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Early Printed Music and Material Culture in Central and Western Europe

2021-05-04 Music
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Release : 2021-05-04
Genre : Music
Kind : eBook
Book Rating : 089/5 ( reviews)

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Book Synopsis Early Printed Music and Material Culture in Central and Western Europe by : Andrea Lindmayr-Brandl

Download or read book Early Printed Music and Material Culture in Central and Western Europe written by Andrea Lindmayr-Brandl. This book was released on 2021-05-04. Available in PDF, EPUB and Kindle. Book excerpt: This book presents a varied and nuanced analysis of the dynamics of the printing, publication, and trade of music in the sixteenth and early seventeenth centuries across Western and Northern Europe. Chapters consider dimensions of music printing in Britain, the Holy Roman Empire, the Netherlands, France, Spain and Italy, showing how this area of inquiry can engage a wide range of cultural, historical and theoretical issues. From the economic consequences of the international book trade to the history of women music printers, the contributors explore the nuances of the interrelation between the materiality of print music and cultural, aesthetic, religious, legal, gender and economic history. Engaging with the theoretical turns in the humanities towards material culture, mobility studies and digital research, this book offers a wealth of new insights that will be relevant to researchers of early modern music and early print culture alike.

Material Cultures of Music Notation

2022-05-16 Music
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Release : 2022-05-16
Genre : Music
Kind : eBook
Book Rating : 209/5 ( reviews)

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Book Synopsis Material Cultures of Music Notation by : Floris Schuiling

Download or read book Material Cultures of Music Notation written by Floris Schuiling. This book was released on 2022-05-16. Available in PDF, EPUB and Kindle. Book excerpt: Material Cultures of Music Notation brings together a collection of essays that explore a fundamental question in the current landscape of musicology: how can writing and reading music be understood as concrete, material practices in a wider cultural context? Drawing on interdisciplinary approaches from musicology, media studies, performance studies, and more, the chapters in this volume offer a wide array of new perspectives that foreground the materiality of music notation. From digital scores to the transmission of manuscripts in the Middle Ages, the volume deliberately disrupts boundaries of discipline, historical period, genre, and tradition, by approaching notation's materiality through four key interrelated themes: knowledge, the body, social relations, and technology. Together, the chapters capture vital new work in an essential emerging area of scholarship.

Horace across the Media

2022-09-26 History
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Release : 2022-09-26
Genre : History
Kind : eBook
Book Rating : 73X/5 ( reviews)

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Book Synopsis Horace across the Media by : Karl A.E. Enenkel

Download or read book Horace across the Media written by Karl A.E. Enenkel. This book was released on 2022-09-26. Available in PDF, EPUB and Kindle. Book excerpt: This volume explores various perceptions, adaptations, and appropriations of Horace in the Early Modern age across textual, visual and musical media. It thus intends to advocate an interdisciplinary and multi-medial approach to the exceptionally rich and variegated afterlife of Horace.

Lutheran Music Culture

2021-10-25 Religion
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Release : 2021-10-25
Genre : Religion
Kind : eBook
Book Rating : 955/5 ( reviews)

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Book Synopsis Lutheran Music Culture by : Mattias Lundberg

Download or read book Lutheran Music Culture written by Mattias Lundberg. This book was released on 2021-10-25. Available in PDF, EPUB and Kindle. Book excerpt: This volume presents a novel and distinct contribution to previous research on the rich Lutheran heritage of music. It builds upon a current surge of interest in the field, which resonates with a wider interest in connections between music and religion, as well as with cultural and aesthetic dimensions of faith at large. The book situates the topic in relation to recent developments within historical and cultural studies that have developed a more nuanced and positive view of the interplay between theologians and other cultural agents in the evolution of Western modernity during post Reformation processes of ‘confessionalization’. It combines conceptual discussions of key terms relevant to the study of the development and significance of an Early Modern Lutheran Music Culture with theological readings of central texts on music, analytic approaches to historical repertoires and material perspectives on its dissemination.

Printing Music in Renaissance Rome

2024-02-16 Music
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Release : 2024-02-16
Genre : Music
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Book Rating : 638/5 ( reviews)

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Book Synopsis Printing Music in Renaissance Rome by : Jane A. Bernstein

Download or read book Printing Music in Renaissance Rome written by Jane A. Bernstein. This book was released on 2024-02-16. Available in PDF, EPUB and Kindle. Book excerpt: In sixteenth-century Italy, Rome ranked second only to Venice as an important center for music book production. Throughout the century, printers in the Eternal City experimented more readily and more consistently with the materiality of the book than their Venetian counterparts, who, by standardizing their printing methods, came to dominate the international marketplace. The Romans' ingenuity and willingness to meet individual clients' needs resulted in music editions in a broader array of shapes and sizes, employing a wider range of printing techniques. They became "boutique" printers, eschewing the run-of-the-mill in favor of tailoring production to varied market demands. Accommodating the diverse requirements of their clientele, they supplied customized volumes, which Venetian presses either could not--or would not--produce. In Printing Music in Renaissance Rome, author Jane A. Bernstein offers a panoramic view of the cultures of music and the book in Rome from the beginning of printing in 1476 through the early seventeenth century. Emphasizing the exceptionalism of Roman music publishing, she highlights the innovative printing technologies and book forms devised by Roman bookmen. She also analyzes the Church's predominant influence on the book industry and, in turn, the Roman press's impact on such important composers as Palestrina, Marenzio, Victoria, and Cavalieri. Drawing on innovative publications, Bernstein reveals a synergistic relationship between music repertories and the materiality of the book. In particular, she focuses on the post-Tridentine period, when musical idioms, both new and old, challenged printers to employ alternative printing methods and modes of book presentation in the creation of their music editions. Of interest to musicologists, art historians, and book historians alike, this book builds on Bernstein's previous work as she continues to chart the course of music and the book in Renaissance Italy.

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