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The Origins and Ascendancy of the Concert Mass

2020-12-30 Music
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Release : 2020-12-30
Genre : Music
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Book Rating : 196/5 ( reviews)

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Book Synopsis The Origins and Ascendancy of the Concert Mass by : Stephanie Rocke

Download or read book The Origins and Ascendancy of the Concert Mass written by Stephanie Rocke. This book was released on 2020-12-30. Available in PDF, EPUB and Kindle. Book excerpt: The mass is an extraordinary musical form. Whereas other Western art music genres from medieval times have fallen out of favour, the mass has not merely survived but flourished. A variety of historical forces within religious, secular, and musical arenas saw the mass expand well beyond its origins as a cycle of medieval chants, become concertised and ultimately bifurcate. Even as Western societies moved away from their Christian origins to become the religiously plural and politically secular societies of today, and the Church itself moved in favour of congregational singing, composers continued to compose masses. By the early twentieth century two forms of mass existed: the liturgical mass composed for church services, and the concert mass composed for secular venues. Spanning two millennia, The Origins and Ascendancy of the Concert Mass outlines the origins and meanings of the liturgical texts, defines the concert mass, explains how and why the split occurred, and provides examples that demonstrate composers’ gradual appropriation of the genre as a vehicle for personal expression on serious issues. By the end of the twentieth century the concert mass had become a repository for an eclectic range of theological and political ideas.

The Politicized Concert Mass (1967-2007)

2022-07-29 Music
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Release : 2022-07-29
Genre : Music
Kind : eBook
Book Rating : 573/5 ( reviews)

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Book Synopsis The Politicized Concert Mass (1967-2007) by : Stephanie Rocke

Download or read book The Politicized Concert Mass (1967-2007) written by Stephanie Rocke. This book was released on 2022-07-29. Available in PDF, EPUB and Kindle. Book excerpt: Since the transformative 1960s, concert masses have incorporated a range of political and religious views that mirror their socio-cultural context. Those of the long 1960s (c1958-1975) reflect non-conformism and social activism; those of the 1980s, environmentalism; those of the 1990s, universalism; and those of the 2000s, cultural pluralism. Despite utilizing a format with its roots in the Roman Catholic liturgy, many of these politicized concert masses also reflect the increasing religious diversification of Western societies. By introducing non-Catholic and often non-Christian beliefs into masses that also remain respectful of Christian tradition, composers in the later twentieth century have employed the genre to promote a conciliatory way of being that promotes the value of heterogeneity and reinforces the need to protect the diversity of musics, species and spiritualities that enrich life. In combining the political with the religious, the case studies presented pose challenges for both supporters and detractors of the secularization paradigm. Overarchingly, they demonstrate that any binary division that separates life into either the religious or the secular and promotes one over the other denies the complexity of lived experience and constitutes a diminution of what it is to be human.

Opera, Emotion, and the Antipodes Volume I

2020-12-29 Music
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Release : 2020-12-29
Genre : Music
Kind : eBook
Book Rating : 864/5 ( reviews)

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Book Synopsis Opera, Emotion, and the Antipodes Volume I by : Jane W. Davidson

Download or read book Opera, Emotion, and the Antipodes Volume I written by Jane W. Davidson. This book was released on 2020-12-29. Available in PDF, EPUB and Kindle. Book excerpt: There can be little doubt that opera and emotion are inextricably linked. From dramatic plots driven by energetic producers and directors to the conflicts and triumphs experienced by all associated with opera’s staging to the reactions and critiques of audience members, emotion is omnipresent in opera. Yet few contemplate the impact that the customary cultural practices of specific times and places have upon opera’s ability to move emotions. Taking Australia as a case study, this two-volume collection of extended essays demonstrates that emotional experiences, discourses, displays and expressions do not share universal significance but are at least partly produced, defined, and regulated by culture. Spanning approximately 170 years of opera production in Australia, the authors show how the emotions associated with the specific cultural context of a nation steeped in egalitarian aspirations and marked by increasing levels of multiculturalism have adjusted to changing cultural and social contexts across time. Volume I adopts an historical, predominantly nineteenth-century perspective, while Volume II applies historical, musicological, and ethnological approaches to discuss subsequent Australian operas and opera productions through to the twenty-first century. With final chapters pulling threads from the two volumes together, Opera, Emotion, and the Antipodes establishes a model for constructing emotion history from multiple disciplinary perspectives.

The Oxford Handbook of Music Performance, Volume 1

2022-01-18 Education
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Release : 2022-01-18
Genre : Education
Kind : eBook
Book Rating : 282/5 ( reviews)

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Book Synopsis The Oxford Handbook of Music Performance, Volume 1 by : Gary McPherson

Download or read book The Oxford Handbook of Music Performance, Volume 1 written by Gary McPherson. This book was released on 2022-01-18. Available in PDF, EPUB and Kindle. Book excerpt: The two-volume 'Oxford Handbook of Music Performance' provides the most comprehensive and authoritative resource for musicians, educators and scholars currently available. It is aimed primarily for practicing musicians, particularly those who are preparing for a professional career as performers and are interested in practical implications of psychological and scientific research for their own music performance development; educators with a specific interest or expertise in music psychology, who will wish to apply the concepts and techniques surveyed in their own teaching; undergraduate and postgraduate students who understand the potential of music psychology for informing music education; and researchers in the area of music performance who consider it important for the results of their research to be practically useful for musicians and music educators.

The Oxford Handbook of Music Performance, Volume 1

2021-12-24 Music
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Release : 2021-12-24
Genre : Music
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Book Rating : 304/5 ( reviews)

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Book Synopsis The Oxford Handbook of Music Performance, Volume 1 by : Gary McPherson

Download or read book The Oxford Handbook of Music Performance, Volume 1 written by Gary McPherson. This book was released on 2021-12-24. Available in PDF, EPUB and Kindle. Book excerpt: The two-volume Oxford Handbook of Music Performance provides a resource that musicians, scholars and educators will use as the most important and authoritative overview of work within the areas of music psychology and performance science. The 80 experts from 13 countries who prepared the 53 chapters in this handbook are leaders in the fields of music psychology, performance science, musicology, psychology, education and music education. Chapters in the Handbook provide a broad coverage of the area with considerable expansion of the topics that are normally covered in a resource of this type. Designed around eight distinct sections - Development and Learning, Proficiencies, Performance Practices, Psychology, Enhancements, Health & Wellbeing, Science, and Innovations - the range and scope of The Oxford Handbook of Music Performance is much wider than other publications through the inclusion of chapters from related disciplines such as performance science (e.g., optimizing performance, mental techniques, talent development in non-music areas), and education (e.g., human development, motivation, learning and teaching styles) as well as the attention given to emerging critical issues in the field (e.g., wellbeing, technology, gender, diversity, inclusion, identity, resilience and buoyancy, diseases, and physical and mental disabilities). Within each chapter, authors have selected what they consider to be the most important scientific and artistic material relevant to their topic. They begin their chapters by surveying theoretical views on each topic and then, in the final part of the chapter, highlight practical implications of the literature that performers will be able to apply within their daily musical lives.

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