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Foundations of Musical Grammar

2017 MUSIC
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Release : 2017
Genre : MUSIC
Kind : eBook
Book Rating : 668/5 ( reviews)

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Book Synopsis Foundations of Musical Grammar by : Lawrence Michael Zbikowski

Download or read book Foundations of Musical Grammar written by Lawrence Michael Zbikowski. This book was released on 2017. Available in PDF, EPUB and Kindle. Book excerpt: 'Foundations of Musical Grammar' makes a unique contribution to music theory by building on recent research in cognitive science and theoretical perspectives adopted from cognitive linguistics to present an account of the foundations of musical grammar. In presenting this account, it engages with music and the emotions, gesture, and social dance.

Foundations of Musical Grammar

2017 Language Arts & Disciplines
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Release : 2017
Genre : Language Arts & Disciplines
Kind : eBook
Book Rating : 639/5 ( reviews)

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Book Synopsis Foundations of Musical Grammar by : Lawrence Michael Zbikowski

Download or read book Foundations of Musical Grammar written by Lawrence Michael Zbikowski. This book was released on 2017. Available in PDF, EPUB and Kindle. Book excerpt: How is it that humans are able to organize seemingly random sounds into the captivating sonic structures we call music? In this volume, Lawrence M. Zbikowski argues that humans' unique ability to correlate sounds with dynamic processes provides the basis for the construction of meaningful musical utterances - that is, a foundation for musical grammar. Building on a framework for grammar developed by cognitive linguists over the past three decades and the pathbreaking research set out in his earlier book, Conceptualizing Music (OUP 2002), Zbikowski explains how the ability to draw analogies between widely differing domains allowing humans to connect sequences of musical sounds with emotion processes, physical gestures, and the steps of dance. He shows how these connections underpin an evocative movement from a cantata by J.S. Bach, guide our understanding of gestural choreographies by Fred Astaire and Charlie Chaplin, and frame connections between movement and music in French courtly dance and the Viennese waltz. Through thorough surveys of research in cognitive science and careful analyses of works by composers ranging from Bach, Brahms, and Schubert to Jerome Kern, Zbikowski explores the unique resources for communication offered by music and examines how these differ from those of language. Foundations of Musical Grammar is sure to be an instant - and enticingly controversial - classic within the evolving literature addressing the many complex intersections of music and language. -- from dust jacket.

Foundations of Musical Grammar

2017-08-02 Music
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Release : 2017-08-02
Genre : Music
Kind : eBook
Book Rating : 647/5 ( reviews)

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Book Synopsis Foundations of Musical Grammar by : Lawrence M. Zbikowski

Download or read book Foundations of Musical Grammar written by Lawrence M. Zbikowski. This book was released on 2017-08-02. Available in PDF, EPUB and Kindle. Book excerpt: In recent years, music theorists have been increasingly eager to incorporate findings from the science of human cognition and linguistics into their methodology. In the culmination of a vast body of research undertaken since his influential and award-winning Conceptualizing Music (OUP 2002), Lawrence M. Zbikowski puts forward Foundations of Musical Grammar, an ambitious and broadly encompassing account on the foundations of musical grammar based on our current understanding of human cognitive capacities. Musical grammar is conceived of as a species of construction grammar, in which grammatical elements are form-function pairs. Zbikowski proposes that the basic function of music is to provide sonic analogs for dynamic processes that are important in human cultural interactions. He focuses on three such processes: those concerned with the emotions, the spontaneous gestures that accompany speech, and the patterned movement of dance. Throughout the book, Zbikowski connects cognitive research with music theory for an interdisciplinary audience, presenting detailed musical analyses and summaries of the basic elements of musical grammar.

Conceptualizing Music

2002-11-14 Music
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Release : 2002-11-14
Genre : Music
Kind : eBook
Book Rating : 17X/5 ( reviews)

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Book Synopsis Conceptualizing Music by : Lawrence M. Zbikowski

Download or read book Conceptualizing Music written by Lawrence M. Zbikowski. This book was released on 2002-11-14. Available in PDF, EPUB and Kindle. Book excerpt: This book shows how recent work in cognitive science, especially that developed by cognitive linguists and cognitive psychologists, can be used to explain how we understand music. The book focuses on three cognitive processes--categorization, cross-domain mapping, and the use of conceptual models--and explores the part these play in theories of musical organization. The first part of the book provides a detailed overview of the relevant work in cognitive science, framed around specific musical examples. The second part brings this perspective to bear on a number of issues with which music scholarship has often been occupied, including the emergence of musical syntax and its relationship to musical semiosis, the problem of musical ontology, the relationship between words and music in songs, and conceptions of musical form and musical hierarchy. The book will be of interest to music theorists, musicologists, and ethnomusicologists, as well as those with a professional or avocational interest in the application of work in cognitive science to humanistic principles.

Enacting Musical Time

2019-10-09 Music
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Release : 2019-10-09
Genre : Music
Kind : eBook
Book Rating : 213/5 ( reviews)

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Book Synopsis Enacting Musical Time by : Mariusz Kozak

Download or read book Enacting Musical Time written by Mariusz Kozak. This book was released on 2019-10-09. Available in PDF, EPUB and Kindle. Book excerpt: What is musical time? Where is it manifested? How does it enter into our experience, and how do we capture it in our analyses? A compelling approach among works on temporality, phenomenology, and the ecologies of the new sound worlds, Enacting Musical Time argues that musical time is itself the site of the interaction between musical sounds and a situated, embodied listener, created by the moving bodies of participants engaged in musical activities. Author Mariusz Kozak describes musical time as something that emerges when the listener enacts her implicit knowledge about "how music goes," from deliberate inactivity, to such simple actions as tapping her foot in time with the beat, to dancing in a way that engages her entire body. Kozak explores this idea in the context of modernist and postmodernist musical styles, where composers create unfamiliar and idiosyncratic temporal experiences, blur the line between spectatorship and participation, and challenge conventional notions of form. Basing his discussion on the phenomenology of Merleau-Ponty and on the ecological psychology of J. J. Gibson, Kozak examines different aspects of musical structure through the lens of embodied cognition and what phenomenologists call "lived time." A bold new theory derived from an unprecedented fusion of research perspectives, Enacting Musical Time will engage scholars across a range of disciplines, from music theory, music cognition, cognitive science, continental philosophy, and social anthropology.

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