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The FIAF Moving Image Cataloguing Manual

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Author :
Release : 2016-10-17
Genre : Performing Arts
Kind : eBook
Book Rating : 64X/5 ( reviews)

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Book Synopsis The FIAF Moving Image Cataloguing Manual by : Linda Tadic

Download or read book The FIAF Moving Image Cataloguing Manual written by Linda Tadic. This book was released on 2016-10-17. Available in PDF, EPUB and Kindle. Book excerpt: The FIAF Moving Image Cataloguing Manual is the result of many years of labor and collaboration with numerous professionals in the moving image field. It addresses the changes in information technology that we've seen over the past two decades, and aligns with modern cataloguing and metadata standards and concepts such as FRBR (Functional Requirements for Bibliographic Records), EN 15907, and RDA (Resource Description and Access). The manual is designed to be compatible with a variety of data structures, and provides charts, decision trees, examples, and other tools to help experts and non-experts alike in performing real-world cataloguing of moving image collections.

Physical Characteristics of Early Films as Aids to Identification

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Release : 2022-01-19
Genre : Art
Kind : eBook
Book Rating : 635/5 ( reviews)

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Book Synopsis Physical Characteristics of Early Films as Aids to Identification by : Camille Bolt-Wellens

Download or read book Physical Characteristics of Early Films as Aids to Identification written by Camille Bolt-Wellens. This book was released on 2022-01-19. Available in PDF, EPUB and Kindle. Book excerpt: Any archivists who have held a piece of fi lm in their hands, wondering how to go about identifying it, recognize the true value of fi lm preservationist Harold Brown's work. In 1967 Brown delivered a pioneering lecture on the identification of early films at the annual Congress of the International Federation of Film Archives (FIAF) in East Berlin. Years of working with Britain's National Film Archive collections, and the close examination of thousands of nitrate prints of the silent period, made Brown a leading authority on early fi lm identification, and an unsurpassed model of methodological consciousness in the archival field. In 1990, FIAF published Brown's Physical Characteristics of Early Films as Aids to Identification, an updated version and a continuation of his 1967 lecture. This publication has long been archivists' trusted companion, constituting a concentrated encyclopedia on all the information that can be discovered or verified through aspects of the fi lm other than the actual projected image – such as perforation shapes; embossed and punched marks; stock manufacturers' and producers' edge marks; frame characteristics; title styles; and production serial numbers. It also included essays on key individual production companies of the silent era. Over the last 30 years, this manual – a basic typewritten 100-page volume (including 20 pages of black & white illustrations), with its easily recognizable red cover – has been an invaluable reference for fi lm archivists and scholars. However, as Brown himself acknowledged in the 1990 edition, the manual was far from definitive. Camille Blot-Wellens, the editor of this new, expanded edition of Brown's 1990 book, belongs to the new generation of researchers who have used Physical Characteristics extensively in their work and have gathered considerable new information on the subject. This new edition is the result of a project she initiated in 2014 with FIAF's support. Brown's original text is now augmented with new original research on key fi lm manufacturers and producers by Camille Bolt-Wellens and other leading archivists and researchers in the field. Richly illustrated (the book contains over 900 images, including 125 in full color), this new 336-page edition of Harold Brown's seminal manual will be welcomed by many, and will no doubt become a must-have working tool for many in the fi lm archiving and academic fields.

FIAF Digital Projection Guide

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Release : 2012-12-03
Genre : Performing Arts
Kind : eBook
Book Rating : 628/5 ( reviews)

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Book Synopsis FIAF Digital Projection Guide by : Torkell Saetervadet

Download or read book FIAF Digital Projection Guide written by Torkell Saetervadet. This book was released on 2012-12-03. Available in PDF, EPUB and Kindle. Book excerpt: FIAF Digital Projection Guide addresses the technical challenges that cinémathèques, archival and repertory cinemas and festivals encounter in the paradigm change from analogue film projection to digital cinema. The guide is an extension of, and update to, The Advanced Projection Manual (2006), a book covering the craft of projecting film classics with modern equipment. FIAF Digital Projection Guide covers the following topics: * What is D-cinema, and what are the alternatives? * Pixel – the digital picture element * The DCP file format * Digital projection systems * 3-D projection technology * Sound for digital cinema * Practical advice for digital conversions FIAF Digital Projection Guide is published by the International Federation of Film Archives (FIAF) and sponsored jointly by The Norwegian Film Institute (NFI) and the Giornate del cinema muto (Pordenone).

A Handbook for Film Archives

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Author :
Release : 1991
Genre : Language Arts & Disciplines
Kind : eBook
Book Rating : /5 ( reviews)

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Book Synopsis A Handbook for Film Archives by : Eileen Bowser

Download or read book A Handbook for Film Archives written by Eileen Bowser. This book was released on 1991. Available in PDF, EPUB and Kindle. Book excerpt:

Transatlantic Cinephilia

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Release : 2023-11-21
Genre : History
Kind : eBook
Book Rating : 438/5 ( reviews)

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Book Synopsis Transatlantic Cinephilia by : Rielle Navitski

Download or read book Transatlantic Cinephilia written by Rielle Navitski. This book was released on 2023-11-21. Available in PDF, EPUB and Kindle. Book excerpt: In the two decades after World War II, a vibrant cultural infrastructure of cineclubs, archives, festivals, and film schools took shape in Latin America through the labor of film enthusiasts who often worked in concert with French and France-based organizations. In promoting the emerging concept and practice of art cinema, these film-related institutions advanced geopolitical and class interests simultaneously in a polarized Cold War climate. Seeking to sharpen viewers' critical faculties as a safeguard against ideological extremes, institutions of film culture lent prestige to Latin America's growing middle classes and capitalized on official and unofficial efforts to boost the circulation of French cinema, enhancing the nation's soft power in the wake of military defeat and occupation. As the first book-length, transnational analysis of postwar Latin American film culture, Transatlantic Cinephilia deepens our understanding of how institutional networks have nurtured alternative and nontheatrical cinemas.

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