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Canonic Repertories and the French Musical Press

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Release : 2021
Genre : History
Kind : eBook
Book Rating : 165/5 ( reviews)

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Book Synopsis Canonic Repertories and the French Musical Press by : William Weber

Download or read book Canonic Repertories and the French Musical Press written by William Weber. This book was released on 2021. Available in PDF, EPUB and Kindle. Book excerpt: A bold application of the concept of canonical works to the development of French operatic and concert life in the eighteenth and nineteenth centuries.

French Art Song

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Release : 2022
Genre : Songs
Kind : eBook
Book Rating : 548/5 ( reviews)

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Book Synopsis French Art Song by : Emily Kilpatrick

Download or read book French Art Song written by Emily Kilpatrick. This book was released on 2022. Available in PDF, EPUB and Kindle. Book excerpt: A ground-breaking study of the musical and literary priorities, professional practices and creative interactions that shaped one of the most adventurous artforms of the Belle Époque.

Claiming Wagner for France

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Release : 2022
Genre : History
Kind : eBook
Book Rating : 701/5 ( reviews)

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Book Synopsis Claiming Wagner for France by : Rachel Orzech

Download or read book Claiming Wagner for France written by Rachel Orzech. This book was released on 2022. Available in PDF, EPUB and Kindle. Book excerpt: "This book examines the shifting attitudes toward Wagner reflected in the Parisian press during the period of the Third Reich. Paradoxically, during one of the darkest periods of French history, as the German threat grew more tangible and then manifested in the Nazi occupation of France, Parisians chose to see in Wagner a universality that transcended his Germanness. As Franco-German diplomatic relations gradually worsened in the 1930s, Wagner became an increasingly integral part of French musical culture. Parisians were unwilling to surrender Wagner to German exclusivist claims. In previous decades the French had used Wagner to symbolize a diverse array of political arguments and positions, from right-wing nationalism to left-wing humanism and egalitarianism, In the 1930s, however, the Parisian press depicted him as a universalist. Although Wagner had stood in for German nationalism and chauvinism in recent periods of Franco-German conflict, in the 1930s Parisians refused this notion and attempted to reclaim his role in their own national history and imagination. Even once war was declared in 1939 and a ban on the performance of Wagner's music was implemented, commentators insisted that it was simply a temporary measure designed to avoid public disturbance. Simultaneously, they maintained that 'music has no borders,' and that 'it is childish to mix art and politics.' The Wagner discourses that emerged from the 1930s Parisian press paved the way for the dominant Wagner discourse in the German-controlled Occupation press: Collaboration through Wagner. By a great irony of history, the concept of Wagner the universalist that had been used to resist the Nazis in the 1930s was transformed into the infamous collaborationist rhetoric promoted by the Vichy government between 1940 and 1944"--

Pursuit of the New: Louise Hanson-Dyer, Publisher and Collector

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Release : 2023-12-13
Genre : Music
Kind : eBook
Book Rating : 011/5 ( reviews)

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Book Synopsis Pursuit of the New: Louise Hanson-Dyer, Publisher and Collector by : Kerry Murphy

Download or read book Pursuit of the New: Louise Hanson-Dyer, Publisher and Collector written by Kerry Murphy. This book was released on 2023-12-13. Available in PDF, EPUB and Kindle. Book excerpt: This book on the Australian music publisher and patron Louise Hanson-Dyer brings together, for the first time, an international group of scholars with expertise in the history of early French musicology and sound recording; fine art and design; and critical editions and music publishing in France. With a focus on the interwar period, it aims to synchronise Hanson-Dyer’s Melbourne and Paris ventures, seeing her work in a global perspective and showing how she played a significant role in the transnational cultural relationship between Australia and France. Hanson-Dyer had vision and objectives and the drive to realise them; this volume situates the consolidation of her role as cultural activist in early twentieth-century Europe and Australia and presents new light on her publication of critical musical editions, her art collections and early sound recordings.

Exhibitions, Music and the British Empire

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Release : 2022
Genre : Exhibitions
Kind : eBook
Book Rating : 738/5 ( reviews)

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Book Synopsis Exhibitions, Music and the British Empire by : Sarah Kirby

Download or read book Exhibitions, Music and the British Empire written by Sarah Kirby. This book was released on 2022. Available in PDF, EPUB and Kindle. Book excerpt: "International exhibitions were among the most significant cultural phenomena of the late nineteenth century. These vast events aimed to illustrate, through displays of physical objects, the full spectrum of the world's achievements, from industry and manufacturing, to art and design. But exhibitions were not just visual spaces. Music was ever present, as a fundamental part of these events' sonic landscape, and integral to the visitor experience. This book explores music at international exhibitions held in Australia, India, and the United Kingdom during the 1880s. At these exhibitions, music was codified, ordered, and all-round 'exhibited' in manifold ways. Displays of physical instruments from the past and present were accompanied by performances intended to educate or to entertain, while music was heard at exhibitors' stands, in concert halls, and in the pleasure gardens that surrounded the exhibition buildings. Music was depicted as a symbol of human artistic achievement, or employed for commercial ends. At times it was presented in nationalist terms, at others as a marker of universalism. This book argues, by interrogating the multiple ways that music was used, experienced, and represented, that exhibitions can demonstrate in microcosm many of the broader musical traditions, purposes, arguments, and anxieties of the day. Its nine chapters focus on sociocultural themes, covering issues of race, class, public education, economics, and entertainment in the context of music, trading these through the networks of communication that existed within the British Empire at the time. Combining approaches from reception studies and historical musicology, this book demonstrates how the representation of music at exhibitions drew the press and public into broader debates about music's role in society"--Page 4 of cover.

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