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Concepts in Film Theory

1984-03-15 Performing Arts
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Release : 1984-03-15
Genre : Performing Arts
Kind : eBook
Book Rating : 511/5 ( reviews)

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Book Synopsis Concepts in Film Theory by : J. Dudley Andrew

Download or read book Concepts in Film Theory written by J. Dudley Andrew. This book was released on 1984-03-15. Available in PDF, EPUB and Kindle. Book excerpt: Concepts in Film Theory is a continuation of Dudley Andrew's classic, The Major Film Theories. In writing now about contemporary theory, Andrew focuses on the key concepts in film study -- perception, representation, signification, narrative structure, adaptation, evaluation, identification, figuration, and interpretation. Beginning with an introductory chapter on the current state of film theory, Andrew goes on to build an overall view of film, presenting his own ideas on each concept, and giving a sense of the interdependence of these concepts. Andrew provides lucid explanations of theories which involve perceptual psychology and structuralism; semiotics and psychoanalysis; hermeneutics and genre study. His clear approach to these often obscure theories enables students to acquire the background they need to enrich their understanding of film -- and of art.

Film Theory

2004 Art
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Release : 2004
Genre : Art
Kind : eBook
Book Rating : 729/5 ( reviews)

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Book Synopsis Film Theory by : Philip Simpson

Download or read book Film Theory written by Philip Simpson. This book was released on 2004. Available in PDF, EPUB and Kindle. Book excerpt:

What Is Film Theory?

2010-02-01 Performing Arts
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Release : 2010-02-01
Genre : Performing Arts
Kind : eBook
Book Rating : 232/5 ( reviews)

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Book Synopsis What Is Film Theory? by : Rushton, Richard

Download or read book What Is Film Theory? written by Rushton, Richard. This book was released on 2010-02-01. Available in PDF, EPUB and Kindle. Book excerpt: 'What is Film Theory? is an introduction to the key elements of film theory. So, what is film theory as a subject? Film studies is divided in to key subjects and themes: there's film art which looks at the aesthetics of film; cinema studies which looks at institutions, films themeselves and the industry; film theory which looks at the concepts, philosophies and disciplines which underline film studies. As such, the book will look at subjects including semiotics and strucutalism, psychoanalysis, formalist film theory, cognitive approaches and neoformalism. In the light of the readers' reports it will also address more 'cultural' issues such as queer theory, ethnicity, postcolonialism and world cinema..

Film Theory

2004 Cinematography
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Release : 2004
Genre : Cinematography
Kind : eBook
Book Rating : 736/5 ( reviews)

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Book Synopsis Film Theory by : Philip Simpson

Download or read book Film Theory written by Philip Simpson. This book was released on 2004. Available in PDF, EPUB and Kindle. Book excerpt: This major new collection identifies the critical and theoretical concepts which have been most significant in the study of film and presents a historical and intellectual context for the material examined.

Cinematic Interfaces

2013-07-11 Art
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Release : 2013-07-11
Genre : Art
Kind : eBook
Book Rating : 502/5 ( reviews)

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Book Synopsis Cinematic Interfaces by : Seung-hoon Jeong

Download or read book Cinematic Interfaces written by Seung-hoon Jeong. This book was released on 2013-07-11. Available in PDF, EPUB and Kindle. Book excerpt: In this book, Seung-hoon Jeong introduces the cinematic interface as a contact surface that mediates between image and subject, proposing that this mediation be understood not simply as transparent and efficient but rather as asymmetrical, ambivalent, immanent, and multidirectional. Jeong enlists the new media term "interface" to bring to film theory a synthetic notion of interfaciality as underlying the multifaceted nature of both the image and subjectivity. Drawing on a range of films, Jeong examines cinematic interfaces seen on screen and the spectator’s experience of them, including: the direct appearance of a camera/filmstrip/screen, the character’s bodily contact with such a medium-interface, the object’s surface and the subject’s face as "quasi-interface," and the image itself. Each of these case studies serves as a platform for remapping and revamping major concepts in film studies such as suture, embodiment, illusion, signification, and indexicality. Looking to such theories as the ontology of the image and the phenomenology of the body, this original theorization of the cinematic interface not only offers a conceptual framework for rethinking and re-linking film and media studies, but also suggests a general theory of the interface.

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