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The Most Typical Avant-Garde

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Release : 2005-05-30
Genre : Performing Arts
Kind : eBook
Book Rating : 199/5 ( reviews)

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Book Synopsis The Most Typical Avant-Garde by : David James

Download or read book The Most Typical Avant-Garde written by David James. This book was released on 2005-05-30. Available in PDF, EPUB and Kindle. Book excerpt: Los Angeles has nourished a dazzling array of independent cinemas: avant-garde and art cinema, ethnic and industrial films, pornography, documentaries, and many other far-flung corners of film culture. This glorious panoramic history of film production outside the commercial studio system reconfigures Los Angeles, rather than New York, as the true center of avant-garde cinema in the United States. As he brilliantly delineates the cultural perimeter of the film business from the earliest days of cinema to the contemporary scene, David James argues that avant-garde and minority filmmaking in Los Angeles has in fact been the prototypical attempt to create emancipatory and progressive culture. Drawing from urban history and geography, local news reporting, and a wide range of film criticism, James gives astute analyzes of scores of films—many of which are to found only in archives. He also looks at some of the most innovative moments in Hollywood, revealing the full extent of the cross-fertilization the occurred between the studio system and films created outside it. Throughout, he demonstrates that Los Angeles has been in the aesthetic and social vanguard in all cinematic periods—from the Socialist cinemas of the early teens and 1930s; to the personal cinemas of psychic self-investigation in the 1940s; to attempts in the 1960s to revitalize the industry with the counterculture’s utopian visions; and to the 1970s, when African Americans, Asian Americans, Latinos, women, gays, and lesbians worked to create cinemas of their own. James takes us up to the 1990s and beyond to explore new forms of art cinema that are now transforming the representation of Southern California’s geography.

The Most Typical Avant-garde

Download The Most Typical Avant-garde PDF Online Free

Author :
Release : 2005
Genre : Performing Arts
Kind : eBook
Book Rating : 579/5 ( reviews)

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Book Synopsis The Most Typical Avant-garde by : David E. James

Download or read book The Most Typical Avant-garde written by David E. James. This book was released on 2005. Available in PDF, EPUB and Kindle. Book excerpt: " The Most Typical Avant-Garde transforms our sense of the history and geography of American independent cinema, by demonstrating the many and varied contributions of filmmakers who have worked in and around LA. James's range and thoroughness are astonishing. Indeed, those who have worked at chronicling independent cinema will be disappointed with only one thing: the fact that we didn't write this remarkable book!"--Scott MacDonald, author of the Critical Cinema Series

Power Misses II

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Release : 2020-10-27
Genre : History
Kind : eBook
Book Rating : 774/5 ( reviews)

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Book Synopsis Power Misses II by : David E. James

Download or read book Power Misses II written by David E. James. This book was released on 2020-10-27. Available in PDF, EPUB and Kindle. Book excerpt: Like David James' earlier collection of essays, Power Misses: Essays Across (Un)Popular Culture (1996), the present volume, Power Misses II: Cinema, Asian and Modern is concerned with popular cultural activity that propose alternatives and opposition to capitalist media. Now with a wider frame of reference, it moves globally from west to east, beginning with films made during the Korean Democracy Movement, and then turning to socialist realism in China and Taiwan, and to Asian American film and poetry in Los Angeles. Several other avant-garde film movements in L.A. created communities resistant to the culture industries centered there, as did elements in the classic New York avant-garde, here instanced in the work of Ken Jacobs and Andy Warhol. The final chapter concerns little-known films about communal agriculture in the Nottinghamshire village of Laxton, the only one where the medieval open-field system never suffered enclosure. This survival of the commons anticipated resistance to the extreme and catastrophic forms of privatization, monetization, and theft of the public commonweal in the advanced form of capitalism we know as neoliberalism.

A History of the American Avant-garde Cinema

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Author :
Release : 1976
Genre : Avant-garde (Aesthetics)
Kind : eBook
Book Rating : /5 ( reviews)

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Book Synopsis A History of the American Avant-garde Cinema by : American Federation of Arts

Download or read book A History of the American Avant-garde Cinema written by American Federation of Arts. This book was released on 1976. Available in PDF, EPUB and Kindle. Book excerpt: This book surveys avant-garde cinema from 1943 to 1972 and includes the work of Alexander Hammid, Willard Maas, Kenneth Anger, Maya Deren, Sidney Peterson, Ian Hugo, Stan Brakhage, Shirley Clarke, Bruce Conner, Robert Breer, Stan Vanderbeek, Maria Menken, Ken Jacobs, Bruce Baillie, Tony Conrad, Jordan Belson, George Landow, James Whitney, Michael Snow, Paul Sharits, Standish D. Lawder, Larry Jordan, Robert Nelson, Ernie Gehr, Barry Gerson, Hollis Frampton.

The Popular Avant-Garde

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Author :
Release : 2015-06-29
Genre : Art
Kind : eBook
Book Rating : 611/5 ( reviews)

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Book Synopsis The Popular Avant-Garde by :

Download or read book The Popular Avant-Garde written by . This book was released on 2015-06-29. Available in PDF, EPUB and Kindle. Book excerpt: The avant-garde has been popular for some time, but its popularity has tended to fly under the radar. This “popular avant-garde,” conceived as the meeting ground of the avant-garde and popular, avoids the divorce of art and praxis of which the avant-garde has been accused. The Popular Avant-Garde takes stock of the debates about both the “historical” (“modernist”) and posterior avant-gardes, and sets them in relation to popular culture and art forms. With a critical introduction that examines the concepts of “the avant-garde,” “the popular,” and “the popular avant-garde,” the series of essays analyzes the way in which the avant-garde employs popular genres for political purposes, as well as how the popular acquires a critical function with respect to the avant-garde. Each of the volume’s three sections considers a different aspect of the productive exchange between the avant-garde and popular: the popular avant-garde as a culturally hybrid and cross-border phenomenon; the play between the popular avant-garde and developments in media and technology; and the popular avant-garde’s upending of conventional ideas about “the people” and “the popular.” The Popular Avant-Garde takes a fresh look at the now canonical Dadaist, Futurist, and Surrealist movements from the perspectives of gender and sexuality, and cultural and critical theory, while at the same time exploring less well-known avant-garde work in literature, film, television, music, photography, dance, sculpture, and the graphic arts. This volume’s coverage of the American and Afro-American, Luso-Brazilian and Latin-American, East-European, and Scandinavian avant-gardes, in addition to the vanguards of Spain and other parts of Western Europe, will appeal to all those interested in avant-garde and popular art forms.

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