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AdI

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Release : 1991
Genre : Italian literature
Kind : eBook
Book Rating : /5 ( reviews)

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Book Synopsis AdI by :

Download or read book AdI written by . This book was released on 1991. Available in PDF, EPUB and Kindle. Book excerpt:

Enigmas

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Release : 1995-07-17
Genre : Art
Kind : eBook
Book Rating : 610/5 ( reviews)

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Book Synopsis Enigmas by : Mario Perniola

Download or read book Enigmas written by Mario Perniola. This book was released on 1995-07-17. Available in PDF, EPUB and Kindle. Book excerpt: "What do we fear most? Repetition or difference? The return of a barbarism that is remote and prehistoric or the advent of a barbarism that is technological as post-human?"

A - Airports

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Release : 2012-05-21
Genre : Reference
Kind : eBook
Book Rating : 944/5 ( reviews)

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Book Synopsis A - Airports by : British Library

Download or read book A - Airports written by British Library. This book was released on 2012-05-21. Available in PDF, EPUB and Kindle. Book excerpt:

Changes, Conflicts and Ideologies in Contemporary Hispanic Culture

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Author :
Release : 2014-06-02
Genre : Performing Arts
Kind : eBook
Book Rating : 662/5 ( reviews)

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Book Synopsis Changes, Conflicts and Ideologies in Contemporary Hispanic Culture by : Teresa Fernandez Ulloa

Download or read book Changes, Conflicts and Ideologies in Contemporary Hispanic Culture written by Teresa Fernandez Ulloa. This book was released on 2014-06-02. Available in PDF, EPUB and Kindle. Book excerpt: This book is formed by various chapters studying the manner in which conflicts, changes and ideologies appear in contemporary Hispanic discourses. The contributions analyze a wide variety of topics related to the manner in which ideological and epistemological changes of the 19th, 20th and 21st centuries are reflected in, and shape, Spanish language, literature, and other cultural expressions in both Spain and Latin America. The 19th century was conducive to various movements of independence, while, in Europe, radical changes of different types and in all contexts of life and knowledge occurred. Language was certainly affected by these changes resulting in new terminology and discourse strategies. Likewise, new schools of thought such as idealism, dialectic materialism, nihilism, and nationalism, among others, were established, in addition to new literary movements such as romanticism, evocative of (r)evolution, individualism and realism, inspired by the social effects of capitalism. Scientific and technological advances continued throughout the 20th century, when the women’s liberation movement consolidated. The notion of globalization also appears, simultaneously to various crises, despotism, wars, genocide, social exclusion and unemployment. Together, these trends give rise to a vindicating discourse that reaches large audiences via television. The classic rhetoric undergoes some changes given the explicit suasion and the absence of delusion provided by other means of communication. The 21st century is defined by the flood of information and the overpowering presence of mass communication; so much so, that the technological impact is clear in all realms of life. From the linguistic viewpoint, the appearance of anglicisms and technicalities mirrors the impact of post-modernity. There is now a need to give coherence to a national discourse that both grasps the past and adapts itself to the new available resources with the purpose of conveying an effective and attractive message to a very large audience. Discourse is swift, since society does not seem to have time to think, but instead seeks to maintain interest in a world filled with stimuli that, in turn, change constantly. Emphasis has been switched to a search for historical images and moments that presumably explain present and future events. It is also significant that all this restlessness is discussed and explained via new means such as the world-wide-web. The change in communication habits (e-mail, chats, forums, SMS) and tools (computers, mobile phones) that was initiated in the 20th century has had a net effect on the directness and swiftness of language.

Artificial Hells

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Release : 2012-07-24
Genre : Art
Kind : eBook
Book Rating : 966/5 ( reviews)

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Book Synopsis Artificial Hells by : Claire Bishop

Download or read book Artificial Hells written by Claire Bishop. This book was released on 2012-07-24. Available in PDF, EPUB and Kindle. Book excerpt: This searing critique of participatory art—from its development to its political ambitions—is “an essential title for contemporary art history scholars and students as well as anyone who has . . . thought, ‘Now that’s art!’ or ‘That’s art?’” (Library Journal) Since the 1990s, critics and curators have broadly accepted the notion that participatory art is the ultimate political art: that by encouraging an audience to take part an artist can promote new emancipatory social relations. Around the world, the champions of this form of expression are numerous, ranging from art historians such as Grant Kester, curators such as Nicolas Bourriaud and Nato Thompson, to performance theorists such as Shannon Jackson. Artificial Hells is the first historical and theoretical overview of socially engaged participatory art, known in the US as “social practice.” Claire Bishop follows the trajectory of twentieth-century art and examines key moments in the development of a participatory aesthetic. This itinerary takes in Futurism and Dada; the Situationist International; Happenings in Eastern Europe, Argentina and Paris; the 1970s Community Arts Movement; and the Artists Placement Group. It concludes with a discussion of long-term educational projects by contemporary artists such as Thomas Hirschhorn, Tania Bruguera, Pawel Althamer and Paul Chan. Since her controversial essay in Artforum in 2006, Claire Bishop has been one of the few to challenge the political and aesthetic ambitions of participatory art. In Artificial Hells, she not only scrutinizes the emancipatory claims made for these projects, but also provides an alternative to the ethical (rather than artistic) criteria invited by such artworks. Artificial Hells calls for a less prescriptive approach to art and politics, and for more compelling, troubling, and bolder forms of participatory art and criticism.

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