ways in which emotions have been variously conceived, configured, represented and harnessed in relation to broader discourses of control, excess and refinement. Since the essays explore the interstices between disciplines (e.g. music and medicine, history of art and philosophy) and thereby disrupt established frameworks within the histories of art, music and medicine, traditional narrative accounts are challenged. Here larger historical forces come into perspective, as these papers suggest how both artistic and scientific representations of the emotions have been put to use in political, social and religious struggles, at a variety of different levels.

The Musical Representation

2007 Emotions in music

Author : Charles O. Nussbaum
Release : 2007
Genre : Emotions in music
Kind : eBook
Book Rating : 969/5 ( reviews)

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Book Synopsis The Musical Representation by : Charles O. Nussbaum

Download or read book The Musical Representation written by Charles O. Nussbaum. This book was released on 2007. Available in PDF, EPUB and Kindle. Book excerpt: How human musical experience emerges from the audition of organized tones is a riddle of long standing. In The Musical Representation, Charles Nussbaum offers a philosophical naturalist's solution. Nussbaum founds his naturalistic theory of musical representation on the collusion between the physics of sound and the organization of the human mind-brain. He argues that important varieties of experience afforded by Western tonal art music since 1650 arise through the feeling of tone, the sense of movement in musical space, cognition, emotional arousal, and the engagement, by way of specific emotional responses, of deeply rooted human ideals. Construing the art music of the modern West as representational, as a symbolic system that carries extramusical content, Nussbaum attempts to make normative principles of musical representation explicit and bring them into reflective equilibrium with the intuitions of competent listeners. Nussbaum identifies three modes of musical representation, describes the basis of extramusical meaning, and analyzes musical works as created historical entities (performances of which are tokens or replicas). In addition, he explains how music gives rise to emotions and evokes states of mind that are religious in character. Nussbaum's argument proceeds from biology, psychology, and philosophy to music--and occasionally from music back to biology, psychology, and philosophy. The human mind-brain, writes Nussbaum, is a living record of its evolutionary history; relatively recent cognitive acquisitions derive from older representational functions of which we are hardly aware. Consideration of musical art can help bring to light the more ancient cognitive functions that underlie modern human cognition. The biology, psychology, and philosophy of musical representation, he argues, have something to tell us about what we are, based on what we have been.

The Oxford Handbook of Western Music and Philosophy

2020-12-04 Music

Author : Tom?s McAuley
Release : 2020-12-04
Genre : Music
Kind : eBook
Book Rating : 269/5 ( reviews)

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Book Synopsis The Oxford Handbook of Western Music and Philosophy by : Tom?s McAuley

Download or read book The Oxford Handbook of Western Music and Philosophy written by Tom?s McAuley. This book was released on 2020-12-04. Available in PDF, EPUB and Kindle. Book excerpt: Whether regarded as a perplexing object, a morally captivating force, an ineffable entity beyond language, or an inescapably embodied human practice, music has captured philosophically inclined minds since time immemorial. In turn, musicians of all stripes have called on philosophy as a source of inspiration and encouragement, and scholars of music through the ages have turned to philosophy for insight into music and into the worlds that sustain it. In this Handbook, contributors build on this legacy to conceptualize the rich interactions of Western music and philosophy as a series of meeting points between two vital spheres of human activity. They draw together key debates at the intersection of music studies and philosophy, offering a field-defining overview while also forging new paths. Chapters cover a wide range of musics and philosophies, including concert, popular, jazz, and electronic musics, and both analytic and continental philosophy.

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