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A Companion to Early Cinema

2012-07-02 Performing Arts
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Release : 2012-07-02
Genre : Performing Arts
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Book Rating : 317/5 ( reviews)

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Book Synopsis A Companion to Early Cinema by : André Gaudreault

Download or read book A Companion to Early Cinema written by André Gaudreault. This book was released on 2012-07-02. Available in PDF, EPUB and Kindle. Book excerpt: An authoritative and much-needed overview of the main issues in the field of early cinema from over 30 leading international scholars in the field First collection of its kind to offer in one reference: original theory, new research, and reviews of existing studies in the field Features over 30 original essays from some of the leading scholars in early cinema and Film Studies, including Tom Gunning, Jane Gaines, Richard Abel, Thomas Elsaesser, and André Gaudreault Caters to renewed interest in film studies’ historical methods, with strict analysis of multiple and competing sources, providing a critical re-contextualization of films, printed material and technologies Covers a range of topics in early cinema, such as exhibition, promotion, industry, pre-cinema, and film criticism Broaches the latest research on the subject of archival practices, important particularly in the current digital context

A Companion to Early Cinema

2012-07-17 Performing Arts
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Release : 2012-07-17
Genre : Performing Arts
Kind : eBook
Book Rating : 878/5 ( reviews)

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Book Synopsis A Companion to Early Cinema by : André Gaudreault

Download or read book A Companion to Early Cinema written by André Gaudreault. This book was released on 2012-07-17. Available in PDF, EPUB and Kindle. Book excerpt: A COMPANION TO EARLY CINEMA “This collection of essays by early cinema scholars from Europe and North America offers manifold perspectives on early cinema fiction which perfectly reflect the state of international research.” – Martin Loiperdinger, Universitaet Trier “A fabulous selection of first-rate articles!” – Rick Altman, University of Iowa “One of the most challenging books in recent film studies: in it, early cinema is both a historical object and a contemporary presence. As in a great novel, we can retrace the adventures of the past – the films, styles, discourses, and receptions that made cinema the breakthrough reality it was in its first decades. But we can also come to appreciate how much of this reality is still present in our digital world.” – Francesco Casetti, Yale University A Companion to Early Cinema is an authoritative reference on the field of early cinema. Its 30 peer-reviewed chapters offer cutting-edge research and original perspectives on the major concerns in early cinema studies, and take an ambitious look at ideas and themes that will lead discussions about early cinema into the future. Including work by both established and up-and-coming scholars in early cinema, film theory, and film history, this will be the definitive volume on early cinema history for years to come and a must-have reference for all those working in the field.

Encyclopedia of Early Cinema

2005 Performing Arts
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Release : 2005
Genre : Performing Arts
Kind : eBook
Book Rating : 409/5 ( reviews)

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Book Synopsis Encyclopedia of Early Cinema by : Richard Abel

Download or read book Encyclopedia of Early Cinema written by Richard Abel. This book was released on 2005. Available in PDF, EPUB and Kindle. Book excerpt: One-volume reference work on the first twenty-five years of the cinema's international emergence from the early 1890s to the mid-1910s.

Early Cinema and the "National"

2008-12-17 Performing Arts
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Release : 2008-12-17
Genre : Performing Arts
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Book Rating : 154/5 ( reviews)

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Book Synopsis Early Cinema and the "National" by : Richard Abel

Download or read book Early Cinema and the "National" written by Richard Abel. This book was released on 2008-12-17. Available in PDF, EPUB and Kindle. Book excerpt: Essays on “how motion pictures in the first two decades of the 20th century constructed ‘communities of nationality’ . . . recommended.” —Choice While many studies have been written on national cinemas, Early Cinema and the “National” is the first anthology to focus on the concept of national film culture from a wide methodological spectrum of interests, including not only visual and narrative forms, but also international geopolitics, exhibition and marketing practices, and pressing linkages to national imageries. The essays in this richly illustrated landmark anthology are devoted to reconsidering the nation as a framing category for writing cinema history. Many of the 34 contributors show that concepts of a national identity played a role in establishing the parameters of cinema’s early development, from technological change to discourses of stardom, from emerging genres to intertitling practices. Yet, as others attest, national meanings could often become knotty in other contexts, when concepts of nationhood were contested in relation to colonial/imperial histories and regional configurations. Early Cinema and the “National” takes stock of a formative moment in cinema history, tracing the beginnings of the process whereby nations learned to imagine themselves through moving images.

Early American Cinema in Transition

2001-12-10 Performing Arts
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Release : 2001-12-10
Genre : Performing Arts
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Book Rating : 631/5 ( reviews)

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Book Synopsis Early American Cinema in Transition by : Charlie Keil

Download or read book Early American Cinema in Transition written by Charlie Keil. This book was released on 2001-12-10. Available in PDF, EPUB and Kindle. Book excerpt: The period 1907–1913 marks a crucial transitional moment in American cinema. As moving picture shows changed from mere novelty to an increasingly popular entertainment, fledgling studios responded with longer running times and more complex storytelling. A growing trade press and changing production procedures also influenced filmmaking. In Early American Cinema in Transition, Charlie Keil looks at a broad cross-section of fiction films to examine the formal changes in cinema of this period and the ways that filmmakers developed narrative techniques to suit the fifteen-minute, one-reel format. Keil outlines the kinds of narratives that proved most suitable for a single reel’s duration, the particular demands that time and space exerted on this early form of film narration, and the ways filmmakers employed the unique features of a primarily visual medium to craft stories that would appeal to an audience numbering in the millions. He underscores his analysis with a detailed look at six films: The Boy Detective; The Forgotten Watch; Rose O’Salem-Town; Cupid’s Monkey Wrench; Belle Boyd, A Confederate Spy; and Suspense.

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