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Release : 2020-02-03
Genre : Art
Kind : eBook
Book Rating : 611/5 ( reviews)

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Book Synopsis Collection of Ancient Chinese Cultural Relics, Volume 9 by :

Download or read book Collection of Ancient Chinese Cultural Relics, Volume 9 written by . This book was released on 2020-02-03. Available in PDF, EPUB and Kindle. Book excerpt: This book, a collection of ancient Chinese cultural relics, deals with relics from Qing Dynasty, 1644 to 1911. There are two volumes dealing with relics in this period. This book contains 377 relics. The ancestors of the people who established the Manchu Qing Dynasty lived in northeast China in the territory lying between the 'white mountains and the black rivers'. After establishing their capital in Beijing. the Qing Dynasty defeated all the forces that opposed them and they quickly consolidated their frontier defences. in the nearly 300 years of the Qing Dynasty, China achieved some remarkable things especially in the fields of culture and art even though it lagged behind in many other respects in global terms. Jade ware reached a great peak in the mid Qing Dynasty and surpassed previous achievement in size, selection of materials and overall craftsmanship. Porcelain production reached its highest ever peak in this era. Jingdezhen remained the centre for production of porcelain. The period also saw the revival in the history of Chinese calligraphy. Stone inscriptions grew in popularity and a number of pioneer masters emerged and exerted a far-reaching influence. Seal character calligraphy and li calligraphy (official script) were revised again. Literati painting played a dominant role and landscape painting and impressionistic ink and wash painting were prevalent Laquer craftwork in all shapes and sizes reached a great deal level of maturity. Existing techniques were improved and others developed. Embroidery reached unprecedented heights. Silk tapestries became more and more exquisite and the production of metal bodied enamelware reached a great peak. Bamboo wood and horn carvings also were developed. Jade objects went through three stages of development. 1. Frugal period, with jade production was small and made by ordinary craftsmen and lack originality. 2. Due to a growing Qing comic strength. and a plentiful supply of jade materials the jade industry began to flourish, and became one of the high points in jade carving in China. 3. Late period of the Qing Dynasty and due to increasing corruption in society and large number of difficulties, both domestic and external, there was less appetite for large scale pieces of jade in part also due to the high cost of production. This book, the ninth in a ten-volume collection, brings to the English-speaking world a series of books from China which has been complied by an Expert Committee of the Chinese Society of Cultural Relics. There are 377 descriptions.

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Release : 2020-02-03
Genre : Art
Kind : eBook
Book Rating : 530/5 ( reviews)

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Book Synopsis Collection of Ancient Chinese Cultural Relics, Volume 7 by :

Download or read book Collection of Ancient Chinese Cultural Relics, Volume 7 written by . This book was released on 2020-02-03. Available in PDF, EPUB and Kindle. Book excerpt: This book, a collection of ancient Chinese cultural relics details relics from the Liao, Jin and Western Xia Dynasties, 916 to 1234 and the Yuan Dynasty, 1271 to 1368. It has relics of jade ad copper ware, gold and silver ware, pottery, porcelain, painting, and handicraft from the Liao, Jin and Western Xia Dynasties and others from the Yuan Dynasty. There are 250 relics. During the Northern and Southern Song Dynasties, northern nomads established a number of separate regimes. The Liao, Western Xia and Jin Dynasties. In the northeast, the Khitan people founded the Liao Regime and 916 and it was destroyed in 1125. The Liao, Jin and Western Xia Dynasties were ill founded by nomadic peoples, but under the influence of the Han people, who had a long history, the politics and cultures of these nomadic peoples took on a kind of duality. While they preserved the traditions of their respective nationalities, they also absorbed the culture of the Han people and gradually they even converted to Han customs. Jade objects were usually manufactured by the Han. For example, the Jade Ornament of Sprint Water Patter shows a scene of a falcon attacking a wild goose, which reflects the hunting life and the national character of the Khitan people. The ceramic industry attached great importance on the absorption of advanced porcelain-fired skills from the Central Plains, and a group of skilled craftsmen migrated to these areas. As a whole, the ceramic industry in these areas were inferior to those of the Central Plains-they had fewer workshops and were smaller kin size-but porcelain of some considerable quality was still produced there and different national styles were developed as well as skills and techniques in terms of shaping and adornment. The Liao state followed the lead of the Han people in establishing offical kilns in Shangjing Linhuangfu. In spite of their small size and relative short duration of usage, the kilns still produced high quality and artistic work. In the Liao, Jin and Western Xia Dynasties, calligraphy and painting were relatively underdeveloped and there were few great calligraphers or painters. However, large numbers of gold and silver objects have been found and were used in funerals, for adornment and worship. Jade was more popular in the Jin than in the Liao Dynasty. Yuan Dynasty 1271 to 1368 In the early period of the Yuan, the emergence of the nomadic Mongo people on the northern prairies was hardly noticed. In 1206, Genghis Khan, began building the Mongol empire. In 1276 the Yuan regime moved south and conquered the Southern Song Regime to reunite the whole country- the first time this had been done by a northern nomadic ethic group in China's history. This book, the seventh in a ten-volume collection, brings to the English-speaking world a series of books from China which has been complied by an Expert Committee of the Chinese Society of Cultural Relics. There are 250 descriptions.